Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffreyy ... See full summary »
Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy... See full summary »
Rip Murdock and Johnny Darke are en route to Washington when Johnny disappears and then turns up dead. Rip learns that Johnny had been accused of murder and sets out to find out what he can. He falls in love with Coral whose husband Johnny is supposed to have killed. Written by
Ed Stephan <firstname.lastname@example.org>
While it may not be one of the all-time greats, "Dead Reckoning" is neglected even in the Noir category. Most viewers see it because of Bogart. There is good reason: any doubts about his acting ability are erased by this performance. He really had a gift for delivering the archetypal Noir dialogue with which this film is loaded.
Other cast members--Prince, Scott, Carnovsky--are very good. And a particular brand of Noir brutality plays a noteworthy role in this tale. But the main recommendation here is for the LOOK of the film. This is a prime example of Film Noir atmosphere at its most evocative. The opening shot of "Gulf City" at night is so beautiful, you want it to last much longer; Bogart's "confession" to the priest that frames the story in flashback is heavily shrouded in darkness; and the numerous nocturnal hotel scenes are threatening and darkly suggestive.
Worth seeing for a not too-convoluted plot, Bogart, and the atmosphere.
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