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Lured (1947)

Approved | | Crime, Film-Noir, Mystery | 5 September 1947 (USA)
A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After ... See full summary »

Director:

Writers:

(screenplay), (from a story by) (as Jacques Companeez) | 2 more credits »
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Cast

Credited cast:
...
...
...
Inspector Harley Temple
...
Charles van Druten
...
Julian Wilde (as Sir Cedric Hardwicke)
...
Dr. Nicholas Moryani
...
Lyle Maxwell
...
Officer H. R. Barrett
Robert Coote ...
Detective
...
Detective Gordon
Tanis Chandler ...
Lucy Barnard
Rest of cast listed alphabetically:
Annette Warren ...
Blonde Nightclub Singer (singing voice)
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Storyline

A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After a dancer disappears, the police enlist an American friend of hers, Sandra Carpenter, to answer advertisements in the personal columns, and lure the killer. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Don't answer this ad... Don't... don't... don't... See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

5 September 1947 (USA)  »

Also Known As:

Angelockt  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The singing voice actually belonged to Annette Warren, who later dubbed in both "Fancy Pants" and "Sorrowful Jones" See more »

Goofs

Set in London but Sandra (Lucy) says 'I need the money Mr Van Druten (Boris) I haven't a cent' See more »

Quotes

Inspector Harley Temple: There's a homicidal maniac loose somewhere in the vast honeycomb of London. A maniac with a weakness for young, pretty girls and not a thing we've done has brought us one inch nearer his apprehension.
See more »

Crazy Credits

Opening credits - a flashlight pans along the side of a building, and the credits are written on the side of the wall. See more »

Connections

Version of Personal Column (1939) See more »

Soundtracks

Symphony No. 8 in B minor (Unfinished)
(uncredited)
Music by Franz Schubert
Played by the orchestra at the concert hall
See more »

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User Reviews

 
Poet Killer Believed To Be At Bay!
17 October 2013 | by (United Kingdom) – See all my reviews

Lured (AKA: Personal Column) is directed by Douglas Sirk and collectively written by Leo Rosten, Jacques Companéez, Simon Gantillon and Ernst Neubach. It stars Lucille Ball, George Sanders, Charles Coburn, Cedric Hardwicke, Joseph Calleia and Boris Karloff. Music is by Michel Michelet and cinematography by William H. Daniels.

A serial killer in London is murdering young women whom he meets through the personal columns section of the newspaper. Taunting the police with cryptic poems, the killer is proving most illusive, so much so that when a friend of dancer Sandra Carpenter (Ball) disappears, the police enlist her to act as bait to lure the killer in.

There's a lot to like about Lured, on proviso you have your expectation level correctly set as to what sort of film it is. It's a very uneven movie in tone, which when one sees that there were four writing contributors involved in bringing it to the screen, perhaps comes as no surprise. A remake of Robert Siodmak's 1939 film Pièges (set in Paris), it is never sure if it wants to be a comedy mystery or a dark brooding thriller. A shame because in spite of it being a set bound production, Sirk and Daniels create a sinister visual mood when the story lurks around the constructed London sets.

The cast are ever watchable, though you can see Ball struggling to rein in her natural comedic bent during the more dramatic sequences, but she leads off from the front and looks positively lovely and radiant. Karloff fans get a fun extended cameo, with the great Uncle Boris playing up to a caricature of unstable characters he could do in his sleep, Sanders is suitably stand-offish, Coburn ebullient, while Hardwicke and Calleia add a touch of class to the support ranks.

Michelet's musical score is in keeping with the mixed tonal flow of the picture, in fact sometimes sounding like it should be in a screwball movie from decades previously, but with competent professionalism coming elsewhere from Sirk, Daniels and the lead cast members, it's an enjoyable movie. Even if it's all a bit too jolly and nonchalant for its own good at times. 6.5/10


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