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Dead Reckoning (1947)

Passed  -  Crime | Drama | Film-Noir  -  16 January 1947 (USA)
7.2
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Ratings: 7.2/10 from 3,945 users  
Reviews: 70 user | 22 critic

A soldier runs away rather than receive the Medal of Honor, so his buddy gets permission to investigate, and love and death soon follow.

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(screenplay), (screenplay), 3 more credits »
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Title: Dead Reckoning (1947)

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Cast

Complete credited cast:
...
...
Morris Carnovsky ...
Martinelli
Charles Cane ...
Lt. Kincaid
...
Sgt. Johnny Drake
Marvin Miller ...
Krause
Wallace Ford ...
McGee
James Bell ...
Father Logan
George Chandler ...
Louis Ord
William Forrest ...
Lt. Col. Simpson
Ruby Dandridge ...
Hyacinth
Edit

Storyline

Rip Murdock and Johnny Darke are en route to Washington when Johnny disappears and then turns up dead. Rip learns that Johnny had been accused of murder and sets out to find out what he can. He falls in love with Coral whose husband Johnny is supposed to have killed. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

There never was a Bogart like this... and here's the reason... See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 January 1947 (USA)  »

Also Known As:

John Cromwell's Dead Reckoning  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Lizabeth Scott's singing was dubbed by Trudy Stevens. See more »

Goofs

When Krause pushes the "unconscious" Murdock into a chair, Murdock takes a step, while falling backward, to keep his balance. See more »

Quotes

Martinelli: [to Rip] You place me in an extremely distasteful position, Mr. Murdock. Brutality has always revolted me.
See more »

Connections

Referenced in Albino Alligator (1996) See more »

Soundtracks

Either It's Love or It Isn't
By Allan Roberts and Doris Fisher
Performed by Lizabeth Scott (dubbed by Trudy Stevens) (uncredited)
See more »

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User Reviews

 
Brutal Film Noir
31 January 2004 | by (Long Island Motor Parkway) – See all my reviews

One of Bogart's best, a brutal Film Noir with a surprising ending, & filled with sharp, witty dialog. Lizabeth has never looked more beautiful than here, & although her acting ability is overmatched by Bogart, she would improve in her later films & she's adequate in this role. There's glimpses of the basic "Maltese Falcon" plot here: Bogey searches out & seeks revenge for his partner, even some of the dialog is similar in that respect. If you like Bogart or if you like Film Noir, you can't go wrong with this one! And by the way, this is a REAL Film Noir, not in the newer use of this phrase (recently, people have been calling any B&W crime drama made in the 1940s a "Film Noir"). This film has all the classic Film Noir elements: lots of shadows & stark contrasts (in the beginning, Bogart speaks from shadows so dark that one can hardly see his face), a spoken narrative, a "hero" who works outside the law, a murder mystery, & a heroine who may not be a heroine.


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