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I Wonder Who's Kissing Her Now (1947)

Approved | | Musical | August 1947 (USA)
A biopic of the career of Joe Howard (12 Feb.,1878 - 19 May, 1961), famous songwriter of the early 20th Century. Howard wrote the title song, Goodbye, My Lady Love; and Hello, My Baby among... See full summary »

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Cast

Cast overview:
June Haver ...
...
Martha Stewart ...
Lulu Madison
...
Will Hough
Lenore Aubert ...
Fritzi Barrington
...
Jim Mason
...
Tommy Yale
Truman Bradley ...
Martin Webb
George Cleveland ...
John McCullem
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Storyline

A biopic of the career of Joe Howard (12 Feb.,1878 - 19 May, 1961), famous songwriter of the early 20th Century. Howard wrote the title song, Goodbye, My Lady Love; and Hello, My Baby among many others. Mark Stevens was dubbed by Buddy Clark, well known singer of the 30's and 40's Written by David A. Williams <daw640@pobox.com>

Plot Summary | Plot Synopsis

Plot Keywords:

songwriter | See All (1) »

Genres:

Musical

Certificate:

Approved | See all certifications »
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Details

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Release Date:

August 1947 (USA)  »

Also Known As:

E ora chi bacerà  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The role of Lulu Madison was originally intended for Celeste Holm but pregnancy forced her to drop out. See more »

Soundtracks

The Sentry Song
(uncredited)
Music by Charles Henderson
Lyrics by George Jessel
Sung by June Haver and a male chorus
See more »

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User Reviews

 
First Half Almost Sizzles
18 September 2013 | by (Claremont,USA) – See all my reviews

Based on a true story, the movie traces the career of song-writer Joe Howard and his difficulties, especially in the romance department.

The first half almost sizzles with screen chemistry as Kate (Haver), Lulu (Stewart) and Joe (Stevens) bounce off one another backstage. And what a conniving little ingénue is Kate, always using her innocent wiles to get her way. Then there's toughie Lulu who would like to win Joe if only Kate would let her. Poor Joe's in the middle, but would rather write songs than anything else. Their simmering well-scripted set-to's amidst the stage show music had me thinking a real sleeper.

But then Joe joins another troupe and Lulu is replaced by Fritzie (Aubert) who unfortunately doesn't generate the same chemistry, causing the movie to settle into a more routine mode. Nonetheless, the production is lavish, the Technicolor beautiful, the signature songs memorable, along with a solid story better developed than most. But for me, it's a deceptively innocent Haver whose Kate shines most of all. Her presence not only lights up the stage, but amounts to one of the most unusual ingénues in musical history. And catch that great last scene that drives home the point.

All in all, the movie may not be the best musical on record, but that sizzling first half remains in the running.


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