114 user 61 critic

Gentleman's Agreement (1947)

Approved | | Drama, Romance | February 1948 (USA)
A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.



(novel), (screen play)

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Won 3 Oscars. Another 8 wins & 8 nominations. See more awards »



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Complete credited cast:
Tommy Green
Nicholas Joy ...
Dr. Craigie
Professor Fred Lieberman
Harold Vermilyea ...
Lou Jordan
Ransom M. Sherman ...
Bill Payson


Philip Green is a highly respected writer who is recruited by a national magazine to write a series of articles on anti-Semitism in America. He's not too keen on the series, mostly because he's not sure how to tackle the subject. Then it dawns on him: if he was to pretend to all and sundry that he was Jewish, he could then experience the degree of racism and prejudice that exists and write his story from that perspective. It takes little time for him to experience bigotry. His anger at the way he is treated also affects his relationship with Kathy Lacy, his publisher's niece and the person who suggested the series in the first place. Written by garykmcd

Plot Summary | Plot Synopsis


Drama | Romance


Approved | See all certifications »

Parents Guide:





Release Date:

February 1948 (USA)  »

Also Known As:

Laura Z. Hobson's Gentleman's Agreement  »

Filming Locations:


Box Office


$2,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


When other studio chiefs, who were mostly Jewish, heard about the making of this film, they asked the producer not to make it. They feared its theme of anti-Semitism would simply stir up a hornet's nest and preferred to deal with the problem quietly. Not only did production continue, but a scene was subsequently included that mirrored that confrontation. See more »


When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks. See more »


Kathy Lacey: I called up my sister Jane and blurted it out, and she squealed, "Kathy!" as if she had given up any hope of anyone ever asking me. She's aching to meet you. She and her husband are giving a big party for us on Sunday. By the way, won't we have to let Jane in on it?
Phil Green: I hadn't thought so.
Kathy Lacey: But we will, won't we? Your mother knows.
Phil Green: She had to. Jane and her husband don't. If you want to keep a secret...
Kathy Lacey: But wouldn't it be sort of exaggerated with my own sister? Your sister-in-law, almost. I do think...
See more »


Referenced in Carnal Knowledge (1971) See more »

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User Reviews

It's simultaneously a classic and a bad picture
16 March 2004 | by (arlington, va) – See all my reviews

On the one hand, Gentleman's Agreement has a highly enlightened prejudice, even today, let alone 1947. Gregory Peck plays a journalist who decides to pretend to be Jewish so he can attain a real-life perspective on anti-semitism. Peck's transformation from a determined writer looking for an edge to a crusader against prejudice is nothing short of profound. The twist of course is that Peck gets lost in the assignment, starts seeing himself as a Jew and struggles to maintain his composure amid all the anti-semitism he experiences. Considering that, it's a shame that the film's abilities to tell a story lag so far behind the movie's depth and boldness. There's a lot of emphasis on the romance between Peck and his editor's niece, which is pretty overdone for a pair who has as little chemistry as McGuire and Peck. I think the worst part of that is hearing Gregory Peck referring to McGuire's character as "my girl" like he's in middle school, especially considering I've always associated Peck with characters of tremendous maturity. Additional randomness comes from the fact that the film also focuses on Peck's relationship with his ailing mother, which doesn't have much to do with the central plot at all. What seemed to be an attempt to give a more well-rounded view of the character, the story felt bogged down by those elements. Still, a worthwhile movie, overall, *** out of ****

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