Peg and her father live a simple life in an Irish fishing village. One day Sir Gerald arrives at the village to tell Pat that Peg is heir to estate of her grandfather, who hated Pat. The ... See full summary »
Robert Z. Leonard
J. Farrell MacDonald
Philip Green is a highly respected writer who is recruited by a national magazine to write a series of articles on anti-Semitism in America. He's not too keen on the series, mostly because he's not sure how to tackle the subject. Then it dawns on him: if he was to pretend to all and sundry that he was Jewish, he could then experience the degree of racism and prejudice that exists and write his story from that perspective. It takes little time for him to experience bigotry. His anger at the way he is treated also affects his relationship with Kathy Lacy, his publisher's niece and the person who suggested the series in the first place. Written by
When other studio chiefs, who were mostly Jewish, heard about the making of this film, they asked the producer not to make it. They feared its theme of anti-Semitism would simply stir up a hornet's nest and preferred to deal with the problem quietly. Not only did production continue, but a scene was subsequently included that mirrored that confrontation. See more »
When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks. See more »
Laura Hobson's novel is brought to the screen in 1947, when it took courage to present a film of this subject. You'd think with Elia Kazan's direction and top notch casting, it would be a great film. It isn't. I think the fault lies in the adaptation of the novel. It is watered down so as to not offend anyone. In other words Zanuck took the easy way out and made it into a soap opera instead. This is a shame as the actors were very capable of giving true and genuine performances. Gregory Peck as the man who passes himself off as Jewish, seemed restrained and unable to bear down on the message of the plot. It was the writing that never gave him this opportunity. The durable Dorothy McGuire, known for ENCHANTED COTTAGE, TREE GROWS IN BROOKLYN, was wasted in an unsympathetic role as the girl friend who can't be understood. Their love scenes were stale. I did like the unsaid dinner scene where they couldn't look at each other or speak. Very well played. John Garfield, the Jewish friend, and a brilliant actor, walked through this film, where he could have done so much more. Celeste Holm, in her Academy Award performance, had a few moments, but far from award winning performance. It seemed she too was restrained from being the babe out to get Peck for her own. Anne Revere again plays the mama with the words of wisdom. It seems to be her fate to play these roles. See her in NATIONAL VELVET, SONG OF BERNADETTE and PLACE IN THE SUN. You never are quite sure what she's thinking. She walks around with a smug look on her face. Other roles played by June Havoc, the bigoted secretary, Albert Dekker, the publishing boss who wanted the story, Sam Jaffe, wonderful in a small role, Jane Wyatt, wasted in a thankless role as McGuire's sister and young Dean Stockwell, one of the better juvenile actors of the time as the son. All could have added great depth to this, but the writing and I believe the studio's fear of offending prevented this from being a powerful message. DIARY OF ANNE FRANK captured this. As did HOME OF THE BRAVE for the African American. Too bad. Could have been better.
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