A hangman conceals his true identity when he falls in love, and sets up home with his girl on a barge in the river Thames. Tragedy strikes when the hangman's assistant tries to seduce his ... See full summary »

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Cast

Complete credited cast:
...
...
Maxwell Reed ...
Olaf
Edward Rigby ...
Bill Shackle
Bill Owen ...
Ron
Eliot Makeham ...
Mr. Bigley
Jane Hylton ...
Doris
Margaret Withers ...
Mrs.Bigley
John Turnbull ...
Superintendent
Maurice Denham ...
Inspector
Milton Rosmer ...
Governor
Lyn Evans ...
Waterman
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Storyline

A hangman conceals his true identity when he falls in love, and sets up home with his girl on a barge in the river Thames. Tragedy strikes when the hangman's assistant tries to seduce his boss's wife - after a fight, the hangman is presumed drowned. The woman commits suicide, but the hangman has in fact survived, and manages to save his assistant from the gallows. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

british noir | See All (1) »

Genres:

Drama | Film-Noir

Certificate:

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Details

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Language:

Release Date:

12 July 1948 (UK)  »

Also Known As:

Amanhecer Fatídico  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Release delayed for two years, owing to censorship problems. See more »

Quotes

Ron: If you ask me it's a miracle you're alive.
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Soundtracks

The Wedding March
(uncredited)
Music by Felix Mendelssohn-Bartholdy
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User Reviews

 
Good story - marred by censorship.
20 February 2012 | by (medway) – See all my reviews

The acting in this film noir is mostly wooden - Ann Todd apart. The best parts were probably left on the cutting room floor,courtesy of the censor. What's left is just the husk of a compelling story from Monckton Hoffe. The fight scene was atrocious and unconvincing, but the film is saved from itself because of the eeriness of the rain-soaked scenes, presumably shot at Hammersmith near the Riverside Studios. Shots of the Palais De Danse and the Rialto seem to give credence to this assertion. Bill Owen is his usual matter-of-fact self, and ends this sad story. The sound quality has suffered over the years - the opening music especially. All the criticism apart, the life on-board a barge and views of Gravesend riverfront before demolition to make way for soulless housing development are good reasons to buy the DVD (if you can find one)- and keep a strong drink handy for the ending. You have been warned.


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