7.6/10
13,017
127 user 52 critic

Dark Passage (1947)

Approved | | Film-Noir, Thriller | 27 September 1947 (USA)
Trailer
2:10 | Trailer

Watch Now

$0.00 (SD) with Prime Video

WATCH NOW
ON DISC
A man convicted of murdering his wife escapes from prison and works with a woman to try and prove his innocence.

Director:

Writers:

(screen play by), (from the novel by)
Reviews

Videos

Photos

Learn more

People who liked this also liked... 

Key Largo (1948)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A man visits his old friend's hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.

Director: John Huston
Stars: Humphrey Bogart, Edward G. Robinson, Lauren Bacall
Adventure | Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

During World War II, American expatriate Harry Morgan helps transport a French Resistance leader and his beautiful wife to Martinique while romancing a sexy lounge singer.

Director: Howard Hawks
Stars: Humphrey Bogart, Lauren Bacall, Walter Brennan
High Sierra (1941)
Certificate: Passed Adventure | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

After being released from prison, notorious thief Roy Earle is hired by his old boss to help a group of inexperienced criminals plan and carry out the robbery of a California resort.

Director: Raoul Walsh
Stars: Ida Lupino, Humphrey Bogart, Alan Curtis
The Big Sleep (1946)
Crime | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.

Director: Howard Hawks
Stars: Humphrey Bogart, Lauren Bacall, John Ridgely
Drama | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts...

Director: Nicholas Ray
Stars: Humphrey Bogart, Gloria Grahame, Frank Lovejoy
Certificate: Passed Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A soldier runs away rather than receive the Medal of Honor, so his buddy gets permission to investigate, and love and death soon follow.

Director: John Cromwell
Stars: Humphrey Bogart, Lizabeth Scott, Morris Carnovsky
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-martialed, kicked out of the Army, and boards a Japanese ship for the Orient in late 1941. ... See full summary »

Directors: John Huston, Vincent Sherman
Stars: Humphrey Bogart, Mary Astor, Sydney Greenstreet
Adventure | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

In Africa during WWI, a gin-swilling riverboat captain is persuaded by a strait-laced missionary to use his boat to attack an enemy warship.

Director: John Huston
Stars: Humphrey Bogart, Katharine Hepburn, Robert Morley
Drama | Adventure | War
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Five patriotic convicts are helped to escape imprisonment in Devil's Island so they can fight for occupied Free French forces against the Nazis.

Director: Michael Curtiz
Stars: Humphrey Bogart, Claude Rains, Michèle Morgan
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffrey ... See full summary »

Director: Peter Godfrey
Stars: Humphrey Bogart, Barbara Stanwyck, Alexis Smith
Drama | Film-Noir | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A waitress, a hobo and a bank robber get mixed up at a lonely diner in the desert.

Director: Archie Mayo
Stars: Leslie Howard, Humphrey Bogart, Bette Davis
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Two brothers struggle as wildcat truck drivers; one comes to harm, the other is accused of his friend's murder.

Director: Raoul Walsh
Stars: George Raft, Humphrey Bogart, Ann Sheridan
Edit

Cast

Complete credited cast:
...
...
...
Bob
...
Tom D'Andrea ...
Clifton Young ...
...
...
Houseley Stevenson ...
Rest of cast listed alphabetically:
...
Blackie (scenes deleted)
Edit

Storyline

Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart's-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he's really after is revenge. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

TOGETHER AGAIN! (original one-sheet poster) See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

27 September 1947 (USA)  »

Also Known As:

La senda tenebrosa  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Dane Clark: voice on radio when the escaped Vincent Parry is riding in the car. See more »

Goofs

In the diner, a sign on the wall for the ham special says it includes "potatoes - salad - drink - and 'desert.'" (not 'dessert'). See more »

Quotes

Vincent Parry: Don't you get lonely up here by yourself?
Irene Jansen: I was born lonely, I guess.
See more »

Connections

Featured in The Best of Film Noir (1999) See more »

Soundtracks

Too Marvelous for Words
(uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed on record twice by Jo Stafford
Also played on the jukebox at the bus station
Also played at the cafe in Peru and during the end credits
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Softer Side of Bogart and Bacall
9 June 2005 | by (Whitehall, PA) – See all my reviews

