7.7/10
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Quai des Orfèvres (1947)

Jenny Lamour wants to succeed in music hall. Her husband and accompanist is Maurice Martineau, a nice but jealous man. When he knew Jenny is making eyes at Brignon, an old businessman, in ... See full summary »

Director:

(as H. G. Clouzot)

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2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Emile Lafour, un chauffeur de taxi
Jeanne Fusier-Gir ...
Claudine Dupuis ...
Manon
Charles Dullin ...
Georges Brignon
Henri Arius ...
Léopardi, l' éditeur de musique (as Arius)
...
Le gendarme Poitevin (as Blavette)
René Blancard ...
Le commissaire principal de la P.J. (as R. Blancard)
...
Paulo, un truand (as R. Dalban)
Jean Daurand ...
L'inspecteur Picard (as J. Daurand)
Jean Dunot ...
Nitram - un chanteur comique (as J. Dunot)
Jacques Grétillat ...
Auguste (as J. Grétillat)
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Storyline

Jenny Lamour wants to succeed in music hall. Her husband and accompanist is Maurice Martineau, a nice but jealous man. When he knew Jenny is making eyes at Brignon, an old businessman, in order to get some engagements, he looses his temper and threatens Brignon with death. But Jenny went anyway to a rendez-vous at the old man's, who is murdered the same evening. The criminal investigations are lead by Inspector Antoine... Written by Yepok

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

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Details

Official Sites:

Country:

Language:

Release Date:

5 March 1948 (USA)  »

Also Known As:

Jenny Lamour  »

Filming Locations:

 »

Box Office

Opening Weekend:

$13,139 (USA) (1 November 2002)

Gross:

$152,961 (USA) (1 August 2003)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (censored)

Sound Mix:

(Western Electric Variable Density)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Clouzot wrote almost two-thirds of the film only having read the novel years before, recalling it from memory, since it was out of print by the time he started the screenplay. When Stanislas-André Steeman saw the film, he was furious about the differences between the novel and the film. See more »

Goofs

When Antoine is repeating Maurice's deposition to the typist, he says that the confrontation between Maurice and Brignon at the restaurant took place on Wednesday, December 2, 1946. In 1946, December 2 fell on a Monday. See more »

Connections

Referenced in Film Geek (2005) See more »

Soundtracks

Avec son Tralala
Music by Francis Lopez
Lyrics by André Hornez
Performed by Suzy Delair
See more »

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User Reviews

 
Chabrol's predecessor.
14 August 2001 | by See all my reviews

First of all,there is a detective story:"légitime défense" by Belgian Stanislas André Steeman whose "l'assassin habite au 21" Clouzot had already transferred to the screen in 1942,with Pierre Fresnay and the same actress Suzy Delair.Steeman complained about Clouzot's adaptation for both movies.The movie from 1942 was excellent,but the "detective story" side had been kept,so why complaining?As for "Quai des orfèvres",Clouzot was now in a new phase of his brilliant career.After having directed "le corbeau" and been blacklisted,he had a lot more to say than a simple whodunit.Steeman complained essentially about the poor detective ending,which I will not reveal of course,but Clouzot focused on the social vignettes,on his characters's psychology,and he did not give a damn about the puzzle à la Agatha Christie.By doing so,he becomes the genuine predecessor of CLaude Chabrol who has always been closer to him than to Alfred Hitchcock whom he admires much though. Suzy Delair has great screen presence,and you will love the song she really sings(she was a singer too)"avec son tralala".Bernard Blier gives ,as ever,a sparing of gestures and words performance,and he really pulls it off .Two characters are particularly interesting and disturbing:the first one,Dora,the photographer:she takes pictures of female models ,and Clouzot,by subtle touches,reveals us she's a lesbian.Of course,the word is never uttered(How could it be in 1947?) The police chief (fabulous Louis Jouvet) tells her:"You and me,WE are not lucky with women."The portrait of this cop is very detailed:we learn a lot of things about him,not necessarily connected with the Delair/Blier plot:he's a widower ,with a son he adores and who runs into school difficulties,particularly in geometry.So we get to know all the characters in depth.One of the most important manifesto of post-war French cinema.


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