Frankie Madison returns to New York after 14 years in prison. Noll Turner, Frankie's former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal '50:50' agreement they made when he was caught and Noll got away. Fat chance! Can Frankie, who knows only the strong-arm methods of Prohibition, win out against Big Business? It'll be tough...even with the unlikely alliance of torch singer Kay (Noll's ex-girlfriend). Written by
Rod Crawford <email@example.com>
(at around 1 min) Dave has explained how the club is organized financially. Frankie turns, walks away in confusion, then turns back to Dave facing downstage right. Then there is a jump cut and Frankie is suddenly turned 90 degrees facing downstage left. See more »
The screenplay and the directing may seem a bit hackneyed to some,but Lancaster's problems,trapped in the mystery of economics and club management are rather intriguing.
The essential lies elsewhere:watching the Lancaster/Douglas team is enough to satisfy the cine buff;they are so good than even when they work with inferior material,they are still better than most of the rest. Douglas is icily suave,treating his old pal to a meal of canard à l'orange with vintage Champagne.But if looks could kill,his certainly would.Lancaster is a mistreated,thrown into jail (14 years!),cheated good guy ,but who will play fair game till the end.Between these two men ,there's of course a woman:unlike today's female parts,this one is not sacrificed .Lizabeth Scott's performance is first-class and on a par with the two male parts.Too bad her career should have ended so prematurely.She easily equals Laureen Bacall,she's even more human.
It's strange how Douglas 's first parts were often villains (this movie,the loves of Martha Ivers) which culminated with Billy Wilder's highly superior "the big carnival".This movie proves that three good leads can give a banal plot substance.
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