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|Index||12 reviews in total|
This film deserves a DVD release. Excellent script, direction, and editing carry the film into Hemingway's world. The results are excellent. The three leads do very well with their parts. I particularly liked Joan Bennett. Her cynicism and brazen effrontery towards husband Preston held my attention as she carried on an obvious affair with Peck. The dynamic between the three stars smolders across the screen as Preston attempts to "prove" his manhood by killing wild beasts. In true Hemingway style the "big game" adventure turns into one of more human proportions. Pretty bold stuff considering the Production Code was still in full swing. Reginald Denny plays with authority in a minor role.
THE MACOMBER AFFAIR has to be rated a success for the mere fact that it
finally brings a Hemingway story to the screen pretty much intact and
the way he wrote it. GREGORY PECK may not be the perfect choice to play
the guide escorting a quarrelsome JOAN BENNETT and ROBERT PRESTON on a
safari, but he acquits himself well enough in the role.
I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.
Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.
Well worth watching for some interesting performances.
The writing team of Casey Robinson and Seymour Bennett adapted Ernest Hemingway's "the Short Happy Life of Francis Macomber" into a solid screenplay which enlarged upon the subtle themes of the original. A wealthy couple(Robert Preston,Joan Bennett) arrive in East Africa ostensibly for a safari vacation but it soon becomes apparent that they are ill-matched and resentful of each other's failings.Their safari guide,Gregory Peck,attempting to conduct things professionally,becomes an unwilling spectator to their petty arguments and vicious insults.But as the party trek through the jungle in search of game the true personalities of the warring couple emerge playing havoc with Peck's sympathies and his growing interest in beautiful Bennett.An ironic twist of events await these adventurers as they pursue game more dangerous than they bargained for. An enriching score by Miklos Rozsa,the superb direction by Hungarian director Zoltan Korda,and fine performances by the 3 principals(especially Preston's paranoid tycoon) all serve the viewer with a gripping drama.
This Zoltan Korda adaptation of Hemingway's bitter tale of big game hunting and marital infidelity is the best movie adaptation of this author's work I have ever seen. Only Gregory Peck seems miscast in what is basically a Trevor Howard part, but this doesn't bring the movie down, it merely limits it. As the superficially charming, boyish, gregarious and basically not very nice Macomber, Robert Preston is brilliant, and he gives a daring, emotionally open performance. Joan Bennett is good as his wife, better than Peck but not perfect casting, either. What makes the movie work is its nasty story, and Casey Robinson's excellent and correct interpretation of it. The Hemingway mood, macho and misogynist, and misanthropic more than anything else, is caught to such perfection one might almost suspect that he was technical adviser (he wasn't). British East Africa is given the Tarzan treatment on screen, typical of the forties but for some difficult to take now. I find that it works, as Tarzan and Hemingway weren't a million miles apart in temperament and values, though I imagine that Tarzan was nicer fellow to get along with.
According to the Michael Freedland biography of Gregory Peck, The
Macomber Affair was the second of two films he owed Casey Robinson the
screenwriter who occasionally produced and directed. The first was
Peck's debut film Days Of Glory and for the second since Robinson did
not know what he wanted to use Peck for, he let Greg pick the property.
As he had just got around to reading the story which had been published
a decade earlier in Cosmopolitan Magazine, Peck chose the Ernest
Hemingway short story, The Short Unhappy Life Of Francis Macomber, the
title shortened to The Macomber Affair for marquee purposes.
Producing this film with Robinson was Benedict Bogeaus who usually did B films with real limited production. A second unit crew did go to Africa and got some real nice black and white jungle footage, but the cast did this one strictly on the back lot. I have to give Bogeaus and Robinson good marks for editing the film shot with the cast in with the background.
In fact this film is a notch or so above Gregory Peck's second film with a Hemingway subject, The Snows Of Kilimanjaro which was shot in Africa. This one is no frills Hemingway with the exception of a changed and cop out ending to please the Code.
Gregory Peck plays the white hunter who escorts Mr.&Mrs. Francis Macomber on a safari where they are trying to recapture the magic that has gone from their relationship. Peck warns them up front that women and safaris don't mix and what follows seems to confirm his point of view.
The Macombers are played by Robert Preston and Joan Bennett and they have the much showier parts than Peck does and they make the most of it. Especially Bennett who essays one of the great bitch roles of all time, successfully poaching on a part that Bette Davis or Barbara Stanwyck would have gone to town with. How that woman just demeans Preston especially after he shows some understandable fear as a newbie in the jungle during a hunt for a wounded lion is really just sad.
Under Peck's tutelage who is the ultimate machismo Hemingway hero, Preston starts losing his inhibitions which Bennett cannot stand. The result is tragedy.
Hemingway's timeless writing and subject matter hold up well for today's viewer. We get a realistic portrayal of Africa that you normally don't see from American studios. The Macomber Affair is a film that fans of all the principal players and Papa Hemingway will appreciate centuries from now.
