This, the second adaptation of Raymond Chandler's novel, is much closer to the source text than the original - Murder, My Sweet (1944), which tended to avoid some of the sleazier parts of ... See full summary »
Adam Hayward (Robert Montgomery), a successful New York City defense lawyer, receives a cable that the British war buddy who saved his life at Anzio Beach is now in trouble with the law in ... See full summary »
Eric Busch, a novelist/playwright, and his wife, Janet, go to New York where he arranges to have Matt Saxon, who has a reputation for ruthlessness, produce his play. Saxon insists on so ... See full summary »
Philip Marlowe gets involved when limp-wristed and snidely Leslie Murdock steals a rare doubloon from his mother to give to a newsreel photographer in exchange for film that is being used ... See full summary »
A private detective is hired to retrieve a valuable antique coin that was stolen from its owner by her son, who used it to pay off a blackmailer. The private eye soon finds himself up to ... See full summary »
In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for... See full summary »
The camera shows Phillip Marlowe's view from the first-person in this adaptation of Raymond Chandler's book. The detective is hired to find a publisher's wife, who is supposed to have run off to Mexico. But the case soon becomes much more complicated as people are murdered. Written by
Ken Yousten <firstname.lastname@example.org>
The entire movie plot unfolds from lead Robert Montgomery's point of view, thus creating a rarity in film: the principal character is only seen on-screen as a reflection in mirrors and windows, and as the narrator speaking directly to the audience. See more »
During the office party scene, the group sings "Jingle Bells" but the key shifts suddenly in the middle of the song, probably due to two takes being joined together. See more »
I saw this film on TMC on Christmas Eve 2000. I thought it was pretty interesting. The first first-person film I've ever seen. It really caught the first-person POV with which Chandler wrote the novel. I loved Marlowe, wise-cracking, one-liners ("Do you fall in love with all of your clients? Only the ones in skirts.") I thought the director handled the camera very well, with the mirrors to show the first-person perspective. I like it a lot. Great noir! Kept me riveted.
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