One dark summer night, Francesca Cunningham, a once world famed pianist, escapes from her hospital room and tries to commit suicide by jumping off a local bridge. She is rescued and taken ... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for... See full summary »
Johnny McQueen, leader of a clandestine Irish organization, has been hiding in the house of Kathleen and her mother, planning a hold-up that will provide his group with the funds needed to continue its activities. During the hold-up, things go sour: Johnny is wounded, cannot make it back to the hideout, and disappears in the back-alleys of Belfast. Immediately, a large-scale man-hunt is launched, and the city is tightly covered by the constabulary, whose chief is intent on capturing Johnny and the other members of the gang. Kathleen sets out in search of Johnny. Written by
Eduardo Casais <email@example.com>
Before James Mason got this lead role, it was offered to Stewart Granger who turned it down. See more »
When Rosie states that she read in a newspaper that Johnny had been shot before he got away, the time on her clock is about 7:15 p.m. The mill robbery happened at the stroke of 5:00 p.m. Nearly all of the businesses, including new stands, seen during the interim were closed (no lights on in the dark). No newsboys were seen on the street. Two hours seems insufficient time for a reporter to gather the facts, get back to the newspaper office, write the story, have it typeset and printed and distributed and read, especially at dinnertime. See more »
In my profession there is neither good nor bad. There is innocence and guilt. That's all.
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The settings and photography of this film are absolutely outstanding, Johnny's hiding place, Shell's odd room full of canaries, the elaborate Victorian tavern,the snow covering Johnny as he lies unconscious. I love the Third Man but this is by far my favorite Carol Reed production. It is slow and contemplative and transforms essential theological and philosophical concepts into visual media. It is strange and almost at times hallucinatory, but after all Johnny is often hallucinating in his pain and fever and this dreamlike quality is quite appropriate -- the slow thoughts of a man before he dies, as he tries to figure out what it was about and where he may be going. Reed does so much with film without dialog -- his close-ups of faces, his soft, dark streets and odd angles turn very difficult concepts and feelings into a visual masterpiece. I am always surprised to see how little commentary, what short shrift this excellent film is given
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