6.6/10
240
12 user 2 critic

The Guilt of Janet Ames (1947)

Approved | | Drama, Mystery, Romance | 6 March 1947 (USA)
An obsessively bitter war widow and one of the men her husband saved in WW2 meet. He tries to convince her the sacrifice was necessary, but her problem isn't that simple. And can she help ... See full summary »

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(screen play), (screen play) | 2 more credits »
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Cast

Cast overview:
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Katie
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Susie Pearson
Charles Cane ...
Walker
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Carter
Coulter Irwin ...
Junior (as Bruce Harper)
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Nelson
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Joe Burton
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Danny
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Storyline

An obsessively bitter war widow and one of the men her husband saved in WW2 meet. He tries to convince her the sacrifice was necessary, but her problem isn't that simple. And can she help him with his wartime emotional scars he hides with alcohol? Written by anoymous

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Drama | Mystery | Romance

Certificate:

Approved | See all certifications »
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Release Date:

6 March 1947 (USA)  »

Also Known As:

My Empty Heart  »

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(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Denver Pyle's first film. See more »

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User Reviews

 
Excellent Non-Comedic Russell Role
2 July 2008 | by (United States) – See all my reviews

I got a problem: I think Rosalind Russell was/is a beautiful woman.

The fact that she could stand up to the likes of Cary Grant and upstage him practically in His Girl Friday does not deter me from the Opinion, that there was something just so attractive about her, especially in the years she was a leading lady, a time which spans several decades actually.

THIS film is an absolute GEM. I caught it early this AM, and I was completely interested in the well-being of Janet Ames. Dramatically, the story may not be the best, but the way the principals are played by Russell and leading man Melvyn Douglas, cause the viewer to get interested in what happens.

The only slightly-out-of-place item is the semi-comedic section with Sid Caesar- But actually, that part is used as a bridge, and Russel played it totally straight, which put the attention on Sid Caeser and what he was doing, and so, instead of the film going potentially wholly offtrack into a comedic area, it is contained and the viewer is brought back into the solemnity of the story.

This is a very wonderful film and shows a serious side to Russell that is actually refreshing.


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