IMDb > Dishonored Lady (1947)
Dishonored Lady
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Dishonored Lady (1947) More at IMDbPro »

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Dishonored Lady -- Madeleine Damien is the fashion editor of a slick Manhattan magazine by day and a lively party girl by night...
Dishonored Lady -- Madeleine Damien is the fashion editor of a slick Manhattan magazine by day and a lively party girl by night...

Overview

User Rating:
6.5/10   481 votes »
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Down 12% in popularity this week. See why on IMDbPro.
Director:
Writers:
Contact:
View company contact information for Dishonored Lady on IMDbPro.
Release Date:
16 May 1947 (USA) See more »
Genre:
Tagline:
Unbridled passion . . . scandal . . . murder!
Plot:
Madeleine Damien is the fashion editor of a slick Manhattan magazine by day and a lively party girl by night... See more » | Full synopsis »
User Reviews:
Hedy Lamarr in the Dock See more (19 total) »

Cast

  (in credits order) (verified as complete)

Hedy Lamarr ... Madeleine Damien
Dennis O'Keefe ... Dr. David S. Cousins
John Loder ... Felix Courtland
William Lundigan ... Jack Garet
Morris Carnovsky ... Dr. Richard Caleb

Natalie Schafer ... Ethel Royce
Paul Cavanagh ... Victor Kranish

Douglass Dumbrille ... District Attorney O'Brien (as Douglas Dumbrille)

Margaret Hamilton ... Mrs. Geiger
rest of cast listed alphabetically:

Gino Corrado ... Carl, Waiter (uncredited)
James Flavin ... Police Sgt. Patella (uncredited)
Raoul Freeman ... Bailiff (uncredited)
Curt Furburg ... Courtroom Spectator (uncredited)
Henry Hebert ... Attorney's Assistant (uncredited)
Nicholas Joy ... Mitchell (uncredited)
Reid Kilpatrick ... AP News Broadcaster (uncredited)
Fred Kohler Jr. ... First Motorcycle Cop (uncredited)
Wilbur Mack ... Judge (uncredited)
Jack Richardson ... Passerby (uncredited)
Dewey Robinson ... Jim - Doorman (uncredited)
Ransom M. Sherman ... Mr. Shirley (unconfirmed) (uncredited)
Harry Strang ... Police Sergeant (uncredited)
Kam Tong ... Courtland's Houseboy (uncredited)
Archie Twitchell ... Freddie Fancher (uncredited)
Robert Williams ... Police Sgt. Bartlett (uncredited)

Ian Wolfe ... Dr. E.G. Lutz (uncredited)

Directed by
Robert Stevenson 
 
Writing credits
Edward Sheldon (play) and
Margaret Ayer Barnes (play)

Edmund H. North (screenplay)

André De Toth  uncredited
Ben Hecht  uncredited

Produced by
Jack Chertok .... producer
Hunt Stromberg .... executive producer
 
Original Music by
Carmen Dragon 
 
Cinematography by
Lucien N. Andriot (director of photography) (as Lucien Andriot)
 
Film Editing by
John M. Foley 
 
Production Design by
Nicolai Remisoff 
 
Art Direction by
Nicolai Remisoff 
 
Costume Design by
Elois Jenssen (gowns)
 
Makeup Department
Ruth Pursley .... hair stylist
Joseph Stinton .... makeup artist
 
Production Management
Daniel Keefe .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Lester D. Guthrie .... assistant director (as Lester Guthrie)
 
Art Department
Victor Green .... assistant art director
Robert Priestley .... interior decorator (as Robert Priestly)
 
Sound Department
John R. Carter .... sound (as John Carter)
Joseph I. Kane .... sound (as Joe Kane)
 
Editorial Department
James E. Newcom .... supervising editor
 
Other crew
Francis Dawson .... dialogue director
Guthrie McClintic .... stage producer
 
Thanks
David O. Selznick .... special thanks: arrangement for Stevenson
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
"Sins of Madeleine" - USA (reissue title)
See more »
Runtime:
85 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Canada:PG (Ontario) | Finland:K-16 | Portugal:M/12 | USA:Approved (PCA #11928, Adult Audience)

Did You Know?

Trivia:
Most of the characters' names from the play were changed for the film version.See more »
Goofs:
Revealing mistakes: Towards the end of the film when Dr Cousins 'punches' Jack Garet, Garet flies backwards without contact.See more »
Quotes:
Dr. Richard Caleb, Psychiatrist:She's been living in an area of infection and she's removed herself from it.
Felix Courtland:I take it you consider me part of the contamination.
Dr. Richard Caleb, Psychiatrist:You've come here for information, not diagnosis. I sually charge people for insulting them.
See more »
Movie Connections:
Featured in Dry Run (2010)See more »

FAQ

This FAQ is empty. Add the first question.
15 out of 17 people found the following review useful.
Hedy Lamarr in the Dock, 11 March 2009
Author: robert-temple-1 from United Kingdom

"The most beautiful woman in films" was the epithet generally bestowed upon the amazing Hedy Lamarr. But she might equally well have been called "the most intelligent woman in films", because she was the co-inventor with George Antheil of radio-guided torpedoes for the U.S. Navy using a frequency-hopping method of communication which is now fundamental to the technology of all mobile cellphones. (The story of this is well told in Antheil's autobiography, "Bad Boy of Music".) This film is excellently directed by English director Robert Stevenson, director of several classics such as "Owd Bob" (1936; see my review). Hedy is, as usual, fascinating to watch, and because the real Hedy was a somewhat disturbed character (she was twice arrested for shop-lifting and once convicted), the slightly mad flicker in her eyes may not all have been acting. We have recently learned that she was really Jewish, not Austrian, and that makes a lot more sense, as she did not exactly look like an Alpine Yodeler (her real surname was Kiesler), although strangely enough, in this film at one point she dresses like one. In fact, the clothes worn by Hedy in this film are all so amazingly spectacular that they amount to nothing less than a fantasy fashion parade. At one point, she walks into the snow in a white fur coat which is so large one almost imagines her to be a polar bear masquerading as a human. The gowns and jackets are a cross between Dior and Dali. Opposite Lamarr as the serious love interest is, of all people, Dennis O'Keefe, better known as a tough guy, and who went on to make "T-Men" (see my review) in the same year. O'Keefe was always under-rated and here does very well as a gentle young scientist who always has his nose up a test tube and only occasionally notices how beautiful his girlfriend is. But Hedy is a gal with a past, and what a past. In those days, sexual compulsion bordering on nymphomania had to be treated delicately in films, never overtly stated. So we have here a film heavy with innuendo, and lots of emphatic ambiguities from Hedy's psychiatrist to worry us. (Morris Carnovsky always played a very convincing psychiatrist, and if he looked at me in that stern way and told me I was a nymphomaniac, I might almost believe him, even though I am a man. So poor Hedy never had a chance but to get well.) Why was it that she could not resist the oily John Loder? And everyone else, for that matter? Her attempts to reform, by moving to a Greenwich Village hideaway and becoming a simple artist, where she meets O'Keefe, are threatened by all those guys who just won't leave her alone. And cocktails do terrible things to her. This is a very gripping film, and Hedy Lamarr was perfect for the lead. Wrongly accused of John Loder's murder, Lamarr sits in court refusing to defend herself because O'Keefe doesn't love her any more (or does he?), and the tension goes right up to the end. Will she be convicted? Will O'Keefe overcome his disgust? Can her psychiatrist sway the jury? Will, can, love conquer all? Good stuff.

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