A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret code to pretend to read minds and was successful in the show business before Pete starts drinking. Stan stays with them expecting to learn their code and leave the carnival to be a successful mentalist. Stan also flirts with the gorgeous Molly that lives in the carnival with the strong Bruno. Zeena and The Savage, an alcoholic man that eats live chickens that the audiences believe that is a savage, are the greatest attractions of the sideshow. When Stan gives booze to Pete and he dies, Stan finds that Pete had drunk methyl alcohol and not his booze, but he feels guilty for the death of him. Zeena teaches the code to him and Molly helps Stan to learn them. After an incident, Stan is forced to marry Molly and he decides to move to Chicago with her to become a sensation in a night club. One day, he ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The telephone numbers of the Helen Walker character, Consulting Psychologist Lilith Ritter, are STAte 9862 (for her Office in the Lakeshore Building) and ROGrs Pk 8685 (for her Residence in the Belmont Apartments), both adjacent to the Lake Michigan waterfront on the near north side of Chicago. See more »
The recording machine that creates a major plot point is a Wilcox-Gay disc cutter that could record at 78 or 33 rpm on a maximum disk size of ten inches. It cut at a fixed 96 lines per inch. Unfortunatly those specs limited recording time to about 3 minutes at 78 rpm and only a bit more at 33. A real professional would have used something like a Presto which cut 12 inch discs or a broadcasting machine like a Scully that could cut 16 inch disks. Even the FBI used disk cutters in pairs so one could begin recording when the others had used up all its blank disk surface. A much more likely device would have been a wire recorder which despite its limited fidelity could record speech for an hour. These units were not cheap but Dr. Ritter was obviously wealthy. Her Wilcox-Gay recorder had a retail price at that time of about $100.00 and was among the lowest priced recorders sold. See more »
Usually when one has read about a film for many years without having the opportunity to actually see it, one is disappointed when the viewing actually happens -- not so with Fox's "Nightmare Alley". Boasting an excellent script(Jules Furthman) and direction (Edmund Goulding)it also showcases actors Tyrone Power, Joan Blondell, Coleen Gray and Helen Walker to great advantage. Seldom, if ever have they given such fine performances as they do in this classic film. It is surprising that 20th Century Fox would have put so much money and talent into a film that must have been very difficult to sell -- but this is major production in every department. The large cast and excellent sets are all well used. The dialog is far above average and the performers each make it come to life. Power is excellent and Blondell comes through with one the strongest performances of her career. If you want something a little different and done well enough to invite additional viewings, then you will want to pick up a copy of "Nightmare Alley". P.S.: The Commentary track is well worth a listen.
21 of 25 people found this review helpful.
Was this review helpful to you?