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Escape Me Never (1947)

Approved | | Drama | 18 December 1947 (Argentina)
It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement ... See full summary »

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(screenplay), (novel)
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Cast

Complete credited cast:
...
...
...
Fenella MacLean
...
Caryl Dubrok
...
Mr. MacLean
Isobel Elsom ...
Mrs. MacLean
Albert Bassermann ...
Professor Heinrich (as Albert Basserman)
Ludwig Stössel ...
Mr. Steinach (as Ludwig Stossel)
Milada Mladova ...
Natrova
...
The Dancer
Helene Thimig ...
The Landlady
Frank Puglia ...
The Guide
...
The Minister
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Storyline

It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement is off and so is she for the mountains. There she meets and is intrigued by Sebastian, but she does not know that he is the composer that Gemma is staying with. When she learns about him, Gemma demands that she choose but Fenella cannot so Gemma and Sebastian leave to be married. They go to England to write his Ballet and Caryl and Fenella are re-engaged. But Fenella still loves the fun-loving Sebastian. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 December 1947 (Argentina)  »

Also Known As:

No me abandones  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The last Hollywood film to feature a musical score composed by Erich Wolfgang Korngold. See more »

Connections

Referenced in Night and the City (1950) See more »

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User Reviews

Only redeeming feature is Korngold's rapturous musical score...
8 May 2001 | by (U.S.A.) – See all my reviews

'Escape Me Never' is a tired remake of an Elizabeth Bergner film from the '30s and they should have thought twice before filming it. As the N. Y. Times so aptly observed: "Harsh and unbelievable...the script is a frightful thing." Ida Lupino only made it because she was eager to co-star with Errol Flynn (they had a brief romantic relationship) but despite competent performances by all concerned, none of them have a chance against the poor script. Basically, it's the story of two musician brothers (Errol Flynn, Gig Young) and their involvement with two women (Ida Lupino, Eleanor Parker), a romantic tearjerker with occasional flashes of humor. Ida is the poverty-stricken Gemma in love with Flynn who is unfaithful to her until his reformation at the end. One of his musical compositions is brilliantly performed by a full orchestra and here Erich Wolfgang Korngold's score soars. He was unfortunate in that some of the films he scored were considerably less worthy of his talent than they should have been. His music is the only redeeming value of this disjointed, uneven mess of a film, a short original ballet, Primavera, and a popular song that was well received, Love for Love. Production-wise, the film suffers from an obvious use of process shots and sound-stage simulations of the Alps.

My career article on Ida Lupino is due to appear in the Fall issue of FILMS OF THE GOLDEN AGE.


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