Based on James Barrie's play "Alice Sit-By-The-Fire". In turn-of-the-century New York, a young girl who believes she's learned "the seamy side of life" from a risque play takes it upon ... See full summary »
At the Tangier airport, a group of people await the arrival of a mysterious plane from behind the Iron Curtain. The reception committee includes Susan, an American; Gil Walker, a ... See full summary »
Charles Marquis Warren
Harry and Eve Graham are trying to adopt a baby. The head of the agency senses Harry is keeping a secret and does some investigating. He soon discovers Harry has done an unusual amount of ... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
A young female escapee from a reform school joins a pickpocket academy in Paris. She is caught red-handed on her first attempt at stealing by an upper class man. He recruits her to do him a... See full summary »
During World War II an American travels to Britain to sell an old house near London that belongs to his family. But he mets Susan Trimble who lives in the house and who is strictly against ... See full summary »
Detective Chris Kelvaney has a brother, Eddie, who also is a policeman. He witnessed a murderer running away from the scene of the crime. Chris has contacts with the gangster Beaumonte, who... See full summary »
In 1909, the beautiful but amoral British belle Ivy Lexton meets older, rich Miles Rushworth; undeterred by the prior claims of her husband Jervis and lover Roger, she goes after Miles and has no trouble fascinating him, but oddly enough he has compunctions about making love to other men's wives. The means that Ivy reluctantly adopts to resolve the problem of too many men promise disaster for all concerned. Written by
Rod Crawford <firstname.lastname@example.org>
"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on March 13, 1952 with Joan Fontaine again reprising her film role. See more »
I don't think I've been very fair to him you know.
Fair? He's held you in his arms, people point you out as his wife. I think he's just about the luckiest man in England.
Well that's sweet Roger, but we are rather forgetting that i'm married to him.
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Convincing Victorian Murder Melodrama, Plenty of Tension
Joan Fontaine here is entirely convincing as an amoral beauty who is entirely incapable of feeling love for anyone but herself. Her husband (Richard Ney) has lost all his money through a combination of his foolhardiness and her extravagance, and they are reduced to living in a tiny room, with little or no prospects. They continue to put on the most amazing clothes and go out and socialize as if nothing were wrong. He is a charming, feckless, but wholly amiable fellow. However, Fontaine decides he has to go, as he has outlived his usefulness. So she resolves to poison him when she realizes he does not want to divorce her, so that she can move on. She has meanwhile had a lover (Patric Knowles) whom she decides to drop because he is not rich either. She meets the aging Herbert Marshall, who has a yacht with all the trimmings and more money than even Fontaine could figure out how to spend. She targets him and decides he will do nicely. He is all too eager to be eaten up by the young beauty. He certainly isn't very exciting, and has about as much sex appeal as yesterday's omelette. But Fontaine is one of those gals who has eyes only for money, and the man standing between her and it is transparent, so that she doesn't even notice or care what he looks like, she looks through him and sees what she really wants and goes for it. She proceeds to poison her husband, and dispatches him very neatly and satisfactorily, so that everything is going well. But as always happens in the movies, and sometimes even in life, some unexpected things begin to go wrong, and the tension rises appreciably, so that Fontaine begins to sweat. Fontaine is particularly good at looking wicked and terrified, and as the net begins to close in on her, her rising sense of desperation is palpable and has us on the edges of our seats. Hysteria and fear take over from cool calculation and cunning. But she finds a fall guy for her crime in the person of her cast off lover, who is an innocent victim of her scheme to set him up. He is condemned to death for murder, because the husband's death by poison came to light unexpectedly. But Sir Cedric Hardwicke, playing a grimly determined Scotland yard inspector, thinks there may be something amiss, and begins to doubt the story and suspect Fontaine. He closes in on her, and some of the scenes as this happens are inspired portrayals of the wildest panic. But will the innocent man's life be saved before he is executed? Will Fontaine worm her way out of this one? Will Herbert Marshall protect her to safeguard his infatuation? This film is expertly directed by Sam Wood, and the film is a really superb suspense thriller which I suppose qualifies very well for the description of a superior film noir.
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