Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret code to pretend to read minds and was successful in the show business before Pete starts drinking. Stan stays with them expecting to learn their code and leave the carnival to be a successful mentalist. Stan also flirts with the gorgeous Molly that lives in the carnival with the strong Bruno. Zeena and The Savage, an alcoholic man that eats live chickens that the audiences believe that is a savage, are the greatest attractions of the sideshow. When Stan gives booze to Pete and he dies, Stan finds that Pete had drunk methyl alcohol and not his booze, but he feels guilty for the death of him. Zeena teaches the code to him and Molly helps Stan to learn them. After an incident, Stan is forced to marry Molly and he decides to move to Chicago with her to become a sensation in a night club. One day, he ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The movie, as released, is cut. There were gruesome scenes of the geek, bloodied, and insanely ripping apart the chickens. One could only hope that these scenes would be restored, since the editing destroyed the continuity. See more »
When Tyrone Power is talking to the policeman, he says, "My Scotch blood. . ." No Scot would say that. He'd say, "My Scottish blood." Scotch is a liquor, not a nationality. See more »
It is totally amazing, nearly 60 years later, to realize the lengths that 20th Century Fox went to in order to keep Tyrone Power a handsome leading man rather than letting him show his stuff. It's no wonder Fox came to disgrace during the Cleopatra era. Pity it didn't happen earlier so Power had more opportunities to show his acting range.
Nightmare Alley was a favorite of mine from the time I was a teenager -a film Power fought to make and one that the studio never publicized and released as a B film. Spiteful bunch, considering the money he had made for them! Power, Blondell, Gray, Helen Walker, and the marvelous Ian Keith turn in great performances in a gritty film somewhat ahead of its time for its unrelenting toughness, its hard view of alcoholism, a look inside the world of mentalists and carnival life, and its theme of the supernatural. It is reminiscent of "Ace in the Hole" and some of the later, cynical Wilder films.
Power was one of those actors whose drop dead gorgeous appearance kept him from some excellent roles, thanks to his studio. He sometimes could appear rigid (though not in this film) but someone I knew saw him in a Broadway play and said it was like being alone in a room with him, he had such magnetism. We have so few examples of his really great work - the recording of John Brown's Body is one, this film is another - it's great that it's now out on DVD and available to the public.
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