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Mine Own Executioner (1947)

Approved | | Drama, Film-Noir, Thriller | 9 February 1948 (UK)
Pretty Molly Lucian enlists the reluctant aid of psychologist Felix Milne in treating her potentially homicidal husband Adam, who refuses to see a "real" psychiatrist. Traumatized in a ... See full summary »

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Writers:

(novel), (screenplay)
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1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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...
...
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Barbara White ...
Walter Fitzgerald ...
Edgar Norfolk ...
...
Martin Miller ...
Clive Morton ...
Robert Paston
Joss Ambler ...
Julian Briant
...
Inspector Pierce
Laurence Hanray ...
Dr. Lefage
...
Lady Maresfield
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Storyline

Pretty Molly Lucian enlists the reluctant aid of psychologist Felix Milne in treating her potentially homicidal husband Adam, who refuses to see a "real" psychiatrist. Traumatized in a Japanese prison camp, Adam proves to be on the verge of severe schizophrenia. In his risky struggle to help Adam, Felix finds his none-too-functional home life deteriorating, and is unable to help himself as he helps others. The situation rushes headlong to a suspenseful climax... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

9 February 1948 (UK)  »

Also Known As:

Tödliches Geheimnis  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Burgess Meredith had come to Britain because his wife of the time, Paulette Goddard, was starring in Alexander Korda's film of "An Ideal Husband". The marriage was in trouble and Meredith didn't want to be apart from her. Korda's company, London Films, was also producing "Mine Own Executioner", and Korda offered Meredith the lead. (The character is said to be Canadian, rather than English as in the novel). See more »

Quotes

Barbara Edge: There's nothing worse than a man who makes you take off your self-respect, and keep your clothes on.
See more »

Connections

Version of Mine Own Executioner (1960) See more »

Soundtracks

Rock-A-Bye Baby
(uncredited)
Traditional nursery rhyme
Heard when Lucian is walking home
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User Reviews

 
Simply excellent
23 February 2014 | by (Derby, UK) – See all my reviews

This is an insanely underrated film, faithfully screenplayed by Nigel Balchin from his engrossing and subtle novel of the same name. After I saw the film back in the 80's I trawled the pre-internet second hand bookshops to read as many of his other works as I could, including The Small Back Room, Fall Of The Sparrow, Sort Of Traitors, Sundry Creditors, and others more or less excellent too but none quite up to the standards here.

Non-medically trained psycho-analyst Felix Milne is involved with two practices (one paying and one for the poor) two women (one his wife one the woman he thinks he loves) and two important patients (one a potentially violent schizo and one himself). The schizo's story is prised out under hypnosis, while the shrink's story is prised out through events. And as usual where human emotions are rampant events spiral out of control to an unguessable outcome. Two points: there's more of a story going on underneath the main story, there are many sub-dramas going on; and I think along with Obsession the film most perfectly captures the post War zeitgeist of a London pulling itself together again. In addition to a good story and good acting there's some splendid photographic framing and atmospheric homely scenes to mull over, although the washed out copy I just saw didn't really do it full justice – UK Channel 4 used to screen a decent copy so hopefully that will resurface someday. It's a pity the main character had to become a Canadian – but it was probably more convincing than acidic Burgess Meredith playing an Englishman! Kieron Moore was a bit more wooden than he needed to be, however Dulcie Gray was so charming as Milne's long-suffering wife she was almost a extra diversion.

Some people might deplore the lack of grittiness, sordidness, sex and yobbishness so it's not for them - although there is one violent scene it would be handled far more graphically in colour hd cgi nowadays. It's a film that's obviously old-fashioned (as everything is sooner or later), wordy with people apparently with marbles in their mouths, thoughtful and thought-provoking on simultaneously simple and deep levels. I notice that at present there are no second opinions available on IMDb, that's because it's clearly an excellent and worthy film it'd be madness to dis.


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