IMDb > Gentleman's Agreement (1947)
Gentleman's Agreement
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Gentleman's Agreement (1947) More at IMDbPro »

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Gentleman's Agreement -- A writer passes himself off as Jewish to pen a series of articles on anti-Semitism, and what he learns opens his eyes to the bigotry in the world around him.

Overview

User Rating:
7.4/10   9,789 votes »
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Down 7% in popularity this week. See why on IMDbPro.
Director:
Writers:
Laura Z. Hobson (novel)
Moss Hart (screen play)
(more)
Contact:
View company contact information for Gentleman's Agreement on IMDbPro.
Release Date:
February 1948 (USA) See more »
Genre:
Plot:
A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won 3 Oscars. Another 10 wins & 6 nominations See more »
User Reviews:
Heavy-handed, but not ineffective See more (110 total) »

Cast

  (in credits order) (verified as complete)

Gregory Peck ... Philip Schuyler Green

Dorothy McGuire ... Kathy Lacy

John Garfield ... Dave Goldman

Celeste Holm ... Anne Dettrey

Anne Revere ... Mrs. Green

June Havoc ... Elaine Wales

Albert Dekker ... John Minify

Jane Wyatt ... Jane

Dean Stockwell ... Tommy Green
Nicholas Joy ... Dr. Craigie

Sam Jaffe ... Professor Fred Lieberman
Harold Vermilyea ... Lou Jordan
Ransom M. Sherman ... Bill Payson
rest of cast listed alphabetically:
Monya Andre ... (uncredited)
Louise Buckley ... Mother (uncredited)
Patricia Cameron ... (uncredited)
Jack Conrad ... Bellboy (uncredited)
Curt Conway ... Bert McAnny (uncredited)
Olive Deering ... First Woman (uncredited)
Irene Dehn ... (uncredited)
Jane Earle ... Child (uncredited)
Morgan Farley ... Resort Clerk (uncredited)
Franklyn Farnum ... Party Guest (uncredited)
Grace Field ... Old Lady (uncredited)
Helen Gerald ... Page Girl (uncredited)
Fred Godoy ... (uncredited)
Wilton Graff ... Maitre d' (uncredited)
Jane Green ... Second Woman (uncredited)

Virginia Gregg ... Third Woman (uncredited)
Tom Handley ... (uncredited)
Joe Haworth ... Bellboy (uncredited)
Hallene Hill ... Old Lady (uncredited)
Edna Holland ... (uncredited)
Art Howard ... Party Guest (uncredited)
Bert Howard ... Party Guest (uncredited)
Mauritz Hugo ... Guest at Anne's Party (uncredited)
Boyd Irwin ... (uncredited)
Robert Karnes ... First Ex-GI in Restaurant (uncredited)
Leo Kaye ... Porter (uncredited)
Kenner G. Kemp ... Nightclub Table Extra (uncredited)
Victor Kilian ... Olsen (uncredited)
Mike Lally ... Party Guest (uncredited)
Raymond Largay ... (uncredited)
Gustave Lax ... Waiter (uncredited)
George Leigh ... (uncredited)
Lewis Leverett ... Father (uncredited)
Arthur Little Jr. ... (uncredited)
Kathleen Lockhart ... Mrs. Jessie Minify (uncredited)
Louise Lorimer ... Miss Miller (uncredited)
Lee MacGregor ... Bellboy (uncredited)
Adrienne Marden ... (uncredited)
Marion Marshall ... Guest (uncredited)
Noel Mills ... Mother (uncredited)
Marlyn Monk ... Receptionist (uncredited)
Henry Mowbray ... (uncredited)
Howard Negley ... Joe Tingler (uncredited)

Gene Nelson ... Second Ex-GI in Restaurant (uncredited)
John Newland ... Bill (uncredited)
Stella Rae ... Old Lady (uncredited)
Herbert Ratner ... Father (uncredited)
Pattie Robbins ... Receptionist (uncredited)

Roy Roberts ... Mr. Calkins (uncredited)
Wallace Scott ... Bellboy (uncredited)
Larry Steers ... Hotel Lobby Extra (uncredited)
Amzie Strickland ... Guest at Anne's Party (uncredited)
Laura Treadwell ... (uncredited)
Robert Warwick ... Irving Weisman (uncredited)
Jesse White ... Elevator Starter (uncredited)

Frank Wilcox ... Harry (uncredited)
Barbara Woodell ... (uncredited)
Mary Worth ... (uncredited)

Directed by
Elia Kazan 
 
Writing credits
Laura Z. Hobson (novel "Gentleman's Agreement")

Moss Hart (screen play)

Elia Kazan  screenplay revision (uncredited)

