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Monsieur Verdoux (1947)

Not Rated  |   |  Comedy, Crime, Drama  |  8 December 1947 (Sweden)
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Reviews: 72 user | 69 critic

A suave but cynical man supports his family by marrying and murdering rich women for their money, but the job has some occupational hazards.

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Title: Monsieur Verdoux (1947)

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Nominated for 1 Oscar. Another 5 wins. See more awards »

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Cast

Cast overview, first billed only:
...
Mady Correll ...
Mona - His Wife
Allison Roddan ...
Peter - Their Son
Robert Lewis ...
Maurice Bottello - Verdoux's Friend
Audrey Betz ...
Martha - His Wife
Martha Raye ...
Annabella Bonheur
Ada May ...
Annette - Her Maid (as Ada-May)
Isobel Elsom ...
Marie Grosnay
Marjorie Bennett ...
Her Maid
Helene Heigh ...
Yvonne - Marie's Friend
Margaret Hoffman ...
Lydia Floray
Marilyn Nash ...
The Girl
Irving Bacon ...
Pierre Couvais
Edwin Mills ...
Jean Couvais
Virginia Brissac ...
Carlotta Couvais
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Storyline

Monsieur Verdoux is a bluebeard, he marries women and kills them after the marriage to get the money he needs for his family. But with two ladies he has bad luck. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

Chaplin's Bluebeard comedy is a killer! See more »

Genres:

Comedy | Crime | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

8 December 1947 (Sweden)  »

Also Known As:

A Comedy of Murders  »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$1,044 (USA) (11 July 2008)

Gross:

$64,636 (USA) (28 June 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The producers of the film were sued in 1948 by Parisian bank employee Henri Verdoux. See more »

Goofs

Although the story takes place in the years 1932-1937, all the women's fashions and hairstyles are strictly in the 1946-1947 mode, when the film was made. See more »

Quotes

Henri Verdoux: Despair is a narcotic. It lulls the mind into indifference.
See more »

Connections

Referenced in Jeopardy!: Episode #27.32 (2010) See more »

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User Reviews

 
Far from the Little Tramp
16 January 2014 | by (Buffalo, New York) – See all my reviews

As Charlie Chaplin put it when the tramp finally talked in The Great Dictator the magic was gone. Chaplin felt he had to come up with another character in order to continue his career and he got away from the lovable Little Tramp as far as he could with Monsieur Verdoux.

A whole lot of people were shocked when Monsieur Verdoux came out and instead of the Tramp we got a Bluebeard murderer. Black comedy was not a genre popular in the USA at that time and a lot of people hated this film. None more so than Hollywood columnist Hedda Hopper who as a good conservative Republican cheered on the coming blacklist and beat the drums for Chaplin's deportation. No accident that Chaplin was hauled before the House Un-American Activities Committee at the time Monsieur Verdoux came out.

Based on the famous French mass criminal Henry Desire Landru, Monsieur Verdoux tells the story of a bank clerk who lost his job and to support his family started marrying and murdering rich women. Verdoux keeps quite a schedule because he's marrying several of them at the same time. But always returns to wife Mady Correll and son Allison Roddan.

Funniest marriage is to Martha Raye who not only is he unsuccessful in killing, she nearly does him in on a couple of occasions strictly by accident. That raucous laugh might elicit sympathy from a jury if anyone ever heard it and was condemned to live with it even part time.

With the marriage to Raye comes the film's funniest sequence Chaplin trying to kill Raye when they were in a boat on a lake in Switzerland. It will not escape your attention that the sequence is borrowed from Theodore Dreiser's An American Tragedy which was already filmed in 1931 and would shortly be filmed again in 1951 as A Place In The Sun. Ironic indeed how the same plot gambits can be played for laughs or deadly serious.

Second funniest is Raye showing up at Chaplin's wedding to Isobel Elsom whom he has targeted. It forces him to leave her at the altar not knowing at that time how lucky she was.

Truth be told some of Chaplin's left wing political views are grafted into the film somewhat forcibly. It's what got Hedda Hopper's undergarments in such a twist. Still this an amusing film and not fairly judged by a lot of people at the time it came out.


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