In 17th. century England, Jassy is believed a witch because she has sometimes visions of approaching disasters. When Barney Hatton, an impoverished gentry whose gambling father has lost the... See full summary »



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Cast overview, first billed only:
Basil Sydney ...
Dermot Walsh ...
Esma Cannon ...
Linden Travers ...
Nora Swinburne ...
Jean Cadell ...
Grace Arnold ...
Grey Blake ...
Bryan Coleman ...
Sedley - the Architect


In 17th. century England, Jassy is believed a witch because she has sometimes visions of approaching disasters. When Barney Hatton, an impoverished gentry whose gambling father has lost the family home, helps her anyway she will not forget and will try to help him have his property back - at any price? Written by BSK

Plot Summary | Add Synopsis


Whispered about - insulted...scorned...but Jassy didn't care!


Drama | Romance


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Release Date:

8 September 1947 (UK)  »

Also Known As:

Zigeunerblut  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(British Acoustic)



Aspect Ratio:

1.37 : 1
See  »

Did You Know?


When Jassy shows that she can read, it is part of Shakespeare's Sonnet XVII that she recites. See more »


Lady Helmar (Linden Travers) pledges her love to her lover once he has been forbidden to see her, but her speech becomes silent while her lips move in what was going to be a good speech. There is then a slow fade to black and back up to the Card Scene. See more »


Jassy: Goodbye Barney. I wish I were a house.
See more »

Crazy Credits

Make-up/ W.T. Partleton/ (using Leichner's "{illegible} tint" colorfilm make-up) See more »


Referenced in It's Not Cricket (1949) See more »

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User Reviews

Margaret triumphs in Technicolor
27 October 2014 | by (United Kingdom) – See all my reviews

Set in the 1830s, in elegant period costume, JASSY is a very English tale of love, hate, marriage, adultery, sadistic husbands, scheming wives, whip-wielding fathers, capricious lovers, unrequited love, gambling addicts, snobbery, class antagonism, bigotry, a girls' boarding school, country houses and masters and servants. Oh, and two murders, one by poisoning. And a suicide. It would be nice to add: - and all in the first reel. Well, not quite.

Bernard Knowles, a distinguished cameraman turned moderate director, makes something of a jumble of the first half hour, introducing too many characters and failing to distinguish those with an important part to play. It seems at first, for example, that the splendid Linden Travers as Lady Helmar will be a major protagonist, but she disappears after a couple of scenes, a typical waste of her talents. It's only with Barney's rescue of Jassy that Knowles starts to pull the disparate threads together.

Margaret Lockwood is wonderful as Jassy, the remarkable, psychic, gypsy girl with immaculate English enunciation, though brought up and tutored solely by her father, the resolutely Scottish John Laurie. Coping well enough as the disadvantaged young woman working at the finishing school, she really gets into her stride as the whip-cracking - metaphorically speaking - mistress of the manor house. Looking, as she does, the epitome of glamour, it's no wonder lecherous landowner Helmar

  • Basil Sydney - finds it difficult to keep his hands off her.

Strutting around like an overfed turkey-cock he's entertaining throughout; both he and Lockwood kept getting the giggles in their highly-charged scenes together, setting each other off, causing several re-takes. No doubt some of the corny dialogue didn't help and later, in the court-room scene, Alan Wheatley uses the old acting technique of speaking very slowly and deliberately, to take the curse off a particularly trite sentence. Matching Margaret in the glamour stakes, Patricia Roc 'The Goddess of the Odeons' is excellent as the fickle, opportunistic Dilys, a welcome contrast to her goody-goody Caroline in THE WICKED LADY. The young Dermot Walsh is convincing as one of the few wholly honest characters. All this and Dennis Price, Esma Cannon, then around fifty but playing the much younger Lindy and Ernest Thesiger too.

Thought lost for many years, JASSY was located and restored in the early 1980s, receiving its first British TV transmission in December 1984 on Channel Four. I should love the opportunity to see Jassy and Dilys on the big screen and the continuing lack of a DVD release remains a mystery. Certainly for Margaret Lockwood fans, JASSY is a film to see again. And again...

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