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Nightmare Alley (1947)

7.8
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Ratings: 7.8/10 from 4,268 users  
Reviews: 89 user | 60 critic

The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »

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Title: Nightmare Alley (1947)

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Cast

Complete credited cast:
...
Stanton 'Stan' Carlisle
...
Zeena Krumbein
...
Molly
Helen Walker ...
Lilith Ritter
Taylor Holmes ...
Ezra Grindle
...
Bruno
Ian Keith ...
Pete Krumbein
Edit

Storyline

The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret code to pretend to read minds and was successful in the show business before Pete starts drinking. Stan stays with them expecting to learn their code and leave the carnival to be a successful mentalist. Stan also flirts with the gorgeous Molly that lives in the carnival with the strong Bruno. Zeena and The Savage, an alcoholic man that eats live chickens that the audiences believe that is a savage, are the greatest attractions of the sideshow. When Stan gives booze to Pete and he dies, Stan finds that Pete had drunk methyl alcohol and not his booze, but he feels guilty for the death of him. Zeena teaches the code to him and Molly helps Stan to learn them. After an incident, Stan is forced to marry Molly and he decides to move to Chicago with her to become a sensation in a night club. One day, he ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

He was all things to all men ... but only one thing to all women!

Genres:

Drama | Film-Noir

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 October 1947 (USA)  »

Also Known As:

Der Scharlatan  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The telephone numbers of the Helen Walker character, Consulting Psychologist Lilith Ritter, are STAte 9862 (for her Office in the Lakeshore Building) and ROGrs Pk 8685 (for her Residence in the Belmont Apartments), both adjacent to the Lake Michigan waterfront on the near north side of Chicago. See more »

Goofs

During Powers's cab ride away from Walker's apartment, the Chicago Theater is visible in the rear-projection behind the car. After several more minutes of driving, the cab turns around in front of the same theater. See more »

Quotes

Hoatley - First Carnival Owner: Now this creature - There he is, THE GEEK! He has puzzled the foremost scientists of Europe and America. Is he the missing link? Is he man or beast? Some have pronounced him man. But beneath that shaggy mane of hair lies the brain of a beast.
See more »

Connections

Referenced in Hollywood Mouth 2 (2014) See more »

Soundtracks

Sobre las olas (Over the Waves)
(uncredited)
Music by Juventino Rosas
Played during the opening carnival scene
See more »

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User Reviews

 
Film Holds Up Well
20 June 2000 | by (Cleveland, Ohio) – See all my reviews

Tryone Power gave one of his finest performances in "Nightmare Alley." His off-beat role highlighted a strange and intriguing tale, and was a role which he reportedly fought hard to get, upon his return to film work following military duty.

Power proved he was capable of much more demanding parts than those normally given him. On screen most of the time, he displayed a flair for sound characterization and nuance, being endowed with an unusually fine speaking voice and diction.

Lee Garmes' cinematography and Thomas Little's set decoration are notable here, and the entire cast works in fine ensemble fashion. Only some plot details may seem a little obvious and predictable. That's probably because "Nightmare Alley" details have been copied numerous times by other film makers and, as a result, we're much more savvy now than 1947 audiences.

It was a particular treat to have an opportunity to see this film last week on a film society series in a beautiful 35mm print. The showing also reminded viewers how beautiful and effective black and white productions are, and how much they're missed.


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