On the eve of World War II (1939) English officer Ralph Denistoun is in Nazi Germany on an espionage mission to recover a poison gas formula from Prof. Krosigk. He is helped by Lydia and ... See full summary »
Film told in flashbacks of an older man's obsession for a woman who can belong to no-one but can frustrate everyone. The backdrop is SternbergÍs surreal and fantastic Carnaval in Spain. In ... See full summary »
Josef von Sternberg
Edward Everett Horton
A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge ... See full summary »
Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't... See full summary »
On the eve of World War II (1939) English officer Ralph Denistoun is in Nazi Germany on an espionage mission to recover a poison gas formula from Prof. Krosigk. He is helped by Lydia and her band of gypsies. Naturally romance develops along the way. Written by
Don Femia <email@example.com>
Due to a labor dispute, the principal actors had to "live" on the set for a few weeks to avoid crossing picket lines. Marlene Dietrich took the time to learn how to play the zither; it was said she drove the rest of the cast and crew mad with her attempts to perfect her technique. Her efforts paid off, however, as illustrated in the scene where she plays the zither very competently. See more »
In the climax where Lydia is escaping though the wilderness from the Nazis, in some shots she is seen wearing high heels and at other times appears in bare feet. See more »
I've watched this film perhaps a dozen times, and yet it always stays fresh with me. I think it's one of the best things Dietrich has ever done. This is a Dietrich you've never seen before. Not a worldly femme fatale, but an earthy, highly engaging woman. The interplay between this uncultured gypsy (Dietrich) guided by the spirit world and the stuffy, establishment rationalist(Milland) is both funny and poignant. Dietrich and Milland are simply wonderful in their roles, and Leisen's direction is subtle and clever. If the story lacks plausibility, who cares? This picture belongs to Dietrich and Milland and the wonderful authenticity they bring to their characters.
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