Robert Wilson leads safaris on the Kenyan savanna. On this occasion, he takes Mr. and Mrs. Macomber out to hunt buffalo. The obnoxious ways of Margaret Macomber make the three of them get ... See full summary »
Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
Henry Tawes is the sheriff in a small town in Tennessee. A man of strong moral fibre he is always quick to judge others and follows the law zealously. Then he meets Alma, a young beautiful ... See full summary »
After a long absence, artist Margaret Church returns to her aging parent's home to finish a portrait of them. Her parents, Gardner and Fanny Church, unbeknownst to Margaret have sold the ... See full summary »
Robert Wilson leads safaris on the Kenyan savanna. On this occasion, he takes Mr. and Mrs. Macomber out to hunt buffalo. The obnoxious ways of Margaret Macomber make the three of them get on each others nerves. During the hunt Francis Macomber is shot by his wife. An accident or an attempt to get rid of Francis? Written by
When the wounded lion is finally shot by Wilson (Peck) the animal rolls over on the ground revealing a long spear-shaped pole stuck in its side. But no one was shown throwing such a spear at the lion. See more »
When Margaret and Robert start out on their safari driving across the country, in close shots they are shown looking out the right side of their truck at wildlife, but the shots of the animals they are presumably viewing are taken out the left side of a moving vehicle. See more »
This Zoltan Korda adaptation of Hemingway's bitter tale of big game hunting and marital infidelity is the best movie adaptation of this author's work I have ever seen. Only Gregory Peck seems miscast in what is basically a Trevor Howard part, but this doesn't bring the movie down, it merely limits it. As the superficially charming, boyish, gregarious and basically not very nice Macomber, Robert Preston is brilliant, and he gives a daring, emotionally open performance. Joan Bennett is good as his wife, better than Peck but not perfect casting, either. What makes the movie work is its nasty story, and Casey Robinson's excellent and correct interpretation of it. The Hemingway mood, macho and misogynist, and misanthropic more than anything else, is caught to such perfection one might almost suspect that he was technical adviser (he wasn't). British East Africa is given the Tarzan treatment on screen, typical of the forties but for some difficult to take now. I find that it works, as Tarzan and Hemingway weren't a million miles apart in temperament and values, though I imagine that Tarzan was nicer fellow to get along with.
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