Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ... See full summary »
A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her obsession for David as a result of borderline personality disorder which ultimately leads to murder. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Star Joan Crawford and director Curtis Bernhardt spent time in real psychiatric wards in Santa Monica, Santa Barbara and Pasadena, observing mental patients as research for the film. On one of these visits, Crawford and Bernhardt witnessed, without asking permission, a woman undergoing electro convulsive shock therapy. Warner Bros. was later forced to pay substantial damages to the woman, who claimed their presence was an invasion of privacy. See more »
David is talking about mathematics to Louise, shows her a drawing of a parabola, and then claims that the Army wasn't interested in it. This statement is incorrect; parabolas describe the trajectory of artillery shells and the military relies heavily upon them to properly aim artillery. See more »
[on meeting again after long separation]
Aren't you going to kiss me?
I had no plans one way or the other.
All right, then. Go ahead and kiss me. You don't have to mean it.
[gives her the briefest peck]
I didn't expect you to mean it *that* little.
When a woman kisses me, Louise, she has to take pot luck.
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Joan Crawford was born to play this role. She's a scary woman. You can't fake those looks. With five marriages herself (even tho that wasn't the case in 1947, it was in her future) she knew this subject matter very well. I don't know what it is about Crawford, but she's scary. She seems so unbalanced as a person that this role was PERFECT for her.
I watched this film on cable (Turner movies) only to see who Raymond Massey was. As a Seinfeld fan, there's an episode where Kramer's physique is compared to Raymond Massey.he's got a `Raymond Massey like physique.'
I was drawn into the mood of the movie and Crawford's seriously co-dependent personality. Her portrayal of a possessed woman in love was dead on. Many times these type of women look so perfect on the outside, working in a `servant' type position, so quiet on the outside with a wicked inner life brewing. Crawford nailed this personality.again, too perfectly.
I'm amazed at the depth of characters older movies have and the rather intense subject matter. I'm always amazed at how little life really has changed.wipe out technology and people are basically people.jealousy, anger, envy, strife.the Bible is true, all have fallen short, in 100AD, 1947, or 2004.
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