IMDb > The Lone Wolf in London (1947)

The Lone Wolf in London (1947) More at IMDbPro »


Overview

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5.7/10   106 votes »
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Director:
Writers:
Brenda Weisberg (story) and
Arthur E. Orloff (story) ...
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Contact:
View company contact information for The Lone Wolf in London on IMDbPro.
Release Date:
13 November 1947 (USA) See more »
Genre:
Tagline:
The costliest jewel the Lone Wolf even got his hands on! See more »
Plot:
Michael Lanyard (Gerald Mohr) is suspected of stealing two fabulous diamonds from a vault in Scotland Yard... See more » | Add synopsis »
Plot Keywords:
User Reviews:
The Series Running Out of Gas See more (5 total) »

Cast

  (in credits order) (complete, awaiting verification)

Gerald Mohr ... Michael Lanyard
Nancy Saunders ... Ann Klemscott
Eric Blore ... Claudius Augustus Lucius Jamison
Evelyn Ankers ... Iris Chatham
Richard Fraser ... David Woolerton
Queenie Leonard ... Lily, Kelmscott's Maid
Denis Green ... Detective Inspector Garvey
Alan Napier ... Monty Beresford
Frederick Worlock ... Inspector Broome
Tom Stevenson ... Henry Robards, Kemscott's Butler

Vernon Steele ... Sir John Klemscott
Paul Fung ... Bruce Tang
Guy Kingsford ... Detective Mitchum
rest of cast listed alphabetically:
Charles Coleman ... The Cabby (uncredited)
Sam Harris ... Airline Ticket Holder (uncredited)
James Logan ... Airport Policeman (uncredited)
Frank O'Connor ... Airport Security Guard (uncredited)
Heather Wilde ... Hotel Maid (uncredited)
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Directed by
Leslie Goodwins 
 
Writing credits
Brenda Weisberg  story and
Arthur E. Orloff  story and screenplay and
Louis Joseph Vance  characters

Produced by
Robert Cohn .... co-producer
Ted Richmond .... co-producer
 
Original Music by
Irving Gertz (uncredited)
 
Cinematography by
Henry Freulich (director of photography)
 
Film Editing by
Henry Batista 
 
Art Direction by
Robert Peterson 
Jerome Pycha Jr. (uncredited)
 
Set Decoration by
James Crowe 
 
Second Unit Director or Assistant Director
Paul Donnelly .... assistant director
 
Sound Department
Lambert E. Day .... sound engineer (as Lambert Day)
 
Stunts
Dale Van Sickel .... stunt double: Gerald Mohr (uncredited)
 
Music Department
Mischa Bakaleinikoff .... musical director
 
Crew believed to be complete


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Additional Details

Runtime:
68 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
USA:Approved | USA:Passed (National Board of Review)

Did You Know?

Quotes:
Claudius Augustus Lucius Jamison:I've seen better drivers in a golf bag.See more »
Movie Connections:
Follows The Lone Wolf (1924)See more »

FAQ

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The Series Running Out of Gas, 23 May 2012
Author: Michael_Elliott from Louisville, KY

The Lone Wolf in London (1947)

* 1/2 (out of 4)

Stop me if any of this sounds familiar. Michael Lanyard (Gerald Mohr), better known as The Lone Wolf, is visiting London doing research for his upcoming book when some priceless jewels are stolen. Scotland Yard believes he did the crime so he must once again prove that he's innocent by nabbing the bad guys. THE LONE WOLF IN London was the third and final time that Mohr would play the part and it was the next to last in the original wave of films from Columbia. It's easy to see that the series was on its final legs as everything going on here just seems like stuff we've seen countless times before and what's hurts this film so much is that every other time we've seen it it was done much, much better. The entire film has a "been there, done that" feel to it and this includes the various comic banter between Lanyard and Jamison, once again played by Eric Blore. This comic back and forth between the two started back when Warren William was still in the series and as time went on the banter got to be more and more annoying in each film. The same is true here as very rarely does anything funny happen with the lone exception being at the start when Jamison goes to visit the help's quarters. The actual mystery in the film seems to have taken a backseat as everything pretty much just plays out and there never seemed to be any wish for the viewer's to get in on the action and try to figure out what's going on. The screenplay really doesn't offer anything new and that's not a good thing. Mohr isn't too bad in his part but you can't do much without a screenplay. Even Evelyn Ankers can't add much to this thing.

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