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Johnny O'Clock (1947)

Approved | | Crime, Drama, Film-Noir | 11 August 1947 (Sweden)
High-class crook gets in trouble with the law.



(screen play), (original story)
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Complete credited cast:
Johnny O'Clock
Nancy Hobson
Inspector Koch
Nelle Marchettis
Harriet Hobson
Guido Marchettis (as 'S. Thomas Gomez')
John Kellogg ...
Chuck Blayden
Mabel Paige ...
Slatternly Woman Tenant
Phil Brown ...
Phil, Hotel Clerk


New York gambling house operator Johnny O'Clock is junior partner in a posh casino with Guido Marchettis and Chuck Blayden, a crooked cop. But Blayden is trying to cut into the casino's profits and warns Johnny not to interfere with his intention of becoming Marchettis' full partner. Blayden ends his relationship with coat check girl Harriet Hobson, then disappears. Later, Harriet is found dead in her apartment, apparently from suicide. Police Inspector Koch begins an investigation.He questions Johnny, Harriet's sister Nancy, who is infatuated with Johnny, and Johnny's associate, Charlie. When Blayden's body turns up in a nearby river, and when it is learned that Harriet death wasn't suicide but murder by poison, Johnny and Marchettis become prime suspects in both cases.To make matters worse, Pete Marchettis discovers that his wife Nelle is having an affair with Johnny. Out of jealousy, he sends hired gunmen to kill Johnny in a drive-by shooting while Johnny is driving Nancy to the ... Written by nufs68

Plot Summary | Add Synopsis


Johnny was smart...too smart to tangle with women! (all uppercase on poster) See more »


Approved | See all certifications »




Release Date:

11 August 1947 (Sweden)  »

Also Known As:

La ultima hora  »

Filming Locations:

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


On August 16, 1977, "Johnny O'Clock" was televised on KTVU Channel 2's "Dialing For Dollars" (Oakland-San Francisco CA) when word of Elvis Presley's death interrupted the broadcast. See more »


Chuck Blayden: You get in my way and I'll kill you.
Johnny O'Clock: You took the words right out of my mouth.
See more »


I Never Knew (That Roses Grew)
Music by Ted Fio Rito
Lyrics by Gus Kahn
[Published 1925. Played as recurring background theme]
See more »

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User Reviews

Average, at Best
27 March 2011 | by (Claremont,USA) – See all my reviews

Powell's O'Clock has a snappy answer for every occasion. Moreover, he's always in charge, whether it's the cops, women, or his conniving partner. Except for a couple points of interest, however, it's a thoroughly average crime drama, even with the noirish overtones. For me, the problem is with the O'Clock character. It looks like the script was tailored to advance Powell's career from sappy song & dance man of the 30's to hardboiled leading man of the 40's. In short, if he's being menaced here by noir's unseen forces, it's crucially not reflected in his one-dimensional behavior.

The makeover started with the excellent Murder, My Sweet (1944). But that crime drama had a fine Chandler script and a sometimes befuddled detective Marlowe (Powell). This film, on the other hand, has the trappings of noir (dark venues, a faithless woman), but without the compelling subtleties. For example, O'Clock is too predictable in his superiority. As a result, we're not drawn into the plot challenges. Instead, we merely observe them, certain that O'Clock will triumph over every situation. Thus, what we're told is a sometimes interesting story, but without the added emotion of participating in it.

Fortunately, there are several engaging characters that color the narrative. Cobb's laconic cop can do more acrobatics with a cigar than any scene stealer I've seen; Drew's faithless wife gets away with more really provocative poses than usual for the time; while, Kellogg's devoted man-servant conveys at one point a rather unexpected overtone. At the same time, it's too bad we don't see more of that priceless old hard case Mabel Paige. On the other hand, Gomez's schemer lacks the kind of wicked edge his key part needs.

This is not meant to take away from Powell the actor. He was, of course, a fine performer as his overall career shows. This film, however, serves as little more than a vehicle for his tough-guy makeover. The trouble is, it comes at a cost to the picture.

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