Adam Hayward (Robert Montgomery), a successful New York City defense lawyer, receives a cable that the British war buddy who saved his life at Anzio Beach is now in trouble with the law in ... See full summary »
This, the second adaptation of Raymond Chandler's novel, is much closer to the source text than the original - Murder, My Sweet (1944), which tended to avoid some of the sleazier parts of ... See full summary »
Set in England, rather than California, the story follows Raymond Chandler's book fairly closely otherwise. Philip Marlowe is asked by the elderly (and near death) General Sternwood to ... See full summary »
Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
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Movie star Collier Laing is recalled to active duty with the Army Criminal Investigation Division. His mission: to sweep debutante Marita Connell off her feet and flush out her former ... See full summary »
The camera shows Phillip Marlowe's view from the first-person in this adaptation of Raymond Chandler's book. The detective is hired to find a publisher's wife, who is supposed to have run off to Mexico. But the case soon becomes much more complicated as people are murdered. Written by
Ken Yousten <firstname.lastname@example.org>
The first-person perspective could be viewed as a brave experiment or a case-study of why nobody EVER makes movies this way. Three points:
1) In a movie, we like to see the main character reacting.
2) Actors look self-conscious when endlessly talking to a camera.
3) The lack of edits makes many scenes tedious.
Still, you can admire how hard all this was to stage and shoot, in a age when cameras weighed a ton, made too much noise and nobody owned a Steadicam. Reminds me of the kind of crazy gimmicks Hitchcock sometimes tried but Hitch would have never let the train go this far off the tracks.
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