| Teresa Wright | ... | Thor | |
| Robert Mitchum | ... | Jeb | |
| Judith Anderson | ... | Mrs. Callum | |
| Dean Jagger | ... | Grant | |
| Alan Hale | ... | Jake Dingle | |
| John Rodney | ... | Adam | |
| Harry Carey Jr. | ... | Prentice | |
| Clifton Young | ... | The Sergeant | |
| Ernest Severn | ... | Jeb, age 11 | |
| Charles Bates | ... | Adam, age 11 | |
| Peggy Miller | ... | Thor, age 10 | |
| Norman Jolley | ... | A Callum | |
| Lane Chandler | ... | A Callum | |
| Elmer Ellingwood | ... | A Callum | |
| Jack Montgomery | ... | A Callum | |
| rest of cast listed alphabetically: | |||
| Ray Teal | ... | Army Captain (scenes deleted) | |
| Erville Alderson | ... | Townsman at Trial (uncredited) | |
| Virginia Brissac | ... | Woman at the wedding (uncredited) | |
| Ben Corbett | ... | Juror (uncredited) | |
| Lester Dorr | ... | Dingle's Casino Boss (uncredited) | |
| Tom Fadden | ... | The Minister (uncredited) | |
| Scotty Hugenberg | ... | Jed, age 4 (uncredited) | |
| Kathy Jeanne Johnson | ... | Thorley, age 3 (uncredited) | |
| Mickey Little | ... | Adam, age 4 (uncredited) | |
| Ian MacDonald | ... | A Callum (uncredited) | |
| Eddy Waller | ... | Ben McComber (uncredited) | |
| Ian Wolfe | ... | Coroner (uncredited) | |
Directed by | |||
| Raoul Walsh | |||
Writing credits | ||
| Niven Busch | (screenplay) | |
Produced by | |||
| Milton Sperling | .... | producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| James Wong Howe | |||
Film Editing by | |||
| Christian Nyby | |||
Art Direction by | |||
| Ted Smith | |||
Set Decoration by | |||
| Jack McConaghy | |||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Russell Saunders | .... | assistant director (uncredited) | |
Sound Department | |||
| Francis J. Scheid | .... | sound | |
Special Effects by | |||
| William C. McGann | .... | special effects director (as William McGann) | |
| Willard Van Enger | .... | special effects | |
Stunts | |||
| Jack Montgomery | .... | stunts (uncredited) | |
| Allen Pomeroy | .... | stunt coordinator (uncredited) | |
| Audrey Scott | .... | stunt double: Judith Anderson (uncredited) | |
| Terry Wilson | .... | stunt double (uncredited) | |
Costume and Wardrobe Department | |||
| Leah Rhodes | .... | wardrobe | |
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Murray Cutter | .... | orchestrator | |
| Leo F. Forbstein | .... | musical director | |
Other crew | |||
| Maurice Murphy | .... | dialogue director | |
| Terry Wilson | .... | horse wrangler (uncredited) | |
| Recent Posts (updated daily) | User |
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| Feels more like film noir than a western | scheelj1 |
| Incest in a 1947 film-SPOILER | lawyersgunsmoney927 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
`Pursued' is ranked among Walsh's best westerns. It's inferior to `Colorado Territory' (probably Walsh's best), but forms a trilogy of underrated masterpieces with `Along the great divide' and `Gun fury'.
This peculiar film incorporates elements of the film noir, a genre frequently visited by the director. The story unfolds through a series of flashbacks in which the hero Jeb Rand (Robert Mitchum) struggles to evoke an obscure incident of his early childhood. This memory might give him the key to deal with a series of tragedies that take place one after the other with no apparent reason.
The film loses its logic early on, and we are so engaged in Walsh's storytelling, that we don't mind. Nothing makes sense here. Everything is disconnected, from Theresa Wright's progression into blind revenge (she wants to marry Jeb to shoot him on his wedding night), to Micthum's stoic acceptance of his misfortunes. All might be dictated by luck (the flipping of the coin, the casino), but that luck can be manipulated too (the wheel of fortune incident, later picked up by Lang in `Rancho Notorious').
This is not John Ford's contemporary universe ruled by tradition and heroism. In fact, the film's tone anticipates the pessimistic mood of Ford's `The Searchers'. `Pursued' is like a farewell to classicism, is turning away from an era fell down like the hero's cottage. Walsh is opening the door to a new expressionism in western, eventually taken over by Mann and Boetticher.
In this film, whose dramatic structure is as pure as a greek tragedy, even celebrations are sad, as when Mitch comes as a hero of war. Right during the welcoming there's plotting against him going on. The star here is James Wong Howe's photography. The interiors are sombre, the exteriors are wasted. The night scenes are as nocturne as any western ever portrayed. The funeral scene is pure pictorial ciaroscure. The overwhelming landscape of Gallup, New Mexico (used again in `Colorado Territory') acquire a dramatic and oppressive meaning, significant enough to match Ford's utilization of Monument Valley.
Walsh's direction turns a standard script into a sordid exploration of human misery. It could have take the form of a dream (Mitchum appears like a sleepwalker throughout the entire film), but thanks to Howe's outstanding photo and Steiner's powerful score, it developed into a nightmare.