It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement ... See full summary »
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It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement is off and so is she for the mountains. There she meets and is intrigued by Sebastian, but she does not know that he is the composer that Gemma is staying with. When she learns about him, Gemma demands that she choose but Fenella cannot so Gemma and Sebastian leave to be married. They go to England to write his Ballet and Caryl and Fenella are re-engaged. But Fenella still loves the fun-loving Sebastian. Written by
Tony Fontana <tony.fontana@spacebbs.com>
It's not a comedy but if you don't laugh, you will be wondering why you continued to sit through this till the very end. Errol Flynn carried this film most of the way with his usual charm but even he can't perform lazarus on such a poorly written screenplay. Peter Godfrey didn't help either. Perhaps he had fallen asleep while directing this piece. Having said that, it has a great cast of actors and actresses. Lupino is a good actress but I felt she was badly miscast in this film. What a pity though because the idea was good and it had potential.
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It's not a comedy but if you don't laugh, you will be wondering why you continued to sit through this till the very end. Errol Flynn carried this film most of the way with his usual charm but even he can't perform lazarus on such a poorly written screenplay. Peter Godfrey didn't help either. Perhaps he had fallen asleep while directing this piece. Having said that, it has a great cast of actors and actresses. Lupino is a good actress but I felt she was badly miscast in this film. What a pity though because the idea was good and it had potential.