Miracle on 34th Street (1947)

When a nice old man who claims to be Santa Claus is institutionalized as insane, a young lawyer decides to defend him by arguing in court that he is the real thing.

Director:

George Seaton

Writers:

George Seaton (written for the screen by), Valentine Davies (story)

Stars:

Maureen O'Hara, John Payne, Edmund Gwenn

Won 3 Oscars. Another 4 wins & 1 nomination.

Cast

Complete credited cast:
Maureen O'Hara	...	Doris Walker
John Payne	...	Fred Gailey
Edmund Gwenn	...	Kris Kringle
Gene Lockhart	...	Judge Henry X. Harper
Natalie Wood	...	Susan Walker
Porter Hall	...	Granville Sawyer
William Frawley	...	Charlie Halloran
Jerome Cowan	...	Dist. Atty. Thomas Mara
Philip Tonge	...	Julian Shellhammer

Storyline

At the Macy's Department Store Thanksgiving Day parade, the actor playing Santa is discovered to be drunk by a whiskered old man. Doris Walker, the no nonsense special events director, persuades the old man to take his place. The old man proves to be a sensation and is quickly recruited to be the store Santa at the main Macy's outlet. While he is successful, Ms. Walker learns that he calls himself Kris Kringle and he claims to be the actual Santa Claus. Despite reassurances by Kringle's doctor that he is harmless, Doris still has misgivings, especially when she has cynically trained herself, and especially her daughter, Susan, to reject all notions of belief and fantasy. And yet, people, especially Susan, begin to notice there is something special about Kris and his determination to advance the true spirit of Christmas amidst the rampant commercialism around him and succeeding in improbable ways. When a raucous conflict with the store's cruelly incompetent psychologist erupts, Kris ...

---

Plot Keywords:

santa claus | department store | christmas | lawyer | parade | 

---

Taglines:

Capture the spirit of Christmas with this timeless classic!

---

Genres:

Comedy | Drama | Family | Fantasy

---

Certificate:

Approved

Details

Country:

USA

Language:

English Dutch

Release Date:

2 May 1947 (USA)

Also Known As:

Das Wunder von Manhattan

Filming Locations:

19 East 61st Street, Manhattan, New York City, New York, USA

Company Credits

Production Co:

Twentieth Century Fox Film Corporation

Technical Specs

Runtime:

96 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on December 23, 1949 with Edmund Gwenn reprising his film role. The same studio broadcast a 60-minute version, also with Gwenn, on December 21, 1950.

---

Goofs

The judge looks to the audience's right when looking at his advisor, but the advisor is sitting on the audience's left

---

Quotes

Fred Gailey: I must be a pretty good lawyer. I took a little old man and proved to the world that...
[looks off screen]
Doris: [sees a cane resting on the wall] Oh no, it can't be. It must have been left by the people who moved out.
Fred Gailey: Maybe... and maybe I didn't do such a good thing after all.

---

Connections

Referenced in The Simpsons: Miracle on Evergreen Terrace (1997)

---

Soundtracks

"National Emblem"
(1906) (uncredited)
Music by Edwin Eugene Bagley
Played at the beginning and other times during the parade

User Reviews

Sweet movie not without social comment

This is certainly a lovely warmhearted movie, but since other reviewers have described the plot in detail, I'll move on to other topics.

I love movies like this for the insight they provide into the customs of a lost era. Watch the clothing - everybody is so dressed up! - women in dresses, gloves, and hats, men in hats and suits. Notice that when O'Hara enters a room filled with Macy's executives, even though they are the bosses and she is lower management, they all stand up instantly.

The social satire, most on display in the courtroom scenes, also is very 1940s. Apparently audiences of that era took a kind of genial corruption in the judicial system in stride. Business leaders, like "Mr. Macy" were expected to be sharp and profit-oriented, but also decent people like the rest of us. It's a much more nuanced view than the "businessman as criminal villain" so common in today's movies.

The character played by Maureen O'Hara probably needs explanation for modern viewers. Late 1940s audiences knew that the social and economic situation of a divorced working woman with a child was much more precarious than it is now. Divorce was still somewhat shocking - this is brought out neatly in the movie when her would-be lover does a double take when he learns from her daughter about the divorce - he probably had assumed she was a war widow. Divorced moms were still rare in the middle classes. Society universally agreed that women should stay home to raise their children. Economically, women in management positions were still very rare, couldn't expect promotion, and were last hired, first fired. I think O'Hara's performance brings out these qualities in a way that the audience of the 1940s would have understood easily. The character's stiffness, fear of losing control, and anxiety about her job make a great deal of sense. It would have been nice to see a few scenes showing her loosening up, perhaps at dinner with her boyfriend; no doubt those got left on the cutting room floor.

I really like the scene where Santa talks to the little Dutch orphan. First, this scene also must have resonated with the audience; in 1947 the western European countries had only started to recover from World War II, and probably many Americans were familiar with the idea of adopting a war orphan, just as many sent CARE packages. Second, by making Santa fluent in Dutch, the writer cleverly left the viewer thinking that hey, he might really be Santa Claus (isn't Santa Claus fluent in all languages)?

Some reviewers don't like the acting and think that modern actors are "better". I think the older actors aren't better or worse, just different. The audiences of the 1940s expected a certain style of acting, and the directors and actors gave that to them. Then as now, Hollywood paid top dollar and got very talented people, but like all of us they were shaped by their own time and place, more particularly the requirement to make movies that audiences would like. Move Maureen O'Hara to 2004, or Tom Cruise to 1947, and you'd see them acting in the style of that decade.