*** This review may contain spoilers ***
In a certain sense this IS the most faithful filming of a Hemingway
story. For one thing, it's probably the only one of his short stories
that could be made into a full-length movie without adding some
creative padding. (Cf. the first movie version of "The Killers," for
instance: it's faithful almost to the letter for the first fifteen
minutes, but then has to veer off into fantasy land to fill up the rest
of the two hours.)
But in another sense, "The Macomber Affair" misses the point or theme entirely in the way in which a certain element of the plot turns out. This has to do with the relationship between two of the characters. (If I revealed this change I would probably be including a "spoiler," so will refrain from telling any details. If you ever get a chance to see the movie, you'll understand what I mean.) Furthermore, EVERY character is miscast, though I must say that all three of the Principal actors do their best with the parts they've been thrown.
Probably the most interesting thing about the film is that it deals quite directly with Margot's promiscuity--amazing for a movie of its time period. Despite my reservations, I highly recommend the film, and think it would be well worth re-issuing on video or DVD.
Taking into account the shortcomings of the period: rear projection and non location filming this is a solid adventure film. Really a three person chamber piece the success or failure of the film rests on the performances of its leads and there it's on solid ground. Both Peck and Preston do good work but the standout is the under-appreciated Joan Bennett. Always at her best as a conflicted character here as a woman turned into a hard article by a bad marriage though subtle gestures and sly looks she gives the film a tough grounded center and she has rarely looked so beautiful. Not having read the book I'm not sure how closely it follows but the film does have a Hemingway feel.
*** This review may contain spoilers ***
The same year that he made the magnificent "Gentleman's Agreement,"
Gregory Peck portrayed a safari tourist guide in this 1947 film.
Joan Bennett is really something as she portrays a woman apparently trapped in a loveless marriage. Bennett is constantly condescending to her husband, Robert Preston, who gives a terrific performance as the emotionally scared man, afraid of life, a coward, who seems to attain manhood, only to meet up with a tragic end.
Peck allows his kindly image to continue as the safari leader who falls for Bennett; his part called for more rugged individualism and would have best suited Robert Mitchum.
The ending is questionable. Does the Bennett character get exonerated or imprisoned? What were the real circumstances that led her to pull the trigger?
Based on a Hemingway short story. And Hemingway knew how to craft
stories that epitomized realms of male supremacy. His world was one of
combat, African safaris, bull rings
all the places where "real men"
constantly had to prove masculine courage. Women were an accessory
old "Can't live with them, Can't live without them" philosophy.
In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues who woulda guessed it?!
Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.
*** This review may contain spoilers ***
****SPOILERS**** It's in the early dawn hours when an airplane with the
body of rich tourist and safari hunter Francis Macomber, Robert
Preston, lands at Nairobi Airport that we get the story of what exactly
happened to him and how he was killed. Going out hunting cape buffalo
with his white hunter guide Robert Wilson, Gregory Peck, and man or
macho man hating wife Margaret, Joan Bennett, Francis ended up with a
bullet in his back. That while trying to hold off together with Wilson
a wounded charging 1,200 pound cape buffalo. In just how Francis ended
up that way we go into a long flashback that had to do with his martial
problems with Margaret who couldn't stand the very sight of him. Being
a coward at heart Francis loved to bully around those who couldn't
fight back. But at the same time he looked or sucked up to those who
were in positions of power over him.
Right away Margaret started to make eyes at the handsome and courageous Robert Wilson in him being everything that her wimpy husband Francis wasn't. Yet at the same time in being a women she hated Wilson for going out in the bush or savanna and gunning down helpless wild animals not for food or protection but just for the sport, and getting paid to do it, of it. Francis who screwed up the hunt for a 400 pound lion by not putting it down with a kill shot later, in tracking the beast down, wet his pants and panicked when the injured lion, that Wilson put down, charged at him with his disgusted wife Margaret not far from the scene. Now more then ever trying to show both Margaret & Robert Wilson what a real man he is Francis was determined to gun down much bigger game to prove to them and everyone else his worth as a both fearless game hunter and macho man.
****SPOILERS**** It was at the cape buffalo hunt that Francis did in fact prove to himself as well as Robert Wilson that he's got what it takes but at the same time took a bullet in his back killing him! And that bullet was fired by non other then his now hunting cape buffalo and at the same time macho hating wife Margaret. With Wilson together with the two native guides Kongoni & Abdullah, Earl Smih & Hassan Said, present at the scene of the shooting it was their testimony that would in the end absolve or convict Margaret of her husband Francis' accidental death or cold blooded murder. Margaret, who was already cleared of all charges, who's to tell in what she knows about her husband's tragic death is seen going to testify to an follow up inquiry board but we never get to see or hear what she says. The movie ends abruptly as if the movie projector was shut off and not having the usual "The End" splashed across the screen or even the film's ending credits.
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