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Out of the Past (1947)

Not Rated | | Crime, Drama, Film-Noir | December 1947 (USA)
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.

Director:

Writers:

(screenplay) (as Geoffrey Homes), (novel) (as Geoffrey Homes)
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Cast

Complete credited cast:
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Jim
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Ann
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Joe
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The Kid
Ken Niles ...
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Storyline

Jeff Bailey, small-town gas pumper, has his mysterious past catch up with him one day when he's ordered to meet with gambler Whit Sterling. En route to the meeting, he tells girlfriend Ann his story. Flashback: Once, Jeff was a private eye hired by Sterling to find his mistress Kathie who shot Whit and absconded with $40,000. He traces her to Acapulco...where the delectable Kathie makes Jeff forget all about Sterling... Back in the present, Whit's new job for Jeff is clearly a trap, but Jeff's precautions only leave him more tightly enmeshed... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

A MAN - Trying to run away from his past... A WOMAN - Trying to escape her future! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Release Date:

December 1947 (USA)  »

Also Known As:

Goldenes Gift  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Jane Greer's first scene in the movie with Robert Mitchum was the famous kissing scene on the beach. She remembered shooting the scene, "I'm looking at Bob and I see he has something on his mouth and it looked funny. Finally I got courage enough to say, 'Excuse me, Bob, but they've done something with your makeup; I think they messed it up. Your lips, that brown lip liner, or whatever it is, is smeared." Mitchum said, "What are you talking about?" He yelled for the makeup man. "They bring him a mirror," said Greer, "he takes a look into the mirror, and he says, "Oh, honey, that's just chawin' tabbacky." Bob wiped his mouth with the back of his hand and resumed kissing position. Greer thought, "Well, this movie is going to be different." See more »

Goofs

Leonard Eels's apartment at 114 Fulton Street would be part of the block then occupied by the main branch of the San Francisco Public Library (now the Asian Art Museum). See more »

Quotes

Whit: Joe couldn't find a prayer in the Bible.
See more »

Connections

Referenced in The Forgotten: Living Doe (2010) See more »

Soundtracks

The First Time I Saw You
(uncredited)
from 'The Toast of New York' (1937)
Music by Nathaniel Shilkret
Used as main theme in score
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Frequently Asked Questions

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User Reviews

 
Beloved film classic should be seen by more people
28 October 2002 | by (Oakland CA) – See all my reviews

Terrific exotic adventure/melodrama with gothic undertones. Douglas follows Mitchum following Greer to Mexico; murder and robbery follow everywhere femme fatale Greer goes. She's excellent; vulnerable eyes revealing the fear motivating her totally irrational, greedy actions. She and Mitchum are made for each other (it's a shame that this and the less exciting "The Big Steal" are their only films together as far as I know, although Greer did make a good pairing with the comparably skilled Richard Widmark in "Run for the Sun"). Every step of their twisted journey feels inevitable, painful, and joyous, like a death-row inmate smoking his last cigarette. Mitchum is at his best here as the patsy for Greer and Doublas' schemes, who plays along as if he knows better but is truly seeking absolution from death.

One of the best films ever made by Hollywood, all the more amazing considering it was made almost on the fly (what people today call a "film noir" but what the producers though of as a "B" movie).

Tourneur is one of the best low budget directors in the business; fans of good film will seek out his movies, which cover all the different genres of film. His father was one of the creators of film style, and he has a striking sense of visual composition himself, which he puts to excellent use in this, possibly his best film.


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