IMDb > Gentleman's Agreement (1947)
Gentleman's Agreement
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Gentleman's Agreement (1947) More at IMDbPro »

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Overview

User Rating:
7.4/10   8,639 votes »
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Director:
Writers:
Laura Z. Hobson (novel)
Moss Hart (screen play)
(more)
Contact:
View company contact information for Gentleman's Agreement on IMDbPro.
Release Date:
February 1948 (USA) See more »
Genre:
Plot:
A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won 3 Oscars. Another 10 wins & 6 nominations See more »
User Reviews:
It's simultaneously a classic and a bad picture See more (102 total) »

Cast

  (in credits order) (verified as complete)

Gregory Peck ... Philip Schuyler Green

Dorothy McGuire ... Kathy Lacy

John Garfield ... Dave Goldman

Celeste Holm ... Anne Dettrey

Anne Revere ... Mrs. Green

June Havoc ... Elaine Wales

Albert Dekker ... John Minify

Jane Wyatt ... Jane

Dean Stockwell ... Tommy Green
Nicholas Joy ... Dr. Craigie

Sam Jaffe ... Professor Fred Lieberman
Harold Vermilyea ... Lou Jordan
Ransom M. Sherman ... Bill Payson
rest of cast listed alphabetically:
Monya Andre ... (uncredited)
Louise Buckley ... Mother (uncredited)
Patricia Cameron ... (uncredited)
Jack Conrad ... Bellboy (uncredited)
Curt Conway ... Bert McAnny (uncredited)
Olive Deering ... First Woman (uncredited)
Irene Dehn ... (uncredited)
Jane Earle ... Child (uncredited)
Morgan Farley ... Resort Clerk (uncredited)
Franklyn Farnum ... Party Guest (uncredited)
Grace Field ... Old Lady (uncredited)
Helen Gerald ... Page Girl (uncredited)
Fred Godoy ... (uncredited)
Wilton Graff ... Maitre d' (uncredited)
Jane Green ... Second Woman (uncredited)

Virginia Gregg ... Third Woman (uncredited)
Tom Handley ... (uncredited)
Joe Haworth ... Bellboy (uncredited)
Hallene Hill ... Old Lady (uncredited)
Edna Holland ... (uncredited)
Art Howard ... Party Guest (uncredited)
Bert Howard ... Party Guest (uncredited)
Mauritz Hugo ... Guest at Anne's Party (uncredited)
Boyd Irwin ... (uncredited)
Robert Karnes ... First Ex-GI in Restaurant (uncredited)
Leo Kaye ... Porter (uncredited)
Kenner G. Kemp ... Nightclub Table Extra (uncredited)
Victor Kilian ... Olsen (uncredited)
Mike Lally ... Party Guest (uncredited)
Raymond Largay ... (uncredited)
Gustave Lax ... Waiter (uncredited)
George Leigh ... (uncredited)
Lewis Leverett ... Father (uncredited)
Arthur Little Jr. ... (uncredited)
Kathleen Lockhart ... Mrs. Jessie Minify (uncredited)
Louise Lorimer ... Miss Miller (uncredited)
Lee MacGregor ... Bellboy (uncredited)
Adrienne Marden ... (uncredited)
Marion Marshall ... Guest (uncredited)
Noel Mills ... Mother (uncredited)
Marlyn Monk ... Receptionist (uncredited)
Henry Mowbray ... (uncredited)
Howard Negley ... Joe Tingler (uncredited)

Gene Nelson ... Second Ex-GI in Restaurant (uncredited)
John Newland ... Bill (uncredited)
Stella Rae ... Old Lady (uncredited)
Herbert Ratner ... Father (uncredited)
Pattie Robbins ... Receptionist (uncredited)

Roy Roberts ... Mr. Calkins (uncredited)
Wallace Scott ... Bellboy (uncredited)
Larry Steers ... Hotel Lobby Extra (uncredited)
Amzie Strickland ... Guest at Anne's Party (uncredited)
Laura Treadwell ... (uncredited)
Robert Warwick ... Irving Weisman (uncredited)
Jesse White ... Elevator Starter (uncredited)

Frank Wilcox ... Harry (uncredited)
Barbara Woodell ... (uncredited)
Mary Worth ... (uncredited)
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Directed by
Elia Kazan 
 
Writing credits
Laura Z. Hobson (novel "Gentleman's Agreement")

Moss Hart (screen play)

