Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes ... See full summary »
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
With his sidekick Rusty, Jeff Harper sails to paradisiacal tropical isle Ahmi-Oni to bargain on behalf of his cattle baron father for land owned by transplanted Irishman Dennis O'Brien. But... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her talent, hires her for a "two-act", then marries her. Incidents of the marriage and the growing pains of eldest daughter Miriam are followed, interspersed with nostalgic musical numbers. Written by
Rod Crawford <firstname.lastname@example.org>
I saw this movie when it was "first run" in 1947. Betty Grable was at the height of her popularity and "Mother Wore Tights" helped her to remain as the highest paid woman of that year. The back-stage story, a cliché and, perhaps, quite trite in 2005, was fresh, especially because of the family element: two Vaudevilians raising their two daughters, one of whom provides the voice-over narration (done by Anne Baxter). Visually, the film is spectacularly Technicolorful. The songs and dancing are typical of the era and delightfully entertaining. While "You Do" was nominated for Best Song, I think that "Kokomo, Indiana" is a better candidate. This is one of the best of Betty Grable's films, and for the first time she has a male partner in Dan Dailey who is more than just a dancing extra. After almost fifty years, the film is still fun to watch. It's too bad that a similarly appealing film, the 1948 "When My Baby Smiles At Me" with Grable and Dailey, is not available.
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