Christopher Lee returns as Sax Rohmer's insidious Asian villain Fu Manchu for the second of his five vehicles. This time Fu Manchu and his army of henchmen are kidnaping the daughters of ... See full summary »
Paris, during the winter after its Liberation. Jean Diego meets up with his friend Raymond Lecuyer again. A tramp, pretending that he the Destiny, predicts Jean will meet the most beautiful... See full summary »
B.G. Bruno, a rich bachelor, the head of a successful greeting-card company in Scotland, is essentially a kind man but respectable to the point of stodginess and extreme stuffiness. An ... See full summary »
18-year old Valerie and her mother Trudy live together in rural Oostdijk, a quiet little village near Amsterdam. When Trudy comes home one night, she gets run over by a car. Dead. The ... See full summary »
A successful magician is approached to do a TV special, which he has not done before. He and the beautiful producer of the show fall in love with each other, much to the disappointment of ... See full summary »
A female restaurant owner with a heart condition is kidnapped by two high school boys on an adrenalin rush and demanding a ransom. She is left in a car in the middle of nowhere in a ... See full summary »
Steve Morgan kills a man in a holdup and hitches a ride to Los Angeles with Fergie. At a gas station, they pick up two women. Encountering a roadblock, Morgan takes over and persuades the party to spend the night at an unoccupied beach house. The police close in as one by one, the others learn that Morgan is a killer. Written by
Rod Crawford <firstname.lastname@example.org>
Over the decades, Felix Feist's The Devil Thumbs A Ride has gathered a fierce reputation as some sort of ultimate, quick-and-dirty film noir (like Detour). It's not quite that. Its dark star, Laurence Tierney, was more explosively, unpredictably violent in Born to Kill (and he had Claire Trevor at her malevolent best to play against). And Ida Lupino's The Hitch-Hiker corners the market on the terrors of the lonely road, come nightfall. (The better part of Devil Thumbs A Ride, by contrast, occur in a posh beach house somewhere between San Diego and Los Angeles). But the ensemble cast works well together -- Betty Lawford as good-time-gal Agnes is especially memorable. The end is somewhat troublesome; the necessary "restoration to normalcy" is abrupt and discordantly upbeat. The best films noirs close on a greyer, more ambiguous note. Still, this may be the finest 63-minute film ever made, and a key piece in the noir cycle.
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