6.6/10
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Lady in the Lake (1947)

Approved | | Crime, Film-Noir, Mystery | 24 January 1947 (USA)
The lady editor of a crime magazine hires Philip Marlowe to find the wife of her boss. The private detective soon finds himself involved in murder.

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Writers:

(screenplay), (novel)
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Cast

Complete credited cast:
...
...
...
...
Capt. Kane
...
Derace Kingsby
...
Mildred Havelend
...
Chris Lavery
...
Eugene Grayson
...
Receptionist
...
Artist
Kathleen Lockhart ...
Mrs. Grayson
Ellay Mort ...
Chrystal Kingsby
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Storyline

The camera shows Phillip Marlowe's view from the first-person in this adaptation of Raymond Chandler's book. The detective is hired to find a publisher's wife, who is supposed to have run off to Mexico. But the case soon becomes much more complicated as people are murdered. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis

Taglines:

DIFFERENT...DRAMATIC...DARING! (original print media ad - all caps) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

24 January 1947 (USA)  »

Also Known As:

A Dama do Lago  »

Box Office

Budget:

$1,026,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Lloyd Nolan was almost blinded when the glass splinters from bullet shell that smashed the window hit him in the face. See more »

Goofs

When Marlowe approaches the telegram on the table in Adrienne's apartment, there is a cut and the telegram becomes less folded and more flattened on the table before he picks it up. See more »

Quotes

Adrienne: Do you fall in love with all of your clients?
Marlowe: Only the ones in skirts.
See more »

Crazy Credits

Opening credits are shown on what appear to be holiday cards, as someone flips through the collection. See more »

Connections

Referenced in Trancers (1984) See more »

Soundtracks

The First Noel
(uncredited)
Traditional Christmas song
Played during the opening credits
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User Reviews

Film noir with a unique twist
2 April 2004 | by (Birmingham, England) – See all my reviews

Out of the many Marlowe novel adaptations, this must be one of the closest to the spirit of the original. Unfortunately Chandler himself does not seem to have had the opportunity to contribute to the screenplay - although there are plenty of Chandleresque wisecracks. The film, unlike most of the other adaptions reflects the original author's full dislike of the cops (although the tough police chief having to answer a telephone call from his daughter during an interrogation is an unusual appeal for the viewer's understanding), and mistrust bordering on pathological hatred of women (I suspect that the ending is an uncharacteristic 'cop out' to assuage the producer's or popular taste). Director/star Robert Montgomery shows great self-restraint by appearing only briefly in the action. When he does show himself, mainly in mirror-reflections, the star appears (as in that other great latter day film noir, China Town) battered and bruised and not at all flattering. The plot is suitably twisted and confusing - just like the novels. And the concept of timing the whole dark affair against the backdrop of the Christmas holidays only emphasises the bleakness of the subject matter. Incidentally the idea of continuing the opening titles' jolly Christmas carol chorus in darker, more disturbing tones throughout the soundtrack is fascinating and I think unique. Audrey Totter (whatever happened to her?) makes a very sexy femme fatale. And as she plays most of her lines to camera we are seduced just as protagonist Marlowe. On top of that, her gowns are absolutely magnificent examples of forties chic. Lloyd Nolan deserves special mention as a superb heavy. What a wonderful example of Hollywood film noir.


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