Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her obsession for David as a result of borderline personality disorder which ultimately leads to murder. Written by
Daniel Bubbeo <email@example.com>
The second film with this title Joan Crawford appeared in. The first was the 1931 film Possessed (1931), co-starring a young Clark Gable. This makes Crawford the only star to appear in two completely different films with identical titles. See more »
When Louise and Carol are at the piano recital, David and his friends can be seen in the distant background taking their seats. When it cuts to a medium shot of David, they are taking their seats for a second time. See more »
I seldom hit a woman Louise, but if you don't stop this I'll end up kicking babies!
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This movie takes the smoldering talents of Joan Crawford and lets them burn the screen down, right before your eyes...she's utterly convincing as a fairly demented "possessed" lover, torn to pieces by hideous dysfunction. The lowest of lows, and not many highs...
Mildred Pierce laid the template down; Possessed fills the template and makes it its own. What I personally love is the "Hollywood Gothic" aspect, the redolence of that: every frame is steeped in it, every moment is cradled in its embrace. One of those movies that you watch, mouth agape, and whisper to yourself, "Christ, the aesthetics...was the world ever really like that?" Apparently so.
Oh, and for the record - it was a better world.
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