John Forbes is a family man who's tired of the 9 to 5 humdrum of his job an insurance company executive. Life gets a little more exciting for him when he calls upon femme fatale Mona ... See full summary »
Bullfighter Luis Bello (Mel Ferrer) is a star, but fear and doubt strike quickly after he is injured in the ring. Manager Raul Fuentes (Anthony Quinn) refuses to let him give up, though, ... See full summary »
Johnny Angel sets out to learn who hijacked a gold shipment from his father's ship and killed his father, the captain. He is joined in the search by Paulette, whose own father has been ... See full summary »
Julia Ross secures employment, through a rather-noisy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. Two days later, she awakens in a different house ... See full summary »
Joseph H. Lewis
Dame May Whitty,
Steve, revue producer in Rio de Janeiro, is still in love with his ex-wife Vicki, his star Linda is in love with Steve and Tito is in love with Linda. Because of this they all get small ... See full summary »
As much as more touted actors such as Bogart and Mitchum, Dick Powell helped form the noir cycle, with his assumption -- the first on film -- of Raymond Chandler's Philip Marlowe in Murder, My Sweet. He went on to star in such dark and definitive works as The Pitfall and Conflict (not to mention such lesser offerings as Cry Danger and To The Ends Of The Earth). Here, as title character and mid-level gambler/gangster Johnny O'Clock, he sports the thick shell and sub-zero emotional temperature of the noir protagonist, a type he helped to patent. But given a muddled script with noirish shots, situations and symbols thrown in willy-nilly, he fails to convince. Evelyn Keyes, as the sister of a murdered hat-check girl, has (as always) her moments, as does Ellen Drew, as the soused trophy-wife of big mobster Thomas Gomez. Lee J. Cobb puffs his cigar endlesslly, trying to enforce the law. Johnny O'Clock is not quite a bad movie but it's less memorable than many worse-made movies in the cycle. There's just nothing particularly distinctive about it. You feel you've watched it before, at least in bits and pieces, even though chances are (it remains relatively obscure) you haven't.
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