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Hi-De-Ho (1947)

 -  Musical  -  9 May 1947 (USA)
5.8
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Ratings: 5.8/10 from 131 users  
Reviews: 10 user | 3 critic

Cab Calloway plays himself in a plot about jealousy, night clubs, and gangsters. Ends with a series of musical numbers.

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Title: Hi-De-Ho (1947)

Hi-De-Ho (1947) on IMDb 5.8/10

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Cast

Complete credited cast:
...
Cab Calloway
Ida James ...
Nettie
Jeni Le Gon ...
Minnie
William Campbell ...
Sparks
Virginia Girvin ...
Sparks' Girl Friend
George Wiltshire ...
Boss Mason
James Dunmore ...
Mo the Mouse
Augustus Smith ...
Preacher
Edgar Martin ...
Jive Club Owner
Leonard Rogers ...
Ralph
David Bethea ...
Brass Hat Club Owner
Shepard Roberts ...
Police Sergeant
Frederick Johnson ...
Headwaiter
Edit

Storyline

Bandleader Cab Calloway is tiring of his sexy girlfriend Minnie, who in turn is jealous of Cab's manager Nettie. When Nettie gets Cab a job at the Brass Hat Club, Minnie retaliates for his imagined infidelity by setting gangster Boss Mason, owner of a rival club, against him. Will she regret her action before it's too late? (This plot resolves halfway through the film; the rest is a series of 'soundies' featuring the Calloway band's inimitable jive). All-black cast. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Plot Keywords:

african american

Genres:

Musical

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Details

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Release Date:

9 May 1947 (USA)  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

| (re-issue)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

When Cab takes the wounded Minnie back into his room, the furniture has changed position - the bed is now away from the wall and in the middle of the room, and the chair is in the corner of the room where the bed used to be. See more »

Soundtracks

LITTLE OLD LADY FROM BALTIMORE
Sung and Danced by the three Peters Sisters
See more »

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User Reviews

 
A must see for this genre
6 March 1999 | by (West Sacramento, CA) – See all my reviews

The best part of this movie were the dynamic tap dancing Millers. Unfortunately, they received very little credit.

What was best about this film, were the early direction, acting and cinematography. The camera shots were amateurish, and crude. However, this added to the excitement of early black film genera. The acting was contrived, the plot line weak, and the characters one dimensional. If you like early black film, this one's a must see.

If you are a film instructor this is a good example of the early attempt at story telling.


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