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The Invisible Wall (1947)

Approved  |   |  Crime, Drama  |  15 October 1947 (USA)
6.5
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Ratings: 6.5/10 from 20 users  
Reviews: 3 user | 1 critic

A former GI returning from the war gets back his old job working for a bookie. Dispatched by the bookie to deliver $20,000 to a contact in Las Vegas, he foolishly loses some of the money at... See full summary »

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(screenplay), (story), 1 more credit »
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Title: The Invisible Wall (1947)

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Cast

Complete credited cast:
Don Castle ...
Virginia Christine ...
Mildred Elsworth
Richard Gaines ...
Richard Elsworth
Arthur Space ...
Roy Hanford
Edward Keane ...
Marty Floyd
...
Al Conway
Mary Gordon ...
Mrs. Bledsoe
Harry Cheshire ...
Eugene Hamilton
Rita Duncan ...
Alice Jamison
Harry Shannon ...
Det. Capt. R.W. Davis
Earle S. Dewey ...
Doctor Winters (as Earl Dewey)
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Storyline

A former GI returning from the war gets back his old job working for a bookie. Dispatched by the bookie to deliver $20,000 to a contact in Las Vegas, he foolishly loses some of the money at the gambling tables, then loses the rest of it to a conman. His attempts to recover the money result in his getting involved in mistaken identity and murder. Written by frankfob2@yahoo.com

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Genres:

Crime | Drama

Certificate:

Approved
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Release Date:

15 October 1947 (USA)  »

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1.37 : 1
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Final film of veteran "B" director Eugene Forde. See more »

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User Reviews

 
Noir By The Numbers
5 December 2014 | by (United States) – See all my reviews

Don Castle, one of those slightly decent people earning his money in a slightly shady racket, comes up against an INVISIBLE WALL keeping him from happiness and success because he can't conquer a gambling problem. Can ingénue Virginia Christine, with the slightly shady past and the prior unfortunate marriage, save him from the dark fate that awaits most noir heroes?

This one is one a watcher really would like to like better -- given the location shooting at the Flamingo in Las Vegas -- but this one really starts off dull and predictable -- and only starts dishing out the wacky plot twists in the second half. Some of the twists are good ones -- but the ones at the very end suggest the lesser Cornell Woolrich stories with happy endings. You just don't buy the elaborate way the movie gets its lead out of the mess he's in.

Leads are OK. Direction is straightforward. It's a decent B, no worse than many similar movies with better reputations. But, unless you want to see film of Bugsy Siegel's famous casino just after its opening, there is no reason to seek this one out.


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