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I Walk Alone (1948)

7.1
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Ratings: 7.1/10 from 1,031 users  
Reviews: 19 user | 3 critic

Frankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.

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(screenplay), (adaptation), 2 more credits »
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Cast

Complete credited cast:
...
Frankie Madison
...
Kay Lawrence
...
Noll 'Dink' Turner
...
Dave
Kristine Miller ...
Mrs. Richardson
George Rigaud ...
Maurice
...
Nick Palestro
...
Dan
Mickey Knox ...
Skinner
Roger Neury ...
Felix
The Regency Three ...
Musical Trio
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Storyline

Frankie Madison returns to New York after 14 years in prison. Noll Turner, Frankie's former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal '50:50' agreement they made when he was caught and Noll got away. Fat chance! Can Frankie, who knows only the strong-arm methods of Prohibition, win out against Big Business? It'll be tough...even with the unlikely alliance of torch singer Kay (Noll's ex-girlfriend). Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Two things I can handle baby... guns and dames! See more »

Genres:

Film-Noir | Crime | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

16 January 1948 (USA)  »

Also Known As:

L'homme aux abois  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on May 24, 1948 with Burt Lancaster and Lizabeth Scott reprising their film roles. See more »

Goofs

(at around 1 min) Dave has explained how the club is organized financially. Frankie turns, walks away in confusion, then turns back to Dave facing downstage right. Then there is a jump cut and Frankie is suddenly turned 90 degrees facing downstage left. See more »

Quotes

Charles: What about that girl who sings?
Alix Richardson: Every man has a girl who sings someplace in his life.
See more »


Soundtracks

I Walk Alone
(uncredited)
Lyrics by Ned Washington
Music by Allie Wrubel
See more »

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User Reviews

Celebrity Noir
17 September 2011 | by (Claremont,USA) – See all my reviews

No need to recap the plot. There's one key scene unlike anything in the rest of 40's noir. Frankie (Lancaster) invades Dink's (Douglas) office to muscle in on what he's owed of Dink's big operation. But Frankie's a gangster of the uncomplicated 1930's, while Dink's a white-collar criminal of the coming 1950's. So. By the time Dink's accountant Dave (Corey) is through answering each of Frankie's threats with another layer of corporate ownership that can't possibly be divided, Frankie's reduced to a bundle of quivering frustration. In short, Dave has beaten all Frankie's assembled thugs with what amounts to a maze of legalese. As a result, piles of paper prove ultimately more powerful than gangs of gunmen in what amounts to a great unexpected scene.

All in all. The movie's decent 40's noir, long on atmosphere but too long on talk, at least to my liking. I suspect the screenplay was tailored to showcase producer Wallis's top 3 new stars, especially Scott who gets a lot of romantic dialog along with sultry screen time. The overall result is a movie composed of too many under-blended showcase scenes- - some quite good-- that nevertheless don't really gel into a compelling whole. It's the kind of movie where the stars are more memorable than the story.

Scott and Douglas, for example, really shine. Scott does some of the best acting of her career as the conflicted glamour girl. But I especially like Douglas's slimy version of a smooth-talking mastermind who's so self-assured, you can't wait to see him get what he's got coming. Douglas's early career specialized in such compromised types, a revelation to those only familiar with his later, more heroic, career. For his part, Lancaster does well enough with his distinctive looks, but Frankie is a less showy role than the other two.

Anyway, one thing for sure—producer Wallis certainly had an eagle eye for new talent, as this movie more than demonstrates.


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