Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet,... See full summary »
Philip Green is a highly respected writer who is recruited by a national magazine to write a series of articles on anti-Semitism in America. He's not too keen on the series, mostly because he's not sure how to tackle the subject. Then it dawns on him: if he was to pretend to all and sundry that he was Jewish, he could then experience the degree of racism and prejudice that exists and write his story from that perspective. It takes little time for him to experience bigotry. His anger at the way he is treated also affects his relationship with Kathy Lacy, his publisher's niece and the person who suggested the series in the first place. Written by
Phil Green's second name in the film was Schuyler, although early in the film he is known as Schuyler Green. This came up in jocular conversation when Phil Green attended a dinner party at the Minify's house. John Minify: " What do people call a guy whose name is Schuyler ?" Phil Green: "Phil" John Minify: "Good, then I don't have to say Green all the time. To hard the last name and Schuyler is impossible. I wouldn't call a dog Schuyler". Schuyler, happens to be the real life second name of Celeste Holm third husband, A.Schuyler Dunning, who she married in 1946. See more »
When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks. See more »
I'm going to let everybody know I'm Jewish.
Jewish? But you're not! Are you? Not that it would make any difference to me. But you said, "Let everybody know," as if you hadn't before and would now. So I just wondered. Not that it would make any difference to me. Phil, you're annoyed.
No, I'm just thinking.
Well, don't look serious about it. Surely you must know where I stand.
Oh, I do.
You just caught me off-guard.
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just as philip's magazine editor told him, any hack could write a column on the subject based on facts and figures. what they needed was a different angle that would capture the audience on a gut level. the theme wasn't about showing a Jewish guy get discriminated against. those incidences provide the backdrop and the link to philip's realization of a much more pernicious side to the subject. his magazine article may have started out with the idea of what it actually is like to be discriminated against as a Jewish man, but it moved into an analysis of how well- meaning, "nice," people who woudn't consider themselves bigoted or prejudiced, will sit by and let it happen without saying or doing anything. that's why kathy's rocky relationship with philip is so important and the ultimate resolution of the film.
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