Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, ... See full summary »
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Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, it's terrible to be around him. That's the reason why his wife Brita divorced him; although she still loves him and works with him, she couldn't stand living with him anymore. So when Anthony accepts to play Othello, he devotes himself entirely to the part, but it soon overwhelms him and with each day his mind gets filled more and more with Othello's murderous jealousy. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The role of Anthony John was originally written for Laurence Olivier. Olivier was unavailable when the film finally went into production. See more »
Goofs
At the end of the last "Othello", Tony appears to be distracted by someone just off-stage. We know that Bill, the policeman, and the restaurant owner are standing where he is looking, but the only one he knows is Bill. He had seen the restaurant owner only once, and surely couldn't have recognized him in the dark; and he had never met the policeman. His final act implies that he knows he has been found out, but what gave him that idea? See more »
Hadn't seen it since it came out originally, but had never forgotten it.
I had completely forgotten how gorgeous and talented Signe Hasso was when she was still young, ditto for Shelly Winters before she balooned out.
Ronald Coleman, though, was the quintessential state actor of his time - I had read Othello in high school English - and HATED it. After seeing "A Double Life" I read it again and finally understood what the play was about.
The Gordon/Kanin writing team was at its peak when this script was done -
A movie well worth remembering and rewatching,
21 of 24 people found this review helpful.
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I stumbled on this late last night n TCM.
Hadn't seen it since it came out originally, but had never forgotten it.
I had completely forgotten how gorgeous and talented Signe Hasso was when she was still young, ditto for Shelly Winters before she balooned out.
Ronald Coleman, though, was the quintessential state actor of his time - I had read Othello in high school English - and HATED it. After seeing "A Double Life" I read it again and finally understood what the play was about.
The Gordon/Kanin writing team was at its peak when this script was done -
A movie well worth remembering and rewatching,