Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her obsession for David as a result of borderline personality disorder which ultimately leads to murder. Written by
Daniel Bubbeo <firstname.lastname@example.org>
The second film with this title Joan Crawford appeared in. The first was the 1931 film Possessed (1931), co-starring a young Clark Gable. This makes Crawford the only star to appear in two completely different films with identical titles. See more »
When Louise is brought into the hospital, Dr Willard examines her and says to another doctor that she's "beautiful, intelligent, and frustrated". However, she's in a coma so he has no way of knowing if she's intelligent or frustrated. See more »
I'm sorry Louise I seldom hit a woman, but if you don't leave me alone I'll wind up kicking babies.
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Before "Play Misty For Me" (1971) and "Fatal Attraction" (1987), comes this story of a nurse (Joan Crawford) who's attached to a man (Van Heflin), who eventually finds her too possessive and breaks it off, but she can not let him go. When they meet again at her employer's (Raymond Massey) residence, she wants to resume the relationship, saying its awful for a woman to lie down at night and not be able to sleep, but he still won't take her back. She eventually accepts widower Massey's marriage proposal, explaining that it's terrible for a woman to be unwanted, although she's not in love with him. Eventually, Massey's daughter Geraldine Brooks starts to date Heflin, further complicating matters, and putting Crawford over the edge. Script, photography, direction, music are exemplary, the 4 leads are memorable, but Crawford is particularly riveting. Her first breakdown (at Massey's waterfront mansion) with Heflin might be considered over-the-top 40s style acting (pre-Method), but she delivers it beautifully, her face and expressions a towering display of emotion and angst. It's a performance that Crawford must have pulled from her own life experiences to achieve such rising momentum. No wonder actor Cliff Robertson (her co-star in "Autumn Leaves - 1956) once stated in a documentary that she's "a damned good actress."
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