Falling asleep during the Paradise Coffee ("The Coffee that Makes You Sleep") Program, the band's third trumpeter dreams he's Athanael, an angel deputized to blow the Last Trumpet at ... See full summary »
Menton Gill is longing to become a cowboy actor and leaves his hometown to try his luck in Hollywood, but there his acting ability is regarded as non-existent. Actress Flips gives him a ... See full summary »
A writer suffering from agoraphobia rents an isolated house so she can concentrate on her writing. She doesn't know that the house is a former brothel, and is inhabited by the ghosts of dead prostitutes.
Michael David Lally
Hattie Maloney runs a saloon in Panama where assorted characters congregate where they frequently sing and dance Cole Porter numbers. An upper class gentleman arrives and sparks fly between... See full summary »
Chuck Redwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not ... See full summary »
Charles is a Salt Lake City civil servant who loves (*LOVES*) Laura, a lovely housewife with a lovely step-daughter and an A-frame-selling, ex-quarterback husband named Ox. His roommate is ... See full summary »
In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned... Written by
Rod Crawford <firstname.lastname@example.org>
Virginia O'Brien did all of her own stunt work. See more »
[Introducing Merton to champagne]
It's made of grapes... like fruit juice. The Frenchman that sold it to me explained the whole thing one night. We... well, ordered a boat load.
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Kansas theater usher (and dramatic acting school graduate!) thwarts a robbery and is brought out to Hollywood by train in the Silent Era strictly for quick publicity; he winds up living on a park bench waiting for an acting job, and finally gets one filling in for his idol, an irresponsible star who's been hitting the bottle. Third film-version of a play by Marc Connelly and George S. Kaufman, based on Harry Leon Wilson's book, now revamped as a comedic vehicle for Red Skelton. Earliest scenes are best, with our dimply, aw-shucks hero politely scheming his way onto movie sets, with amusing results. Slapstick sequence at a high-toned Men's Club seems to belong to a different picture, although the pay-off there is also funny. Runs out of steam towards the end, however Skelton and Virginia O'Brien are a good match. Direction by former-choreographer Robert Alton is quick on its feet, and there are some big laughs in the first hour. **1/2 from ****
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