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The Lost Moment (1947)

7.1
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Ratings: 7.1/10 from 446 users  
Reviews: 14 user | 7 critic

An publisher insinuates himself into the mouldering mansion of the centenarian lover of a renowned but long-dead poet in order to find his lost love letters.

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Title: The Lost Moment (1947)

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Cast

Cast overview:
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...
...
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Amelia
Eduardo Ciannelli ...
Father Rinaldo
John Archer ...
Frank Puglia ...
Pietro
Minerva Urecal ...
Maria
William Edmunds ...
Vittorio
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Storyline

In a long flashback, a New York publisher is in Venice pursuing the lost love letters of an early-19th-century poet, Jeffrey Ashton, who disappeared mysteriously. Using a false name, Lewis Venable rents a room from Juliana Bordereau, once Jeffrey Ashton's lover, now an aged recluse. Running the household is Juliana's severe niece, Tina, who mistrusts Venable from the first moment. He realizes all is not right when late one night he finds Tina, her hair unpinned and wild, at the piano. She calls him Jeffrey and throws herself at him. The family priest warns Venable to tread carefully around her fantasies, but he wants the letters at any cost, even Tina's sanity. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

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Release Date:

21 November 1947 (USA)  »

Also Known As:

Recordações  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A number of UK big names were on the shortlist for the male lead. See more »

Goofs

When Lewis rescues Juliana from the fire, Juliana's stunt double can be seen grabbing onto Lewis and helping him carry 'her' out. See more »

Quotes

Lewis Venable: Had Jeffrey Ashton once lived in this cold, forbidding house? I felt the past close in around me like a fog. The door to the present shut behind me.
See more »

Connections

Referenced in Myra Breckinridge (1970) See more »

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User Reviews

sweet little movie
22 November 2001 | by (United Kingdom) – See all my reviews

This turned up on tv and, having recently seen another James adaptation, The Innocents, I thought I'd take a look. This is quite a sweet little film, despite its sinister content and ghostly images of Venice. Cummings, Hayward and Moorehead are all excellent. "Venice" looks as good as the real thing, and the film has that watchable quality which sits with the very best of the 40s. One I'll certainly go back to.


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