The Guilt of Janet Ames (1947)

Got problems? Need a shrink? Call an alcoholic reporter instead. Janet Ames is a war widow who deeply resents the five buddies of her husband, whom he died to save, although she only knows ... See full summary »

Director:

Henry Levin

Writers:

Louella MacFarlane (screen play), Allen Rivkin (screen play),

Stars:

Rosalind Russell, Melvyn Douglas, Sid Caesar

Cast

Cast overview:
Rosalind Russell	...	Janet Ames
Melvyn Douglas	...	Smithfield 'Smitty' Cobb
Sid Caesar	...	Sammy Weaver
Betsy Blair	...	Katie
Nina Foch	...	Susie Pearson
Charles Cane	...	Walker
Harry von Zell	...	Carter
Coulter Irwin	...	Junior (as Bruce Harper)
Arthur Space	...	Nelson
Richard Benedict	...	Joe Burton
Frank Orth	...	Danny

Storyline

Got problems? Need a shrink? Call an alcoholic reporter instead. Janet Ames is a war widow who deeply resents the five buddies of her husband, whom he died to save, although she only knows their names. She is approaching a café where the first of the five men, whose names are on a list in her hand, is employed. Her plan, whatever it was, becomes somewhat secondary when she is ran over by a truck and is taken to the hospital unconsciousness. There, in one fell swoop of an amazing coincidence, she is identified by Smithfield Cobb, a reporter addicted to drink---probably because of his name---who also happens to be the fifth man on her list. She regains consciousness but is unable to walk, although the best medical minds in the building say she has no personal injury that prevents her from walking. Smithfield sees right off that her problem is mental, and he decides he will cure her by using psycho-analysis and suggestion---the man came equipped---to wipe away her perception that the ...

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Plot Keywords:

character name in title

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Genres:

Drama | Mystery | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

6 March 1947 (USA)

Also Known As:

My Empty Heart

Company Credits

Production Co:

Columbia Pictures Corporation

Technical Specs

Runtime:

83 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Betsy Blair's first film.

User Reviews

Post-war psychological drama

Rosalind Russell faces "The Guilt of Janet Ames" in this 1947 film also starring Melvin Douglas, Sid Caesar, Betsy Blair and Nina Foch. After the war, many, many films concerning psychiatry, mental illness, the mind, nerve disorders, etc. were released. Obviously readjustment and mental trauma were problems faced by many returning soldiers, and loss had to be coped with in many families. So it's no surprise that psychology became a huge subject.

Rosalind Russell plays a war widow whose husband threw himself on a grenade and saved five of his platoon. Angry and bitter, she has the names of the men, and sets out to meet each one to see if any of them were worth her husband sacrificing his life. En route to see one of them, she is hit by a car and has an hysterical paralysis so that she is confined to a wheelchair. One of the names on her list is recognized as that of a reporter, Smitty (Douglas), and he goes to the hospital to identify her. Though he has lost his job, is an alcoholic and due to leave for Chicago soon, he does a mental exercise with Janet that is inspired by the story of Peter Ibbetson. Ibbetson was an imprisoned man in a DuMaurier novel who was able through his imagination to leave the prison and reunite in dreams with his true love. Janet has to imagine each man, what he's like and what problems he's facing in order to gain some understanding of him. One man has a child, another man is married and he and his wife dream of building a house, another does work in the desert, one is a bouncer and another is a stand-up comic.

Once she is through with this exercise, Janet is able to admit some demons she has been carrying with her since her husband's death. Then it's Smitty's turn to face some facts.

Thanks to the acting of Russell and Douglas, "The Guilt of Janet Ames" is truly elevated. Russell looks beautiful, and her acting is wonderful. At first she's hard and angry (the word neurotic is thrown around a lot), but gradually, her character softens. Douglas gets to do more than be the light, debonair leading man here, and as he proved later in his career, he is more than up to it.

The message is that you can't live in the past and put yourself through the torture of what you did or didn't do, and it's an effective one that probably has as much resonance now as it did in 1947. There's still a war on.