Produced by
Darryl F. Zanuck .... producer
 
Original Music by
Alfred Newman 
 
Cinematography by
Arthur C. Miller (director of photography) (as Arthur Miller)
 
Art Direction by
Mark-Lee Kirk 
Lyle R. Wheeler  (as Lyle Wheeler)
 
Set Decoration by
Paul S. Fox (set decorations)
Thomas Little (set decorations)
 
Costume Design by
Kay Nelson 
 
Makeup Department
Ben Nye .... makeup artist
 
Production Management
Raymond A. Klune .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Saul Wurtzel .... assistant director (uncredited)
 
Art Department
Don B. Greenwood .... property master (uncredited)
 
Sound Department
Alfred Bruzlin .... sound
Roger Heman Sr. .... sound (as Roger Heman)
Matt Hovland .... foley mixer (2009 Restoration)
 
Visual Effects by
Fred Sersen .... special photographic effects
 
Costume and Wardrobe Department
Charles Le Maire .... wardrobe director
Sam Benson .... wardrobe supervisor (uncredited)
Eugene Joseff .... costume jeweller (uncredited)
 
Editorial Department
Harmon Jones .... editorial supervisor
Lyman Hallowell .... apprentice editor (uncredited)
 
Music Department
Edward B. Powell .... orchestral arrangements (as Edward Powell)
 
Other crew
Darryl F. Zanuck .... presenter
Michael Audley .... dialogue director (uncredited)
Martha Manor .... stand-in (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Laura Z. Hobson's Gentleman's Agreement" - UK (complete title), USA (complete title)
See more »
Runtime:
118 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Argentina:Atp | Australia:G | Brazil:Livre | Canada:PG (video rating) | Finland:S | Spain:13 | Sweden:Btl | UK:A (original rating) | UK:U (tv rating) | UK:U (video rating) (1990) | USA:Approved (PCA #12488) | West Germany:12 (f) (w)
Filming Locations:

Did You Know?

Trivia:
Among the concerns that the movie's anti-anti-semitic message would stir up a "hornet's nest" was the bizarre belief that "Jewish friendly" films and novels from the time were linked with communism. The fear was not entirely unfounded, as many of the people involved with the film were brought before the House Unamerican Activities Committee (HUAC), including Darryl F. Zanuck, Anne Revere, (perhaps most notoriously) Elia Kazan, and John Garfield. Garfield was brought before HUAC twice, was blacklisted, taken off the blacklist and put back on it again and it was believed that it was the stress of these experiences which led to the heart attack that killed him at the age of 39.See more »
Goofs:
Factual errors: When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks.See more »
Quotes:
Anne Dettrey:Mirror, mirror, on the wall, who's the most brilliant of them all?
Phil Green:And what does the mirror say?
Anne Dettrey:Well, that mirror ain't no gentleman.
See more »
Movie Connections:
Referenced in The Holiday (2006)See more »

FAQ

This FAQ is empty. Add the first question.
10 out of 14 people found the following review useful.
Heavy-handed, but not ineffective, 18 October 2003
Author: zetes from Saint Paul, MN

Certainly the preachiest film ever to win Best Picture, and almost the preachiest film ever to be made, but that doesn't necessarily mean that Gentleman's Agreement isn't a good movie. In fact, I thought it was a fine film and an important one. It's heavy-handedness is mostly evened out by a lot of good dialogue, good filmmaking, and exceptional performances. I'll start there. I thought every principal actor succeeded with flying colors; even when they have to deliver awful and obvious message speeches, they almost always ended up making that writing sound a lot better than it was. Gregory Peck gives one of his very best performances. I'm glad to see him give this performance, too, after being stupefied by that wooden performance in the same year's The Paradine Case. The script does well with the character of Phil Green. When he begins his quest to discover the anti-semitism around him, he is involved very impersonally. It's a job, a job he doesn't really want to do, a job he doesn't even know how to do. And when he gets his big idea, to pretend he's Jewish himself, it seems almost arrogant. How dare he, I thought. But, through the film, he does get personally involved, so deeply involved that the insults and jokes and so forth become personal attacks. I doubt he ever expected that it would hurt so much. In comparison to the other film about anti-Semitism in 1947, Crossfire, also nominated for Best Picture, Gentleman's Agreement certainly does not hold up in terms of filmmaking and artistry. However, which film do you think had more of a chance to make a difference? Where Gentleman's Agreement succeeds, and Crossfire fails, is its ability to make the audience look inside themselves. Sure, it has to hit its audience with a sledgehammer before they look inside themselves to find their own prejudices and shortcomings, but I really think it works.

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One of the most boring, overrated films ever. xerxes_legend
long lived cast omarsholi
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