At fictitious Tait University in the Roaring 20's, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat ... See full summary »
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Shortly after the end of World War II, British Colonel Michael 'Hooky' Nicobar is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate ... See full summary »
American showgirl Suzy is in London in 1914. She loves Irish inventor Terry who works for an engineering firm owned by a German woman. After their marriage Terry is murdered and Suzy flees ... See full summary »
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
At fictitious Tait University in the Roaring 20's, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Mel Tormé's vocals were not featured on the MGM soundtrack album. Under contract to Musicraft Records, Mel remade one of his film songs as a 78-rpm single: the DeSylva, Brown and Henderson evergreen, "The Best Things in Life Are Free." See more »
At the end of "The French Lesson" number, there is a cut to a new angle as June Allyson and Peter Lawford are laughing. Their laugh starts over after the cut, without the previous laugh dying down. See more »
Director Charles Walters was no Vincente Minnelli or Stanley Donen, and June Allyson and Peter Lawford were no Judy Garland and Gene Kelly. Thus, 1947's "Good News" is just a solid second-tier musical among the Arthur Freed productions at MGM. The MGM back-lot stands in for Tait College, an upper-crust haven for nattily-dressed collegiates with little besides romance on their minds. A silly plot, which links a couple of good songs ("Lucky in Love," "The Best Things in Life are Free") with a few dull ones, ends with a rousing finale, "The Varsity Drag." That energetic production number is so lively and infectious, all the nonsense that precedes is forgiven.
And there is a lot of nonsense to forgive. Peter Lawford, egotistical football jock Tommy Marlowe, is an insensitive cad; except for his good looks, he is unworthy of a second glance from the likes of June Allyson's Connie Lane. Connie works in the library, studies hard, and, for some reason, fails to catch the eye of the male students. Instead of pursuing Connie, the shallow dim-witted Tommy is quickly smitten by gold-digging Patricia Marshall, a new coed, whose faux French includes the film's best line: "Quelle fromage." The musical numbers feature three performers who never quite made the big leagues on film, the afore-mentioned Marshall, Joan McCracken, and Mel Torme. Their failure was not for lack of effort; the three give it the old college try here, but Marshall has an unsympathetic role, McCracken is overly kinetic, and Torme lacks a face to match his voice. Although Lawford lacks a voice to match his face, evidently Hollywood values looks over other talents. However, as he proved in other MGM musicals like "Easter Parade," Lawford could carry a tune and, certainly in "The Varsity Drag" number, could dance quite well. While Allyson has only a passable voice, her innocence and sweetness get her a pass for anything she may lack musically, although she too does quite well in the big finale.
"Good News" is simplistic romantic fun with a few good songs and a terrific production number. Although only 93 minutes in length, the film does drag a bit at times; "Pass that Peace Pipe" seems endless; the football game goes on and on; and McCracken's use of family millions to divert Marshall from man to man is a tiresome gag. "Good News" is worth a view, and the "Varsity Drag" number is worth revisiting, but Tait College should have taught screen writing and lured higher caliber students.
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