| Photos (See all 33 | slideshow) | Videos (see all 10) |
| Maureen O'Hara | ... | Doris Walker | |
| John Payne | ... | Fred Gailey | |
| Edmund Gwenn | ... | Kris Kringle | |
| Gene Lockhart | ... | Judge Henry X. Harper | |
| Natalie Wood | ... | Susan Walker | |
| Porter Hall | ... | Granville Sawyer | |
| William Frawley | ... | Charlie Halloran | |
| Jerome Cowan | ... | Dist. Atty. Thomas Mara | |
| Philip Tonge | ... | Julian Shellhammer | |
| rest of cast listed alphabetically: | |||
| Jack Albertson | ... | Post Office Mail Sorter Next to Lou (uncredited) | |
| Harry Antrim | ... | Mr. R.H. Macy (uncredited) | |
| Lela Bliss | ... | Mrs. Shellhammer (uncredited) | |
| Walden Boyle | ... | Judge's Clerk (uncredited) | |
| Kevin Burke | ... | Child on Santa's Lap (uncredited) | |
| Dorothy Christy | ... | Secretary (uncredited) | |
| Dick Cogan | ... | Department Store Head (uncredited) | |
| Jeff Corey | ... | Reporter (uncredited) | |
| Mike Donovan | ... | Court Bailiff (uncredited) | |
| Teddy Driver | ... | Terry (uncredited) | |
| Mary Field | ... | Dutch Girl's Adopted Mother (uncredited) | |
| William Forrest | ... | Doctor Rogers at Bellevue (uncredited) | |
| Jack Gargan | ... | Chauffeur (uncredited) | |
| Robert Gist | ... | Department Store Window Dresser (uncredited) | |
| Jane Green | ... | Mrs. Harper (uncredited) | |
| Alvin Greenman | ... | Alfred (uncredited) | |
| Alvin Hammer | ... | George (uncredited) | |
| Theresa Harris | ... | Cleo (uncredited) | |
| Percy Helton | ... | Drunken Santa Claus (uncredited) | |
| Herbert Heyes | ... | Mr. Gimbel (uncredited) | |
| Clark Howat | ... | Patron in Macy's Lunchroom (uncredited) | |
| Robert Hyatt | ... | Thomas Mara Jr. (uncredited) | |
| Richard Irving | ... | Reporter (uncredited) | |
| Robert Karnes | ... | Second Bellevue Interne (uncredited) | |
| Fran Lee | ... | Customer (uncredited) | |
| Marlene Lyden | ... | Dutch Girl (uncredited) | |
| Robert Lynn | ... | Macy Salesman (uncredited) | |
| Mae Marsh | ... | Woman in Santa Line (uncredited) | |
| Ida McGuire | ... | Drum Majorette (uncredited) | |
| Joseph McInerney | ... | Bailiff (uncredited) | |
| Jean O'Donnell | ... | Miss Adams (uncredited) | |
| Anne O'Neal | ... | Secretary to Mr. Sawyer (uncredited) | |
| Gil Perkins | ... | Court Officer Bearing Mail (uncredited) | |
| 'Snub' Pollard | ... | Mail-Bearing Court Officer (uncredited) | |
| Lorin Raker | ... | Macy Salesman (uncredited) | |
| Bob Reeves | ... | Minor Role (uncredited) | |
| Thelma Ritter | ... | Peter's Mother (uncredited) | |
| Stephen Roberts | ... | Security Guard (uncredited) | |
| Jeffrey Sayre | ... | Courtroom Reporter (uncredited) | |
| James Seay | ... | Dr. Pierce (uncredited) | |
| Irene Shirley | ... | R.H. Macy's Secretary (uncredited) | |
| Patty Smith | ... | Alice (uncredited) | |
| Ann Staunton | ... | Mrs. Mara (uncredited) | |
| Brick Sullivan | ... | Guard (uncredited) | |
| Anthony Sydes | ... | Peter (uncredited) | |
| Guy Thomajan | ... | Lou (uncredited) | |
| Basil Walker | ... | Bellevue Intern (uncredited) | |
Directed by | |||
| George Seaton | |||
Writing credits | ||
| George Seaton | (written for the screen by) | |
| Valentine Davies | (story) | |
Produced by | |||
| William Perlberg | .... | producer | |
Original Music by | |||
| Cyril J. Mockridge | (as Cyril Mockridge) | ||
Cinematography by | |||
| Lloyd Ahern | (director of photography) | ||
| Charles G. Clarke | (director of photography) (as Charles Clarke) | ||
Film Editing by | |||
| Robert L. Simpson | (as Robert Simpson) | ||
Art Direction by | |||
| Richard Day | |||
| Richard Irvine | |||
Set Decoration by | |||
| Ernest Lansing | (set decorations) | ||
| Thomas Little | |||
Costume Design by | |||
| Kay Nelson | (costumes designed by) | ||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
Sound Department | |||
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
| Arthur von Kirbach | .... | sound (as Arthur L. Kirbach) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe direction | |
| Sam Benson | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Lyman Hallowell | .... | apprentice editor (uncredited) | |
Music Department | |||
| Alfred Newman | .... | musical direction | |
| Edward B. Powell | .... | orchestral arrangements (as Edward Powell) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
Other crew | |||
| John C. Eagan | .... | technical advisor (uncredited) | |
| Charlie Hall | .... | location manager (uncredited) | |
| Dirk Van H. Labberton | .... | technical advisor (uncredited) | |
| May E. Romm | .... | technical advisor (uncredited) | |
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| Howl | Greed | Miracle on 34th Street | Call Northside 777 | Bad Santa |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The great Edmund Gwenn shines as Kris Kringle, an elderly, eccentric man who may or may not be the real Santa Claus. Little Natalie Wood thinks he is, though, and that's all that matters. This movie, written by Valentine Davies, has become, along with It's a Wonderful Life, a Christmas classic, and deservedly so. It is not, I imagine, in the same league as the Capra film (what is?), but it's an awfully good little movie in its own right; and while it presents its characters and issues pleasingly it does not push the envelope too much in any one direction, as one can respond to its whimsical little story any way one pleases.
Like so many films of the immediate postwar period it stresses the faith and wisdom of small children (as,--literally--opposed to adults); and its message is that children are perhaps wiser than we think. Considering the mess that grownups had made of the world in the previous two decades it must have been difficult for movie audiences of the time to disagree. Indeed, much of the mood of the postwar era was based at least partly on this premise, as children became central to our culture as never before. Their whims and wishes became paramount. Perhaps, in the end, too much so. One can see the start of all this in Miracle On 34th Street, whose gentle message still rings true today, every year, in the waning days of December.