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Dead Reckoning (1947)

Passed | | Crime, Drama, Film-Noir | February 1947 (USA)
A soldier runs away rather than receive the Medal of Honor, so his buddy gets permission to investigate, and love and death soon follow.

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(screenplay), (screenplay) | 3 more credits »
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Cast

Complete credited cast:
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Morris Carnovsky ...
Charles Cane ...
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McGee
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Father Logan
...
Louis Ord
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Lt. Col. Simpson
Ruby Dandridge ...
Hyacinth
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Storyline

Rip Murdock and Johnny Darke are en route to Washington when Johnny disappears and then turns up dead. Rip learns that Johnny had been accused of murder and sets out to find out what he can. He falls in love with Coral whose husband Johnny is supposed to have killed. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

Humphrey Bogart is out with a new woman... See more »


Certificate:

Passed | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

February 1947 (USA)  »

Also Known As:

John Cromwell's Dead Reckoning  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the train scene, after they discover that Drake is to receive the Medal of Honor, Murdock quips that maybe the president will let Drake "sit on top of his piano". This is a reference to a then-scandalous photo of Harry Truman playing piano with a leggy blonde on top that was taken at the National Press Club in 1945. The blonde was Lauren Bacall. See more »

Goofs

Capt. Murdock is looking through a directory which seems to be in alphabetical order except for the fact that Municipal Laboratory was listed BEFORE Morgue. See more »

Quotes

Captain Warren 'Rip' Murdock: You're with me 'til after dark, and then some.
See more »

Connections

Referenced in Play It Again, Sam (1972) See more »

Soundtracks

Either It's Love or It Isn't
By Allan Roberts and Doris Fisher
Performed by Lizabeth Scott (dubbed by Trudy Stevens) (uncredited)
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User Reviews

 
Femme fatale
10 October 2004 | by (New York) – See all my reviews

John Cromwell was a director that aimed to please, as demonstrated by the films he left behind.

"Dead Reckoning" is a film that is satisfying while one is watching it, but later on, in retrospect, we question a lot of what we have seen as the plot doesn't make sense in many ways. All the elements of the Film Noir genre can be found in it. We have a war hero Rip, who is investigating the disappearance of his buddy, who he watches running away from a train in order not to testify with him in Washington. The action takes us to a Southern coastal town, where supposedly, the escapee has gone to. Little prepares Rip to find his friend burned to death in the morgue.

Thus begins a tale of deception that has lots of interesting twists. The film benefits from its two stars, who play a game that on the surface seems to be one thing, and with a surprising twist at the end, turns out to be something else.

Humphrey Bogart excelled in movies like this. He is tough, but he has time to have a great rapport with Dusty, the former singer at the local night club. Lisabeth Scott plays the siren with an air of mystery. It comes as a big surprise what happens at the end.

Morris Carnovsky, a great theater actor of the time, is Martinelli, the crooked owner of the night club. Also a young William Prince plays the man who ran away to find a tragic fate by doing so.


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