A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to ... See full summary »
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Oxford Professor Richard Myles and new bride Frances are off on a European honeymoon. It isn't your typical honeymoon though, for they are on a spying mission for British intelligence on ... See full summary »
A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her obsession for David as a result of borderline personality disorder which ultimately leads to murder. Written by
Daniel Bubbeo <firstname.lastname@example.org>
During the opening sequence, while Louise is wandering the streets of Los Angeles, her shoes change from pumps to sling-backs and back again. See more »
You've changed, David. Something's changed you.
No. We were through before I went to Canada. I suppose I *should* have put that in writing.
But now you're hard, and bitter.
Bored, I think, would be a bit closer to it.
See more »
"Possessed" is one of the marvelous genre hybrids that appeared in the late 40s and early 50s. It is both Film Noir (admittedly, an "invented" genre) and woman's picture. Elements of the latter genre include a female main character and her obsession with a lover who has moved on. The Noir elements (flashback, dark, moody photography, and a sinister, fatalistic edge to the proceedings) raise this melodrama to nearly tragic heights. It should not be dismissed as a throwaway Crawford vehicle, or overgrown B picture.
Curtis Bernhardt directs the film with a compelling assurance. This movie knows where it's going and it takes you along for the ride. Many scenes have an enthralling dramatic appeal. Early in the film, for example, Louise is overwhelmed by the Van Heflin character playing a section from Schumann's "Carnaval" on the piano. There is a terrific admixture of closeups of Crawford's face with the music. This music will play a subtle leitmotivic role in the rest of the film. Worthy of note as well is Franz Waxman's intense, not too-romanticized score. And this film contains what must be an early use of electronic voice distortion to convey Louise's gradual descent toward a nervous breakdown.
All actors--Raymond Massey, Van Heflin, Geraldine Brooks--are good and bring more than a touch of conviction to their roles. But Joan Crawford is at the center of the picture, and she gives here what may be her very best screen performance. It is not surprising to learn that Crawford was nominated for a Best Actress Academy Award for this detailed, gradated portrayal of a woman travelling through a private hell. So convincing and inspired is this performance, that it is universal in its appeal.
"Possessed" could form a "trilogy" with "Born to Kill" (1947, with Claire Trevor and Lawrence Tierney) and "No Man of Her Own" (1950, with Barbara Stanwyck and Lyle Bettger): all immensely entertaining journeys through dark emotional landscapes of obsession, betrayal and desperation.
27 of 34 people found this review helpful.
Was this review helpful to you?