A woman falls for the victim of an intended blackmail plot.

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(screenplay), (based on a story by) (as Robert Terrance Shannon)
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Cast

Complete credited cast:
...
...
Carlotta Duval
...
Barry MacAllister
...
Ernie Hicks
...
Dr. Mitchell
Blanche Yurka ...
Aunt Margaret
...
Helen Anderson
...
Celia
...
Chang
...
The Minister (as Harry V. Cheshire)
John Miljan ...
Detective
Garry Owen ...
Detective
Eddie Dunn ...
Police Officer
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Storyline

George McAllister, the black sheep of a wealthy family who has squandered his share of the family inheritance, and lives in constant jealousy, hatred and resentment of his half-brother Barry, who has been supporting him. George gets his girl friend, Carlotta Duval, a job as Barry's nurse with the plan of eventually marrying him. She does, but instead of going ahead with the original plan or getting rid of Barry, inheriting his money and marrying George, she finds that she is really in love with Barry. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

She played a dangerous game...found she could double-cross a man - but not her heart! (original poster) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

24 November 1947 (USA)  »

Also Known As:

A Chama do Pecado  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Soundtracks

Love Me or Leave Me
(uncredited)
Music by Walter Donaldson
Lyrics by Gus Kahn
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User Reviews

 
mainly routine melodrama
6 November 2005 | by (Montreal) – See all my reviews

"The Flame" is a dark but disappointingly routine melodrama of the seen-it-a-million-times-before variety. A French nurse, in cahoots with her sleazy American lover, agrees to marry his ailing half-brother in order to gain his wealth. Guess what -- she begins to fall for the bore (who whiles away the hours playing dirges on his Hammond organ).

John Auer was one of the more talented directors working in the B-movie mill of the 40s, and he injects the picture with enough visual panache to give it a professional veneer and subtle moodiness. But what can you do with this cast from hell -- particularly Vera Ralston, at her most wooden (her voice-over narration is practically indecipherable).

A couple of reels into the film, things briefly perk up when a young Broderick Crawford unexpectedly slides into the narrative as a dour potential blackmailer who gets wise to the scam. Even better, his sometime girlfriend is a sexy cabaret performer played by the always fascinating Constance Dowling -- her Gilda-style song and dance routine gives Auer a chance to show his licks. But the brittleness all dissolves pretty quickly into some very unwelcome sentimentality towards the end.


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