The absorbing documentary featurette on the DVD edition of the 1947 mystery DARK PASSAGE (DP) suggests that Humphrey Bogart and Lauren Bacall's participation in the star-studded Committee for the First Amendment, intended to defend colleagues called before the HUAC, might have been the reason that DP wasn't as big a hit as the real/reel-life couple's earlier screen collaborations. However, I suspect that audiences past and present may have found DP harder to cozy up to because, instead of the cool, insolent, wisecracking Bogart & Bacall of TO HAVE AND HAVE NOT and THE BIG SLEEP, this film version of David Goodis' novel THE DARK ROAD presents a more melancholy, vulnerable Bogart & Bacall -- which is not at all a bad thing, just unexpected from this star team at that time. That Bogart & Bacall chemistry is still there, but it's sweeter here, as if they'd decided to let down their collective guard and allow tenderness to take over. Instead of the cocksure Bogart character we all know and love, DP protagonist Vincent Parry is wary, fearful, fumbling in his attempts to clear himself of his wife's murder and elude the cops like he escapes from prison in the film's opening scenes. His only allies include the mysterious Irene Jansen (Bacall), who followed his case during his trial and ends up in a position to help hide him while he proves his innocence, and Sam (Tom D'Andrea), a kindly, lonesome cabbie who steers Parry to a back-alley plastic surgeon (Houseley Stevenson) to get a new face to help him fly under the law's radar.

1947 was The Year of the Subjective Camera, with DP's first hour shot from Bogart's point of view and Robert Montgomery's film adaptation of Raymond Chandler's LADY IN THE LAKE (which I've discussed elsewhere on the IMDb) using the technique throughout. Unlike LADY..., DP's plastic surgery gimmick provides a good plot reason for the audience not to initially see Bogart's face, though we frequently hear that unmistakable Bogart voice to make up for it. We also get to see the lovely Bacall and lots of spellbinding character actors in lieu of Bogie. There isn't an uninteresting face or a bad performance in the bunch, with standout performances from the leads, D'Andrea, Stevenson (wise, kindly, and vaguely sinister all at once), Rory Mallinson as Parry's musician friend, the ever-dependable Bruce Bennett, cheap hood Clifton Young (with an oily grin and a cleft chin that looks like it got lost on the way to Cary Grant's face), and especially the magnificent Agnes Moorehead as Madge Rapf, the kind of woman who won't join any club that'll have her as a member, a stylish dame who spreads stress and misery wherever she goes. Sticking her nose into everyone's business, Madge manages to lure people to her and push them away at the same time, and if she can't have you, she'll make damn sure nobody else canhave you, even if that means murder. With her delivery dripping honey one minute and venom the next (especially in her climactic scene with Bogart), the quicksilver Moorehead's commanding presence and her unconventional, undeniably striking good looks ensure that you can't take your eyes off her whenever she's on screen.

If you're looking for a tight mystery plot, look elsewhere. While DP has many suspenseful moments, it's primarily a character study and a mood piece about loneliness, redemption, and starting over, with a strong undercurrent of postwar paranoia, all underscored beautifully by Franz Waxman's stirring music (with contributions by an uncredited Max Steiner). The bus station scene is a touching example of this. But the reactions of people who meet Parry with his post-op face and new name, "Allan Linnell," are so suspicious I wondered if writer/director Delmer Daves (who cameos as the photo of Irene's doomed dad. His real-life kids have bit parts, too) was indicating that Parry was really projecting his own paranoia onto the people around him. His new name in particular makes people look at him like he just dropped in from the planet Neptune: "Linnell? That's a very unusual name." What's so freakin' unusual about it?! What, it's not blandly Anglo-Saxon enough? I wonder if John Linnell of They Might Be Giants fame ever had to field such questions...but I digress... :-)

Even when DP drops the subjective camera style so we can see Bogart in all his glory, the visuals are striking thanks to Sid Hickox's moody black-and-white photography (although with the emphasis on Madge's love of all things orange, I can imagine a partly-colorized version a la SIN CITY, with everything black-and-white except Madge's orange clothes and belongings... :-) and some innovative visual techniques. I particularly liked the use of the glass floor when Bogart discovers a dead body -- a tip of the hat to Alfred Hitchcock's THE LODGER, perhaps? Speaking of Hitchcock, DP and Hitch's 1958 classic VERTIGO might make an interesting double feature since they share themes of loss, loneliness, new identities and fresh starts as well as a San Francisco setting. If you want to see a softer side of Bogart & Bacall, DP is well worth watching. You may also enjoy the DVD's other fun extras, like the original theatrical trailer (for me, the hyperbole of that era's movie trailers is part of their charm) and SLICK HARE, one of the Bugs Bunny cartoons affectionately lampooning Bogart (rumor has it that Bogart liked to pal around with the animators at Warner Bros.' "Termite Terrace" and he actually did his own voice work for SLICK HARE and 8-BALL BUNNY).


31 of 34 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Something has always bothered me about this film mryerson
did anyone else think Agnes Moorehead was kinda hot? beavertoof
Time for a remake? Jack_and_Pike
Newspaper photo of Vincent Parry cldistefano
Parry's Drink pjfreels
Cabbies AlanLinell
Discuss Dark Passage (1947) on the IMDb message boards »

Contribute to This Page