Quai des Orfèvres (1947)

User Rating:

7.7/10   

Director:

Henri-Georges Clouzot

Writers:

Stanislas-André Steeman (novel) and
Henri-Georges Clouzot (dialogue)

Release Date:

5 March 1948 (USA)

Genre:

Crime | Drama

Plot:

Jenny Lamour wants to succeed in music hall. Her husband and accompanist is Maurice Martineau, a nice but jealous guy...

Plot Keywords:

Businessman | Investigation | Music Hall | Dance Hall Singer | Police Investigation

Awards:

2 wins

Cast

Suzy Delair	...	Marguerite Chauffournier Martineau, aka Jenny Lamour
Bernard Blier	...	Maurice Martineau
Louis Jouvet	...	L'inspecteur adjoint Antoine
Simone Renant	...	Dora Monier
Jean Daurand	...	L'inspecteur Picard
Pierre Larquey	...	Emile Lafour, un chauffeur de taxi
René Blancard	...	Le commissaire principal de la P.J.
Robert Dalban	...	Paulo, un truand
Charles Dullin	...	Georges Brignon
Henri Arius	...	Léopardi, l' éditeur de musique
Charles Blavette	...	Le gendarme Poitevin
Jean Dunot	...	Nitram, un chanteur comique
Claudine Dupuis	...	Manon
Jeanne Fusier-Gir	...	Pâquerette, la dame du vestiaire
Jacques Grétillat	...	Auguste

Also Known As:

Jenny Lamour
Quay of the Goldsmiths (USA) (literal English title)

Runtime:

106 min | Portugal:97 min (censored version)

Country:

France

Language:

French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Variable Density)

Certification:

UK:PG (DVD rating) | West Germany:16 | Finland:K-16 | France:U (re-release: 2000)

Filming Locations:

Paris, France

Company:

Majestic Films

Soundtrack:

Avec son tralala, son petit tralala, elle faisait tourner toutes les têtes

Another winner from Clouzot

Quai des Orfevres takes too long getting going, with Clouzot so enamored of his back-stage milieu that he is almost in danger of forgetting the story. However, once it does, it's Clouzot at his best. Bertrand Blier (father of Bertrand Blier and co-star of his Buffet Froid) is the worldworn pianist who married beneath himself and who plans to kill the seedy studio mogul with designs on his wife only to find that someone has beaten him to it. Not only that, but his carefully planned but clumsily executed alibi falls to pieces, not least when a thief steals his car at the murder scene…

The film really kicks into life with the arrival of Luis Jouvet's police inspector, a rather wonderful creation half Alistair Sim in Green for Danger and half world-weary Maigret with better dialog. In a neat running gag, his investigation is constantly conducted at the top of his voice against chaos and noise, whether it be the noisy typewriters of the police station or a loud rehearsal. The police station itself is a wonderfully realistic creation, a wealth of chaotic and telling small details that makes Steve Bocchco's once revolutionary 80's US cop shows look like antiquated museum pieces by comparison.

If Suzy Delair is a rather unconvincing femme fatale, the supporting cast more than compensate, with the beautiful Simone Renant a standout as the lesbian photographer in love with her from afar and constantly mistaken for Blier's lover by Delair and other interested parties (only Jouvet, similarly unlucky with women, understands and genuinely sympathises). With great black and white photography by Armand Thirard, this is a terrific little thriller with a nice twist ending and a lovely scene with a cab driver reluctantly identifying Renant in a police station. (Trivia note: Pierre Larquey, who played the playfully philosophical Dr Vorzet in Le Corbeau, turns up in smaller roles as a cab-driver in both Quai and Les Espions.)

The Criterion DVD is quite superb - great picture quality plus an illuminating extract from a French TV show featuring interviews with Clouzot, Blier and Renant.