Elia Kazan  screenplay revision (uncredited)

Produced by
Darryl F. Zanuck .... producer
 
Original Music by
Alfred Newman 
 
Cinematography by
Arthur C. Miller (director of photography) (as Arthur Miller)
 
Art Direction by
Mark-Lee Kirk 
Lyle R. Wheeler  (as Lyle Wheeler)
 
Set Decoration by
Paul S. Fox (set decorations)
Thomas Little (set decorations)
 
Costume Design by
Kay Nelson 
 
Makeup Department
Ben Nye .... makeup artist
 
Production Management
Raymond A. Klune .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Saul Wurtzel .... assistant director (uncredited)
 
Art Department
Don B. Greenwood .... property master (uncredited)
 
Sound Department
Alfred Bruzlin .... sound
Roger Heman Sr. .... sound (as Roger Heman)
Matt Hovland .... foley mixer (2009 Restoration)
 
Visual Effects by
Fred Sersen .... special photographic effects
 
Costume and Wardrobe Department
Charles Le Maire .... wardrobe director
Sam Benson .... wardrobe supervisor (uncredited)
Eugene Joseff .... costume jeweller (uncredited)
 
Editorial Department
Harmon Jones .... editorial supervisor
Lyman Hallowell .... apprentice editor (uncredited)
 
Music Department
Edward B. Powell .... orchestral arrangements (as Edward Powell)
 
Other crew
Darryl F. Zanuck .... presenter
Michael Audley .... dialogue director (uncredited)
Martha Manor .... stand-in (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
"Laura Z. Hobson's Gentleman's Agreement" - UK (complete title), USA (complete title)
See more »
Runtime:
118 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Argentina:13 | Australia:G | Brazil:Livre | Canada:PG (video rating) | Finland:S | Spain:13 | Sweden:Btl | UK:A (original rating) | UK:U (tv rating) | UK:U (video rating) (1990) | USA:Approved (PCA #12488) | West Germany:12 (f) (w)
Filming Locations:

Did You Know?

Trivia:
The movie mentions three real people well-known for their racism and anti-Semitism at the time: Sen. Theodore Bilbo (D - Miss), who advocated sending all African-Americans back to Africa; Rep. John Rankin (D - Miss), who called columnist Walter Winchell "the little kike" on the floor of the House of Representatives; and leader of "Share Our Wealth" and "Christian Nationalist Crusade" Gerald L.K. Smith, who tried legal means to prevent Twentieth Century-Fox from showing the movie in Tulsa. He lost the case, but then sued Fox for $1,000,000. The case was thrown out of court in 1951.See more »
Goofs:
Factual errors: When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks.See more »
Quotes:
Professor Fred Lieberman:Millions of people nowadays are religious only in the vaguest sense. I've often wondered why the Jews among them still go on calling themselves Jews. Do you know, Mr. Green?
Phil Green:No, but I'd like to.
Professor Fred Lieberman:Because the world still makes it an advantage not to be one. Thus it becomes a matter of pride to go on calling ourselves Jews.
See more »

FAQ

This FAQ is empty. Add the first question.
26 out of 38 people found the following review useful.
It's simultaneously a classic and a bad picture, 16 March 2004
Author: Scott-101 from arlington, va

On the one hand, Gentleman's Agreement has a highly enlightened prejudice, even today, let alone 1947. Gregory Peck plays a journalist who decides to pretend to be Jewish so he can attain a real-life perspective on anti-semitism. Peck's transformation from a determined writer looking for an edge to a crusader against prejudice is nothing short of profound. The twist of course is that Peck gets lost in the assignment, starts seeing himself as a Jew and struggles to maintain his composure amid all the anti-semitism he experiences. Considering that, it's a shame that the film's abilities to tell a story lag so far behind the movie's depth and boldness. There's a lot of emphasis on the romance between Peck and his editor's niece, which is pretty overdone for a pair who has as little chemistry as McGuire and Peck. I think the worst part of that is hearing Gregory Peck referring to McGuire's character as "my girl" like he's in middle school, especially considering I've always associated Peck with characters of tremendous maturity. Additional randomness comes from the fact that the film also focuses on Peck's relationship with his ailing mother, which doesn't have much to do with the central plot at all. What seemed to be an attempt to give a more well-rounded view of the character, the story felt bogged down by those elements. Still, a worthwhile movie, overall, *** out of ****

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