Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is ... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her... See full summary »
1896, Montmartre: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love. One of them is ... See full summary »
Chuck Redwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not ... See full summary »
The young Mexican Pepe's beloved horse is sold to Hollywood star Ted Holt, leading to Pepe's journey to Hollywood to get the horse back, and Pepe's encounter with half the stars working in Hollywood at the time.
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old High School, and get a job as a singer in a music store. He also meets Leo, a talented pianist and his teacher Anne, whose dream is to singing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music scholarship. Written by
Tony Fontana <email@example.com>
Throughout Frank Sinatra's early career much was made of the fact that he was very skinny. They make a little fun of his weight in this movie. During the song "I Believe" in the gym Frank walks up a teeter-totter and, when he reaches the high end, it remains up until Jimmy Durante tosses him a baseball. When he catches the baseball the high end descends, implying that the baseball weighed more than Frank. See more »
When Peter Lawford sits next to Kathryn Grayson, his left forearm is practically touching her right shoulder on top of the sofa. A moment later, his arm is about 12 inches away from her. See more »
When I see you out making a friend, then I believe you're from Brooklyn.
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Modest, enchanting MGM Musical. Sinatra sings "Time After Time"
Most MGM musicals of the late 1940s were lavish, Technicolored extravaganzas, which is why this modest, low-keyed, filmed in glorious black-and-white effort has always been overlooked. A pity, because it's one of the most endearing, enduring musicals of all time. Firstly, it has a plot--a bittersweet Isobel Lennart screenplay about an ex-soldier (Frank Sinatra) returning from WWII to his beloved Brooklyn, and realizing it is not the same as he remembered it. Secondly, that dream cast working together in perfect dramatic and vocal harmony--Sinatra (never more likeable and sweet-natured); Kathryn Grayson (whose charming down-to-earth sincerity truly makes the screen glow); Peter Lawford (has anyone ever given this actor the credit for the class and gentlemanly warmth he brought to every film he was in?), and, of course, the immortal Jimmy Durante (bolstering all of his co-stars with his brilliant comedic and dramatic talents). And thirdly, an immortal Jule Styne score to die for. "Time After Time" ranks as one of the most poignant, melodic ballads ever composed. Many artistic greats have recorded it, but no one has ever interpreted it with the wistful perfection of Grayson and Sinatra. Add Sinatra's "The Brooklyn Bridge" and "It's the Same Old Dream". Lawford's delightful jive turn "Whose Baby Are You?" And the rousing Sinatra/Durante showstopper "The Song's Gotta Come from the Heart" (excerpted in "That's Entertainment II"). "It Happened in Brooklyn" is a wistful, rueful, enchanting musical the likes of which MGM (nor any other studio) ever made nor even attempted. A buried treasure occasionally unearthed by TCM! See it, tape it, and savor one of the most loving and lovely movie-musicals ever made!
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