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Dwight D. Eisenhower,
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Johnny McQueen, leader of a clandestine Irish organization, has been hiding in the house of Kathleen and her mother, planning a hold-up that will provide his group with the funds needed to continue its activities. During the hold-up, things go sour: Johnny is wounded, cannot make it back to the hideout, and disappears in the back-alleys of Belfast. Immediately, a large-scale man-hunt is launched, and the city is tightly covered by the constabulary, whose chief is intent on capturing Johnny and the other members of the gang. Kathleen sets out in search of Johnny. Written by
Eduardo Casais <email@example.com>
The framed print hanging on the wall in Father Tom's foyer, just off the vestry is entitled Ecce Homo by Rembrandt van Rijn. Father Tom must have been quite an art lover. Above his fireplace hung a print of The Angel's Head from the (London, National Gallery) Virgin of the Rocks, painted 1506-08, by Leonardo da Vinci, not to be confused with (Louvre) Virgin of the Rocks, painted 1482-03, also by Leonardo da Vinci. See more »
When Johnny falls from the car into the road, the first long shot shows him in sunlight near the middle of the road and opposite a gutter. A later shot shows him still in sunlight near the middle of the road but he has now been moved back so he is opposite the intersecting road, so that when he rises he can run straight down that road. See more »
Odd Man Out is a terrific piece of cinema. It is set in Ireland and stars James Mason as Johnny McQueen; leader of an underground Irish organization that engage in a robbery that will enable the organisation to steal the funds it needs to continue it's activities. However, the heist goes sour. Events conspire against him, and Johnny ends up wounded and alone in the city of Belfast. The police then launch a huge manhunt to find the criminal and lead him to justice, and what follows is a desperate struggle by Johnny, and Johnny's friends, to get him to safety. Before the film starts, it claims that it is not about the state of Ireland at that time, but rather the effect that the state of the country has had on it's people; and that is exactly what the film does. The neutral people in the film are caught between whose side to be on; helping the police will keep them out of jail, and for some, make them feel like they are doing the right thing; but nobody wants to get on the wrong side of Johnny's "organisation", as that could also be detrimental to your survival. All of the characters in the film have some affiliation to the state, be it good for them or, more commonly, bad for them.
Odd Man Out is an adventure. It's an adventure about one man's struggle to get from point A to point B. Like all good adventure films, he meets people along the way; some that will help him, some that won't. It's exciting in this respect, but the film isn't only an adventure. As he did in his other masterpiece; The Third Man, Carol Reed succeeds in giving a thriller a great substance. That's one of things that's great about this film; on the surface, it's entertaining and therefore can be enjoyed by anyone, but if you take a look under it's skin, the film has depth also; which firmly places it in the "film buff" category of films. Odd Man Out clearly highlights the paranoia, values and fears of the era, and these are explored through the main character.
Odd Man Out is one of the best directed films that I've ever seen. Carol Reed is an excellent director, and one who is worthy of more acclaim. Here, he indulges in many tricks with the camera, including a terrific sequence that sees our hero see multiple images in a puddle of spilled beer. Reed pulls all of these tricks off, and none look out of place. Considering that this movie was made in 1947, it's a piece of technical wizardry. Reed also uses many different cinema styles at different times to further his story. The film is dramatic at certain points where the characters are interacting, but at the other end of the spectrum; it's very cinematic at certain times, most notably in the scenes that see Johnny being chased through the streets of Belfast. These scenes are extremely atmospheric and very aesthetically pleasing. Despite indulging in many different tricks and styles; the film is never gratuitous. Where another, lesser, director might have gone over the top; Reed doesn't, and it keeps the film very much on the level, which is to his, and this piece of art's credit.
Overall, Odd Man Out is a masterpiece that is on par with, if not better than The Third Man. It's a shame that it has seemingly been forgotten as this movie can surely take it's place among the best of all time. A glorious must see.
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