| Photos (See all 33 | slideshow) | Videos (see all 10) |
| Maureen O'Hara | ... | Doris Walker | |
| John Payne | ... | Fred Gailey | |
| Edmund Gwenn | ... | Kris Kringle | |
| Gene Lockhart | ... | Judge Henry X. Harper | |
| Natalie Wood | ... | Susan Walker | |
| Porter Hall | ... | Granville Sawyer | |
| William Frawley | ... | Charlie Halloran | |
| Jerome Cowan | ... | Dist. Atty. Thomas Mara | |
| Philip Tonge | ... | Julian Shellhammer | |
| rest of cast listed alphabetically: | |||
| Jack Albertson | ... | Post Office Mail Sorter Next to Lou (uncredited) | |
| Harry Antrim | ... | Mr. R.H. Macy (uncredited) | |
| Lela Bliss | ... | Mrs. Shellhammer (uncredited) | |
| Walden Boyle | ... | Judge's Clerk (uncredited) | |
| Kevin Burke | ... | Child on Santa's Lap (uncredited) | |
| Dorothy Christy | ... | Secretary (uncredited) | |
| Dick Cogan | ... | Department Store Head (uncredited) | |
| Jeff Corey | ... | Reporter (uncredited) | |
| Mike Donovan | ... | Court Bailiff (uncredited) | |
| Teddy Driver | ... | Terry (uncredited) | |
| Mary Field | ... | Dutch Girl's Adopted Mother (uncredited) | |
| William Forrest | ... | Doctor Rogers at Bellevue (uncredited) | |
| Jack Gargan | ... | Chauffeur (uncredited) | |
| Robert Gist | ... | Department Store Window Dresser (uncredited) | |
| Jane Green | ... | Mrs. Harper (uncredited) | |
| Alvin Greenman | ... | Alfred (uncredited) | |
| Alvin Hammer | ... | George (uncredited) | |
| Theresa Harris | ... | Cleo (uncredited) | |
| Percy Helton | ... | Drunken Santa Claus (uncredited) | |
| Herbert Heyes | ... | Mr. Gimbel (uncredited) | |
| Clark Howat | ... | Patron in Macy's Lunchroom (uncredited) | |
| Robert Hyatt | ... | Thomas Mara Jr. (uncredited) | |
| Richard Irving | ... | Reporter (uncredited) | |
| Robert Karnes | ... | Second Bellevue Interne (uncredited) | |
| Fran Lee | ... | Customer (uncredited) | |
| Marlene Lyden | ... | Dutch Girl (uncredited) | |
| Robert Lynn | ... | Macy Salesman (uncredited) | |
| Mae Marsh | ... | Woman in Santa Line (uncredited) | |
| Ida McGuire | ... | Drum Majorette (uncredited) | |
| Joseph McInerney | ... | Bailiff (uncredited) | |
| Jean O'Donnell | ... | Miss Adams (uncredited) | |
| Anne O'Neal | ... | Secretary to Mr. Sawyer (uncredited) | |
| Gil Perkins | ... | Court Officer Bearing Mail (uncredited) | |
| 'Snub' Pollard | ... | Mail-Bearing Court Officer (uncredited) | |
| Lorin Raker | ... | Macy Salesman (uncredited) | |
| Bob Reeves | ... | Minor Role (uncredited) | |
| Thelma Ritter | ... | Peter's Mother (uncredited) | |
| Stephen Roberts | ... | Security Guard (uncredited) | |
| Jeffrey Sayre | ... | Courtroom Reporter (uncredited) | |
| James Seay | ... | Dr. Pierce (uncredited) | |
| Irene Shirley | ... | R.H. Macy's Secretary (uncredited) | |
| Patty Smith | ... | Alice (uncredited) | |
| Ann Staunton | ... | Mrs. Mara (uncredited) | |
| Brick Sullivan | ... | Guard (uncredited) | |
| Anthony Sydes | ... | Peter (uncredited) | |
| Guy Thomajan | ... | Lou (uncredited) | |
| Basil Walker | ... | Bellevue Intern (uncredited) | |
Directed by | |||
| George Seaton | |||
Writing credits | ||
| George Seaton | (written for the screen by) | |
| Valentine Davies | (story) | |
Produced by | |||
| William Perlberg | .... | producer | |
Original Music by | |||
| Cyril J. Mockridge | (as Cyril Mockridge) | ||
Cinematography by | |||
| Lloyd Ahern | (director of photography) | ||
| Charles G. Clarke | (director of photography) (as Charles Clarke) | ||
Film Editing by | |||
| Robert L. Simpson | (as Robert Simpson) | ||
Art Direction by | |||
| Richard Day | |||
| Richard Irvine | |||
Set Decoration by | |||
| Ernest Lansing | (set decorations) | ||
| Thomas Little | (set decorations) | ||
Costume Design by | |||
| Kay Nelson | (costumes designed by) | ||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
Sound Department | |||
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
| Arthur von Kirbach | .... | sound (as Arthur L. Kirbach) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe director | |
| Sam Benson | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Lyman Hallowell | .... | apprentice editor (uncredited) | |
Music Department | |||
| Alfred Newman | .... | musical director | |
| Edward B. Powell | .... | orchestral arrangements (as Edward Powell) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
Other crew | |||
| John C. Eagan | .... | technical advisor (uncredited) | |
| Charlie Hall | .... | location manager (uncredited) | |
| Dirk Van H. Labberton | .... | technical advisor (uncredited) | |
| May E. Romm | .... | technical advisor (uncredited) | |
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| Howl | Greed | Miracle on 34th Street | Call Northside 777 | Bad Santa |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Still among the most worthwhile of the familiar holiday movies, this classic version of "Miracle on 34th Street" has a combination of cast, story, and production that works well. Maureen O'Hara, young Natalie Wood, and Edmund Gwenn would probably have carried it pretty well by themselves, and they are joined by a very good supporting cast. The screenplay is nicely done, bringing out the fantasy elements of the story without letting it become trite.
Gwenn, who played many solid character roles, gets the chance here to play a role for which he was ideally suited, and it works very well. O'Hara and Wood make a good pair to balance him out. The supporting cast gets some very good moments of their own, especially Gene Lockhart and William Frawley, whose scenes are entertaining while also offering some occasionally pointed commentary.
The style of the production is well-suited to the material, offering an innocently upbeat story without overdoing it on sentimentality. For all that this style of the production and acting are out of fashion, they are able to capture a theme like this in a worthwhile way that is simply not possible with the kind of false "sophistication" that permeates so many present-day movies.
That's not to say that this is some kind of masterpiece, which it is not and did not try to be. Instead, it's a light, enjoyable, positive movie that does make a worthwhile point or two. That kind of feature will always find an appreciative audience somewhere.