Pretty Molly Lucian enlists the reluctant aid of psychologist Felix Milne in treating her potentially homicidal husband Adam, who refuses to see a "real" psychiatrist. Traumatized in a ... See full summary »
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Pretty Molly Lucian enlists the reluctant aid of psychologist Felix Milne in treating her potentially homicidal husband Adam, who refuses to see a "real" psychiatrist. Traumatized in a Japanese prison camp, Adam proves to be on the verge of severe schizophrenia. In his risky struggle to help Adam, Felix finds his none-too-functional home life deteriorating, and is unable to help himself as he helps others. The situation rushes headlong to a suspenseful climax... Written by
Rod Crawford <firstname.lastname@example.org>
Meredith shines in this underrated film that may be the finest depictions of the profession of psychotherapy ever made. He is first-rate as he portrays a therapist struggling with his personal flaws and profound doubts as to his effectiveness with clients. Exciting, well-written, superbly directed, and excellently filmed by cinematographer Freddie Francis, this will have a special significance to any counselor who has ever wondered if he or she was doing any good for themselves or anyone else. I saw this film first as a young boy and while I did not appreciate the subtleties in the script at the time, I found myself drawn to the character of the therapist. Eventually, I became one myself and perhaps this film planted the seed of interest in psychology and psychotherapy. When a film has that sort of impact, it is nothing less than a treasure.
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