Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, ...
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Nick and his partner Al stage a payroll holdup. Al is shot and Nick kills a policeman. Nick hides out at a public pool, where he meets Peg Dobbs. They go back to her apartment and he forces her family to hide him from the police manhunt.
Eugene O'Neill's updated version of the Orestaia. In New England, after the American Civil War, a war-weary Agamem--er, Ezra Mannon comes home to his unhappy wife (Christine) and loving ... See full summary »
Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, it's terrible to be around him. That's the reason why his wife Brita divorced him; although she still loves him and works with him, she couldn't stand living with him anymore. So when Anthony accepts to play Othello, he devotes himself entirely to the part, but it soon overwhelms him and with each day his mind gets filled more and more with Othello's murderous jealousy. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Paddy Chayefsky, who played a photographer in the picture, was Garson Kanin's accountant at the time of production.This marked Chayefsky's first and only appearance as a screen actor. See more »
From all appearances during the opening sequence, Anthony John's new comedy is just opening on Broadway - deliverymen carry a fresh sign into the lobby covered with blurbs from rave reviews, leading lady is asked to look at new publicity photos and theater is packed during scene from play. But suddenly, it's revealed that this play has been running a year and is actually about to close. In reality, virtually all plays close due to dwindling attendance (and don't have SRO audiences in last days, as does this one) nor do producers waste money on advertising and publicity on productions that have already posted closing notices, as appears to be the case here since actors are already discussing their next jobs. See more »
I was astonished at how good this picture was - Ronald Colman's scenery chewing was great, as well as the script and all supporting performances, as well as it being one of George Cukor's better but least seen works. It is a very disquieting film, almost in a Hitchcockian sort of way, and perhaps that accounts for its obscurity. Besides, an early Shelley Winters film is all right by me (carumba!) Hopefully you can find a better print than the one I saw on cable which looked like it was culled from a 16mm positive. C'mon, film preservationists, get on it!
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