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Baby photographer Ronnie Jackson, on death row in San Quentin, tells reporters how he got there: taking care of his private-eye neighbor's office, Ronnie is asked by the irresistible Baroness Montay to find the missing Baron. There follow confusing but sinister doings in a gloomy mansion and a private sanatorium, with every plot twist a parody of thriller cliches. What are the villains really after? Can Ronnie beat a framed murder rap? Written by
Rod Crawford <firstname.lastname@example.org>
When Lamore and Hope are in the den at the mansion, at around 25 minutes, she's gesturing with a knife pointed at Hope's face. In the shots from the side she's holding the knife with her thumb upwards. In shots from over her shoulder, her knuckles are upwards. See more »
Bob Hope is very funny in this enjoyable light comedy. The plot is deliberately crazy and implausible, but creative, and it sets up some funny situations. The rest of the cast is good too, and it all works very well as light entertainment.
Hope plays a photographer who longs to be a detective, and then gets his chance, only to find out that it's a lot more than he can handle. It's a fine role for Hope, and the script also gives him a lot of good material to work with. Dorothy Lamour is suitably mysterious as the woman who involves him in a complicated situation. Peter Lorre and Lon Chaney Jr. add atmosphere and humor as two of Hope's adversaries.
Anyone who likes Hope should enjoy seeing him in "My Favorite Brunette", and it is also recommended for anyone who likes light comedies of the era.
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