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The Late George Apley (1947)

Approved | | Comedy | 20 March 1947 (USA)
George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), ... See full summary »

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(screen play by), (from the play by) | 2 more credits »
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Cast

Complete credited cast:
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Rest of cast listed alphabetically:
Susan Blanchard ...
Myrtle (scenes deleted)
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Storyline

George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), and son John with Myrtle (from Worcester!), the ordered life of the Apley home on Beacon Street is threatened, as is the hoped-for union of John and Apley-cousin Agnes. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Taglines:

Stop apologizing for sex, George Apley...you didn't invent it! See more »

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

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Release Date:

20 March 1947 (USA)  »

Also Known As:

Tenho Direito ao Amor  »

Company Credits

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Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Ernst Lubitsch directed additional scenes after Joseph L. Mankiewicz left the picture. See more »

Quotes

Catherine Apley: She's from Worcester.
George Apley: [who is from Boston] From Worcester? A foreigner!
See more »


Soundtracks

Every Little Movement (Has a Meaning All Its Own)
(uncredited)
Music by Karl Hoschna
Lyrics by Otto A. Harbach
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User Reviews

 
A Boston patriarch in 1912 finds times they are a-changin'
7 January 2009 | by (United States) – See all my reviews

Ronald Colman is "The Late George Apley" in this 1947 film based on a Philip Barry play, also starring Richard Ney, Peggy Cummins, Edna Best, Richard Haydn, Vanessa Brown, and Mildred Natwick. Apley is a stuffed shirt whose well-ordered family is suddenly not so well-ordered. His son (Richard Ney) is dating a girl from Worcester, which is seen by Apley as being someplace like the Black Hole of Calcutta, and his daughter (Cummins) loves a Yale man who lectures that Emerson was a radical. At first, George takes a firm stand, then relents at the behest of his understanding friend, who saw George give up the woman he loved 30 years earlier. When the Worcester girl's father actually rejects the Apley family, George rethinks his position. His daughter is sent to Europe to get away from her boyfriend, and his son is betrothed to his cousin (Brown).

Imagine going to Broadway shows in the '20s and '30s and attending one class-conscious play after another. Before the Depression, the sets were drawing rooms, the clothing was formal, everyone had British accents, and the plots had to do with the crossing of the classes. Frankly, I'm glad they finally intermingled.

Ronald Colman is marvelous as George, and one sees his confusion, pain, and remembrance of the past on his face. He's a very sympathetic character. Peggy Cummins is very pretty and Richard Ney is nice-looking. Vanessa Brown, as the dowdy cousin, gives a sweet performance, and her story arc is very satisfying.

If you're a fan of Ronald Colman, as I am, this is a good movie to see. Also, if you know Boston at all, you'll find hearing the street names interesting. Otherwise, it's a mildly interesting period piece that most people will find relating to difficult.


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