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Nightmare Alley (1947)
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Overview
User Rating:
Director:
Writers:
Release Date:
28 October 1947 (USA)
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Tagline:
He was all things to all men ... but only one thing to all women!
Plot:
Stanton Carlisle is an ambitious carnie who plays scams alongside phony mentalist Zeena and her alcoholic husband Pete...
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| full synopsis
NewsDesk:
(2 articles)
The Best Films You’Ve Never Seen – James Napoli’s rental of the week -- This week: Nightmare Alley (1947)
(From Collider.com. 19 April 2009)
Power-ful Films
(From New York Post. 22 July 2008, 12:49 AM, PDT)
(From Collider.com. 19 April 2009)
Power-ful Films
(From New York Post. 22 July 2008, 12:49 AM, PDT)
User Comments:
Unforgettably creepy noir with Power, Blondell, Walker
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Cast
(Complete credited cast) | Tyrone Power | ... | Stanton 'Stan' Carlisle |
 | Joan Blondell | ... | Zeena Krumbein |
| Coleen Gray | ... | Molly |
| Helen Walker | ... | Lilith Ritter |
| Taylor Holmes | ... | Ezra Grindle |
| Mike Mazurki | ... | Bruno |
| Ian Keith | ... | Pete Krumbein |
Additional Details
Parents Guide:
Runtime:
110 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
UK:A (original rating) |
UK:PG (video rating) |
South Korea:15 |
Finland:K-16 |
USA:Approved (PCA #12396)
Fun Stuff
Trivia:
The telephone numbers of the Helen Walker character, Consulting Psychologist Lilith Ritter, are STAte 9862 (for her Office in the Lakeshore Building) and ROGrs Pk 8685 (for her Residence in the Belmont Apartments), both adjacent to the Lake Michigan waterfront on the near north side of Chicago.
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Goofs:
Continuity: During Powers's cab ride away from Walker's apartment, the Chicago Theater is visible in the rear-projection behind the car. After several more minutes of driving, the cab turns around in front of the same theater.
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Quotes:
Movie Connections:
Referenced in "Sanford and Son: Brother, Can You Spare an Act? (#5.6)" (1975)
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Soundtrack:
Sobre las olas (Over the Waves)
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FAQ
This FAQ is empty. Add the first question.more (65 total)
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As other commentators have noted, once you've seen this film it haunts you. The creepy carnival milieu has rarely been better done (well, Tod Browning's "Freaks" of course) but seems more wholesome than the upscale world of nightclub mentalists and corrupt psychiatrists to which Tyrone Power ascends. Joan Blondell is carnally blowzy but she's almost upstaged by the ill-starred actress Helen Walker (the duplicitous wife in Impact) as that double-crossing shrink. No one soon forgets Power's slippery climb to the top followed by his horrifying fall. This film is a true, dark classic.