Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
Philip Green is a highly respected writer who is recruited by a national magazine to write a series of articles on anti-Semitism in America. He's not too keen on the series, mostly because he's not sure how to tackle the subject. Then it dawns on him: if he was to pretend to all and sundry that he was Jewish, he could then experience the degree of racism and prejudice that exists and write his story from that perspective. It takes little time for him to experience bigotry. His anger at the way he is treated also affects his relationship with Kathy Lacy, his publisher's niece and the person who suggested the series in the first place. Written by
Among the concerns that the movie's anti-anti-semitic message would stir up a "hornet's nest" was the bizarre belief that "Jewish friendly" films and novels from the time were linked with communism. The fear was not entirely unfounded, as many of the people involved with the film were brought before the House Unamerican Activities Committee (HUAC), including Darryl F. Zanuck, Anne Revere, (perhaps most notoriously) Elia Kazan, and John Garfield. Garfield was brought before HUAC twice, was blacklisted, taken off the blacklist and put back on it again and it was believed that it was the stress of these experiences which led to the heart attack that killed him at the age of 39. See more »
When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks. See more »
I know dear, and some of your other best friends are Methodist, but you never bother to say it.
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A Good portrayal of indiscriminate prejudice that leaves lifetime damage
Gregory Peck is slick as a writer for a publisher who is trying to find something to inspire him after his wife dies. He must take care of his young son and has his mother there in New York to help him out. Anti-Semitism hits a chord as WWII has just ended with news of the Holocaust just barely starting to sink into the national consciousness. The timing for release of this movie is obvious, but it is carefully thought out as the director tries to convey the sinister and insidious way in which prejudice worms its way into the mainstream of everyday life. A well done film that works! A clever and intelligent portrayal that deserved the attention it received. Not an entertaining movie in the strictest sense, but one where the audience must do the work of thinking their way through it. It is a film worth navigating, however, because the ugly mirror of prejudice is held up to us all who are watching. It makes you feel uncomfortable because most of us are guilty of what is offered, or at least, of witnessing prejudice and doing nothing about it as we just sit or stand idly by and do nothing.
I recommend this film, but it won't be for everyone and many of us would rather just pass this one by. But we should not pass it by, even though it holds up this mirror which makes us feel guilty and uncomfortable. I should point out that the ending which relates to the love interest in the story just doesn't work, but then that is not the heart, soul and purpose of the film. Prejudice, anti-Semitism and discrimination are, and these elements are worked out well. A disturbing, but intelligent portrayal which is worth taking in for what it is worth.
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