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The Lost Moment (1947)

7.1
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Ratings: 7.1/10 from 438 users  
Reviews: 14 user | 7 critic

An publisher insinuates himself into the mouldering mansion of the centenarian lover of a renowned but long-dead poet in order to find his lost love letters.

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(screenplay), (novel)
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Title: The Lost Moment (1947)

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Cast

Cast overview:
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...
...
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Amelia
Eduardo Ciannelli ...
Father Rinaldo
John Archer ...
Frank Puglia ...
Pietro
Minerva Urecal ...
Maria
William Edmunds ...
Vittorio
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Storyline

In a long flashback, a New York publisher is in Venice pursuing the lost love letters of an early-19th-century poet, Jeffrey Ashton, who disappeared mysteriously. Using a false name, Lewis Venable rents a room from Juliana Bordereau, once Jeffrey Ashton's lover, now an aged recluse. Running the household is Juliana's severe niece, Tina, who mistrusts Venable from the first moment. He realizes all is not right when late one night he finds Tina, her hair unpinned and wild, at the piano. She calls him Jeffrey and throws herself at him. The family priest warns Venable to tread carefully around her fantasies, but he wants the letters at any cost, even Tina's sanity. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

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Release Date:

21 November 1947 (USA)  »

Also Known As:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A number of UK big names were on the shortlist for the male lead. See more »

Goofs

When Lewis rescues Juliana from the fire, Juliana's stunt double can be seen grabbing onto Lewis and helping him carry 'her' out. See more »

Quotes

Father Rinaldo: [Describing Miss Juliana's medical condition] From a medical point of view she's dying, but then she's been dying for many years.
See more »

Connections

Referenced in Myra Breckinridge (1970) See more »

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User Reviews

 
Remarkable Atmosphere
10 February 2002 | by See all my reviews

This little film is bursting with atmosphere, brooding, wistful, corrupt, overflowing with decay, betrayal and regret. A studio better known for its westerns and horror movies is here responsible for a major gem of delicacy and suggestion.

What makes all this remarkable is that the screenplay is a classic example of Hollywood's idiotic dumbing-down of a major work of fiction, Henry James's novella "The Aspern Papers" (based in turn on the life of Lord Byron). To compare James's brief story with the film is so sad it's almost painful, yet the movie survives and succeeds through sensitive style and sturdy professionalism.

The studio sets are evocative of a time before Venice became an international theme park, and the director's experience in radio drama provides a more finely-judged soundtrack than was the norm.

If your nerve-endings are not already terminally blunted through today's cinematic overkill, this film will prove richly rewarding.


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