Matt Brennan runs into Jo Holloway, the Red Cross girl he romanced in Europe when he was a flyer in World War II, when he is offered a job by jet manufacturer Leland Willis as a test pilot.... See full summary »
Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffreyy ... See full summary »
Three time loser Duke Berne risks life in prison with one more armored car robbery. His attorney's wife Lorna, Berne's old sweetheart, keeps him from it but he goes to jail anyway. Duke and... See full summary »
Rip Murdock and Johnny Darke are en route to Washington when Johnny disappears and then turns up dead. Rip learns that Johnny had been accused of murder and sets out to find out what he can. He falls in love with Coral whose husband Johnny is supposed to have killed. Written by
Ed Stephan <email@example.com>
In the train scene, after they discover that Drake is to receive the Medal of Honor, Murdock quips that maybe the president will let Drake "sit on top of his piano". This is a reference to a then-scandalous photo of Harry Truman playing piano with a leggy blonde on top that was taken at the National Press Club in 1945. The blonde was Lauren Bacall. See more »
When Krause pushes the "unconscious" Murdock into a chair, Murdock takes a step, while falling backward, to keep his balance. See more »
Captain Warren 'Rip' Murdock:
Johnny, why don't you get rid of the grief you got for that blonde, whoever she is? Every mile we go, you sweat worse with the same pain. Didn't I tell you all females are the same with their faces washed?
See more »
The bulk of this film, the middle of it, was just too slow for me, hence the so-so rating. The beginning and endings were very good, especially several scenes in the final half hour. There were several twists concerning Lizabeth Scott's character that kept you guessing.
There were other things going for this film, such as Humphrey Bogart's narration. He had a lot of good lines in here, either narrating or talking to others. He and Scott were the stars but some of the supporting players also were great, such as Morris Carnovsky as the tough-guy aide, "Martinelli. " Also, they may not be big names but Charles Cane, William Prince, Marin Miller, Wallace Ford and James Bell all added nice performance here.
Yet, with all this going for it, I didn't find the film as involving as it should have been. Perhaps another look someone will change my mind.
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