Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »
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Jean Pierre Lefebvre
J. Léo Gagnon,
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
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The camera shows Phillip Marlowe's view from the first-person in this adaptation of Raymond Chandler's book. The detective is hired to find a publisher's wife, who is supposed to have run off to Mexico. But the case soon becomes much more complicated as people are murdered. Written by
Ken Yousten <firstname.lastname@example.org>
The first-person camera technique used by Robert Montgomery is known as "subjective camera," and had not before been employed in this manner beyond the first few minutes of a film (Dr. Jekyll and Mr. Hyde, in 1931, by pioneering director Rouben Mamoulian.) See more »
Audrey Totter's character uses the word "deducted" rather than the correct "deduced." See more »
You don't really want to buy my story, do you, Miss Fromsett?
I was about to offer you $200 for it.
Oh, no, you weren't. Why don't you quit being cute, Miss Fromsett? The real reason you had me up here is because you're looking for a smooth operator who keeps his mouth shut and when you read the story, you said, "Yeah, that's my boy. He's dumb, he's brave and he's cheap." Am I right?
Well, I was about to offer you a commission on a rather delicate and confidential matter...
Then why didn't you ...
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Opening credits are shown on what appear to be holiday cards, as someone flips through the collection. See more »
This movie could only interest a film historian. The camera shows the point of view of the lead character, Marlowe. This is a technical failure: deadened pans and zooms, no physical contact with other characters, no outdoor scenes.
With clever self-reference, writer Raymond Chandler has Marlowe try his hand at pulp detective fiction -- based on his own experience, of course. The publisher's executive assistant, A. Fromsett (overplayed by Audrey Totter), expresses interest in the manuscript, to draw Marlowe into looking for the publisher's missing wife. Soon we are up to our camera lens in blonde bombshells, drawling thugs, crooked cops, and dead bodies.
This could be an intriguing story. Unfortunately, Robert Montgomery, playing the lead (appearing in mirrors and editorial commentary), also directs. He has a tin ear for dialogue, a glass eye for scenery, and a peg leg for pacing.
Those looking for an entertaining Marlowe crime drama should try "Farewell my Lovely", "The Big Sleep", or "The Long Goodbye".
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