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Possessed (1947)

Approved | | Crime, Drama, Film-Noir | 26 July 1947 (USA)
After being found wandering the streets of Los Angeles, a severely catatonic woman tells a doctor the complex story of how she wound up there.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
John Ridgely ...
...
Dr. Ames
...
Dr. Max Sherman
Peter Miles ...
Wynn Graham (as Gerald Perreau)
Jakob Gimpel ...
Pianist (as Jacob Gimpel)
Isabel Withers ...
Nurse Rosen
Lisa Golm ...
Elsie
...
Asst. District Attorney
...
Norris
...
Dr. Craig
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Storyline

A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her obsession for David as a result of borderline personality disorder which ultimately leads to murder. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

26 July 1947 (USA)  »

Also Known As:

The Secret  »

Box Office

Budget:

$2,592,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The hospital that the ambulance pulls into appears to be the Los Angeles County, USC Medical Center at 1200 N. State St., Los Angeles, CA.. See more »

Goofs

When Louise is brought into the hospital, Dr Willard examines her and says to another doctor that she's "beautiful, intelligent, and frustrated". However, she's in a coma so he has no way of knowing if she's intelligent or frustrated. See more »

Quotes

Louise: You've changed, David. Something's changed you.
David Sutton: No. We were through before I went to Canada. I suppose I *should* have put that in writing.
Louise: But now you're hard, and bitter.
David Sutton: Bored, I think, would be a bit closer to it.
See more »

Connections

Featured in Possessed: The Quintessential Film Noir (2005) See more »

Soundtracks

Carnaval, Opus 9
by Robert Schumann
Played on a piano by Van Heflin (dubbed by Jakob Gimpel)
See more »

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User Reviews

 
A Dark Moonscape of the Soul
19 May 2000 | by (Out there in the dark) – See all my reviews

"Possessed" is one of the marvelous genre hybrids that appeared in the late 40s and early 50s. It is both Film Noir (admittedly, an "invented" genre) and woman's picture. Elements of the latter genre include a female main character and her obsession with a lover who has moved on. The Noir elements (flashback, dark, moody photography, and a sinister, fatalistic edge to the proceedings) raise this melodrama to nearly tragic heights. It should not be dismissed as a throwaway Crawford vehicle, or overgrown B picture.

Curtis Bernhardt directs the film with a compelling assurance. This movie knows where it's going and it takes you along for the ride. Many scenes have an enthralling dramatic appeal. Early in the film, for example, Louise is overwhelmed by the Van Heflin character playing a section from Schumann's "Carnaval" on the piano. There is a terrific admixture of closeups of Crawford's face with the music. This music will play a subtle leitmotivic role in the rest of the film. Worthy of note as well is Franz Waxman's intense, not too-romanticized score. And this film contains what must be an early use of electronic voice distortion to convey Louise's gradual descent toward a nervous breakdown.

All actors--Raymond Massey, Van Heflin, Geraldine Brooks--are good and bring more than a touch of conviction to their roles. But Joan Crawford is at the center of the picture, and she gives here what may be her very best screen performance. It is not surprising to learn that Crawford was nominated for a Best Actress Academy Award for this detailed, gradated portrayal of a woman travelling through a private hell. So convincing and inspired is this performance, that it is universal in its appeal.

"Possessed" could form a "trilogy" with "Born to Kill" (1947, with Claire Trevor and Lawrence Tierney) and "No Man of Her Own" (1950, with Barbara Stanwyck and Lyle Bettger): all immensely entertaining journeys through dark emotional landscapes of obsession, betrayal and desperation.


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