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Monsieur Verdoux (1947)

Not Rated  |   |  Comedy, Crime, Drama  |  8 December 1947 (Sweden)
8.0
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Reviews: 70 user | 68 critic

A suave but cynical man supports his family by marrying and murdering rich women for their money, but the job has some occupational hazards.

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(an original story written by), (based on an idea by)
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Title: Monsieur Verdoux (1947)

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Nominated for 1 Oscar. Another 5 wins. See more awards »

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Cast

Cast overview, first billed only:
...
Mady Correll ...
Mona - His Wife
Allison Roddan ...
Peter - Their Son
Robert Lewis ...
Maurice Bottello - Verdoux's Friend
Audrey Betz ...
Martha - His Wife
Martha Raye ...
Annabella Bonheur
Ada May ...
Annette - Her Maid (as Ada-May)
Isobel Elsom ...
Marie Grosnay
Marjorie Bennett ...
Her Maid
Helene Heigh ...
Yvonne - Marie's Friend
Margaret Hoffman ...
Lydia Floray
Marilyn Nash ...
The Girl
Irving Bacon ...
Pierre Couvais
Edwin Mills ...
Jean Couvais
Virginia Brissac ...
Carlotta Couvais
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Storyline

Monsieur Verdoux is a bluebeard, he marries women and kills them after the marriage to get the money he needs for his family. But with two ladies he has bad luck. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

New hat. new coat, new pants, new shoes, new laughs, but the same great Charles Chaplin! See more »

Genres:

Comedy | Crime | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

8 December 1947 (Sweden)  »

Also Known As:

A Comedy of Murders  »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$1,044 (USA) (11 July 2008)

Gross:

$64,636 (USA) (28 June 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Charles Chaplin regarded the film as "the cleverest and most brilliant film of my career. See more »

Goofs

Although the story takes place in the years 1932-1937, all the women's fashions and hairstyles are strictly in the 1946-1947 mode, when the film was made. See more »

Quotes

The Prosecutor: Never, never in the history of jurisprudence have such terrifying deeds been brought to light. Gentlemen of the jury, you have before you a cruel and cynical monster. Look at him!
[all heads turn to face Verdoux, who turns around himself to look behind]
The Prosecutor: Observe him, gentlemen. This man, who has brains, if he had decent instincts, could have made an honest living. And yet, he preferred to rob and murder unsuspecting women. In fact, he made a business of it. I do not ask for vengeance, but for the...
[...]
See more »

Connections

Referenced in Larks on a String (1990) See more »

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User Reviews

 
"Presents incongruities to an agreeable monster..."
25 March 2007 | by See all my reviews

Considered in some circles as Chaplin's crowning performance. It's a clever and earnest study of a man, a survivalist in a world gone the way of a corporate jungle. It also becomes incredibly relevant now in its take on the ruthlessness of capitalism and harshness of being part of a civilised society. Take allegory on its face value, Chaplin's Henri Verdoux is a bluebeard, who marries middle-aged women for their money and disposes of them through incinerators or "liquidates them" as he prefers to call it. His actions are driven by a need to care for a young child and an invalid wife who look up to him, as he keeps from them his retrenchment from his post as a bank clerk. He sees no difference in murder as he does in business. There's an inconsolable sadness throughout the film. Despite the gags, and wit teeming within its situations and characters, all roads lead to despair. The cold reach of its cynicism is daunting as it is bleak.

The film presents incongruities to the calculatingly agreeable monster by showing an aging man whose waning pride demands attention, and a hopeless romantic who surmises that he's a singular creature in a cold, inhuman world. The film then shows how arctic and precise he is when it comes to murder, how meticulous he is when he plans and how efficient he is when it comes to counting francs - cue the sight gag.

His articulation is almost borne out of being made to play different roles, the confidence he exudes to charm these women into marriage are just facets of Verdoux's intelligence. Above all, he assumes he knows how these women think and what they truly are. His misogynistic tendencies towards women who are self-sufficient is in clear contrast to his wife, who he adores and the ingénue in the street he picks up halfway through the film who restores his faith in humanity when she turns out to be an optimistic but kindred spirit.

With the film's final minutes, Chaplin indicts big business within the film's context of being in the Great Depression. He uses this opportunity to verve into anti-war criticism, a keenly placed insight being released just a few years after the end of the second World War. Insisting he's nothing but an amateur compared to the murderers behind war and business machinations, he uses the furious revolutions of the wheels of a train to show like in like many of his silents, that he's nothing but a cog - always turning to the tune of the corporations.


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One thing that saddens me... jonasmendigo
What happened to Verdoux's (real) wife and child? trinitymplayers
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Flying though the money... elf_gurl3021
Deserves a Criterion release classicmoviecomedy
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