Nightmare Alley (1947)

User Rating:

7.8/10   

Director:

Edmund Goulding

Writers:

Jules Furthman (screenplay)
William Lindsay Gresham (novel)

Release Date:

28 October 1947 (USA)

Genre:

Drama | Film-Noir

Tagline:

He was all things to all men ... but only one thing to all women!

Plot:

Stanton Carlisle is an ambitious carnie who plays scams alongside phony mentalist Zeena and her alcoholic husband Pete...

Plot Keywords:

Mentalist | Carnival | Alcoholic | Scam | Drink

Cast

Tyrone Power	...	Stanton 'Stan' Carlisle
Joan Blondell	...	Zeena Krumbein
Coleen Gray	...	Molly
Helen Walker	...	Lilith Ritter
Taylor Holmes	...	Ezra Grindle
Mike Mazurki	...	Bruno
Ian Keith	...	Pete Krumbein

Runtime:

110 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

UK:A (original rating) | UK:PG (video rating) | South Korea:15 | Finland:K-16 | USA:Approved (PCA #12396)

Company:

Twentieth Century-Fox Film Corporation

Trivia:

The telephone numbers of the Helen Walker character, Consulting Psychologist Lilith Ritter, are STAte 9862 (for her Office in the Lakeshore Building) and ROGrs Pk 8685 (for her Residence in the Belmont Apartments), both adjacent to the Lake Michigan waterfront on the near north side of Chicago.

Goofs:

Continuity: During Powers's cab ride away from Walker's apartment, the Chicago Theater is visible in the rear-projection behind the car. After several more minutes of driving, the cab turns around in front of the same theater.

Quotes:

Pete Krumbein: Every boy has a dog.

Movie Connections:

Referenced in "Sanford and Son: Brother, Can You Spare an Act? (#5.6)" (1975)

Soundtrack:

The Boston Burglar

Film Holds Up Well

Tryone Power gave one of his finest performances in "Nightmare Alley." His off-beat role highlighted a strange and intriguing tale, and was a role which he reportedly fought hard to get, upon his return to film work following military duty.

Power proved he was capable of much more demanding parts than those normally given him. On screen most of the time, he displayed a flair for sound characterization and nuance, being endowed with an unusually fine speaking voice and diction.

Lee Garmes' cinematography and Thomas Little's set decoration are notable here, and the entire cast works in fine ensemble fashion. Only some plot details may seem a little obvious and predictable. That's probably because "Nightmare Alley" details have been copied numerous times by other film makers and, as a result, we're much more savvy now than 1947 audiences.

It was a particular treat to have an opportunity to see this film last week on a film society series in a beautiful 35mm print. The showing also reminded viewers how beautiful and effective black and white productions are, and how much they're missed.