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Dark Passage (1947)

7.6
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Ratings: 7.6/10 from 10,340 users  
Reviews: 116 user | 58 critic

A man convicted of murdering his wife escapes from prison and works with a woman to try and prove his innocence.

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(screenplay), (novel)
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Title: Dark Passage (1947)

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Cast

Complete credited cast:
...
...
...
Bob
...
Tom D'Andrea ...
Clifton Young ...
Douglas Kennedy ...
Rory Mallinson ...
Houseley Stevenson ...
Rest of cast listed alphabetically:
John Alvin ...
Blackie (scenes deleted)
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Storyline

Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart's-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he's really after is revenge. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Two Of A Kind ! Tough . . . Torrid . . . Terrific ! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 September 1947 (USA)  »

Also Known As:

Das unbekannte Gesicht  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The third of four films made by husband and wife Humphrey Bogart and Lauren Bacall. See more »

Goofs

Vincent Parry wore his bandages on his face for over two weeks but only had about two days of beard growth. The human male beard would grow about 3/4 to a inch in over two weeks on average for a man like Parry. See more »

Quotes

Vincent Parry: Don't you get lonely up here by yourself?
Irene Jansen: I was born lonely, I guess.
See more »

Connections

Edited into Dead Men Don't Wear Plaid (1982) See more »

Soundtracks

Someone to Watch Over Me
(uncredited)
Music by George Gershwin
Played on the phonograph when Parry comes downstairs
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Supporting Actors Outshine Two Stars
9 March 2006 | by (United States) – See all my reviews

Watching a "feature" on the DVD the other day after viewing this movie, it was interesting to hear that "Dark Passage" was never a popular film despite the headliners being Humphrey Bogart and Lauren Bacall.

That was because studio head Jack Warner was displeased that Bogart's face wasn't shown for the first half of the film and so he didn't give the movie much publicity. The fact Bogey's face didn't appear for quite a while apparently didn't settle well with the public, either.

That was their loss: this is a fine film. The stars of it, really - the actors who put the spark in the story - aren't Bogey and Bacall anyway but the supporting actors. I can't recall a movie where the supporting cast was so good, so entertaining, as in this film.

Before naming them, let me preface by saying Bogart and Bacall still give good performances and Bacall still had a face in those early days that was mesmerizing BUT the people who make this movie click are:

Tom D'Andrea as the cab driver; Houseley Stevenson as the strange and extremely interesting plastic surgeon; Clifton Young as the blackmailer; Tory Mallison as Bogart's old best friend and Agnes Moorhead as the villainous snoop. These people are fantastic.

As an escaped convict on the run, we only see what Bogart sees until plastic surgery turns him into the familiar face we recognize. That sort of thing - seeing only what one character sees, using the camera as his eyes, was done in another noir, "Lady In The Lake," but not done as successfully as in this film. Here, it works as we meet these other weird characters as Bogart sees them. Actually, every character including Bacall's, is a bit odd. The script doesn't always make sense, either, to be honest, but it's fun to play along.

It was a simple but effective story with some neat twists along the way and pretty good suspense here and there, too. I think it's a very underrated film noir and very glad the long-awaited DVD gave it a nice transfer. This is another example of a classic film that looks far better on DVD than it ever did on tape. I hadn't realized how well-photographed this movie was until I saw it on disc.


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Recent Posts
Don't Get Me Wrong, I Loved It, BUT... jmiller1918
Something has always bothered me about this film mryerson
did anyone else think Agnes Moorehead was kinda hot? beavertoof
Newspaper photo of Vincent Parry cldistefano
Irene's Apartment + Other Settings Ariane1998
Time for a remake? Jack_and_Pike
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